Existentialism and poststructuralism have provided the two main
theoretical approaches to Samuel Beckett's work. These influential
philosophical movements, however, owe a great debt to the
phenomenological tradition. This volume, with contributions by
major international scholars, examines the phenomenal in Beckett's
literary worlds, comparing and contrasting his writing with key
figures including Edmund Husserl, Martin Heidegger, Jean-Paul
Sartre and Maurice Merleau-Ponty. It advances an analysis of
hitherto unexplored phenomenological themes, such as nausea,
immaturity and sleep, in Beckett's work. Through an exploration of
specific thinkers and Beckett's own artistic method, it offers the
first sustained and comprehensive account of Beckettian
phenomenology.>
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