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British Cinema and the Cold War - The State, Propaganda and Consensus (Paperback)
Loot Price: R845
Discovery Miles 8 450
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British Cinema and the Cold War - The State, Propaganda and Consensus (Paperback)
Series: Cinema and Society
Expected to ship within 12 - 17 working days
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Cinema was one of the Cold War's most powerful instruments of
propaganda. Movies blended with literary, theatrical, musical and
broadcast representations of the conflict to produce a richly
textured Cold War culture. Now in paperback, this timely book fills
a significant gap in the international story by uncovering British
cinema's contribution to Cold War propaganda and to the development
of a popular consensus on Cold War issues. Tony Shaw focuses on an
age in which the 'first Cold War' dictated international (and to
some extent domestic) politics. This era also marked the last phase
of cinema's dominance as a mass entertainment form in Britain. Shaw
explores the relationship between film-makers, censors and
Whitehall, within the context of the film industry's economic
imperatives and the British government's anti-Soviet and
anti-Communist propaganda strategies. Drawing upon rich
documentation, he demonstrates the degree of control exerted by the
state over film output. Shaw analyses key films of the period,
including High Treason, which put a British McCarthyism on
celluloid; the fascinatingly ambiguous science fiction thriller The
Quatermass Experiment; the dystopic The Damned, made by one of
Hollywood's blacklisted directors, Joseph Losey; and the
CIA-funded, animated version of George Orwell's novel "Animal
Farm". The result is a deeply probing study of how Cold War issues
were refracted through British films, compared with their imported
American and East European counterparts, and how the British public
received this 'war propaganda'.
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