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Blackness Is Burning - Civil Rights, Popular Culture, and the Problem of Recognition (Paperback)
Loot Price: R1,078
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Blackness Is Burning - Civil Rights, Popular Culture, and the Problem of Recognition (Paperback)
Series: Contemporary Approaches to Film and Media Series
Expected to ship within 10 - 15 working days
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Blackness Is Burning is one of the first books to examine the ways
race and psychological rhetoric collided in the public and popular
culture of the civil rights era. In analyzing a range of media
forms, including Sidney Poitier's popular films, black mother and
daughter family melodramas, Bill Cosby's comedy routine and cartoon
Fat Albert, pulpy black pimp narratives, and several aspects of
post- civil rights black/American culture, TreaAndrea M. Russworm
identifies and problematizes the many ways in which psychoanalytic
culture has functioned as a governing racial ideology that is built
around a flawed understanding of trying to ""recognize"" the racial
other as human. The main argument of Blackness Is Burning is that
humanizing, or trying to represent in narrative and popular culture
that #BlackLivesMatter, has always been a barely attainable and
impossible to sustain cultural agenda. But Blackness Is Burning
makes two additional interdisciplinary interventions: the book
makes a historical and temporal intervention because Russworm is
committed to showing the relationship between civil rights
discourses on theories of recognition and how we continue to
represent and talk about race today. The book also makes a formal
intervention since the chapter-length case studies take seemingly
banal popular forms seriously. She argues that the popular forms
and disreputable works are integral parts of our shared cultural
knowledge. Blackness Is Burning's interdisciplinary reach is what
makes it a vital component to nearly any scholar's library,
particularly those with an interest in African American popular
culture, film and media studies, or psychoanalytic theory.
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