en Lauschmann's work is informed by his interest in the earliest
forms of magical entertainment and the latest technical
innovations. In his largest solo exhibition to date, he explores
the use of tools, techniques and systems to solve problems, with
the aim of bypassing the tension between optimistic and sceptical
attitudes towards technology. Startle Reaction uses Lauschmann's
interest in automatons and cinema to play with the notion that we
are capable of believing in things we know are false.
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