"Film Editing" provides an introduction to the craft of editing
in the non-silent film. In clear and accessible language, Valerie
Orpen considers editing as an expressive strategy rather than a
mere technique. She reveals that editing can be approached and
studied in a similar way to other aspects of film. Traditionally,
studies on editing or montage tend to focus on silent cinema, yet
this book claims that an examination of editing should also
consider the role of the soundtrack. The aim of "Film Editing" is
to examine the way in which editing can make meaning. The book
addresses editing as part of a wider context and as a crucial
element of the overarching design and vision of a film.
Consequently, this book incorporates other parameters, such as
mise-en-sc?ne, framing, sound, genre, history, and performance. By
examining a number of mainstream and art films, such as Godard's "A
bout de souffle," Hitchcock's "Rear Window," and Scorsese's "Raging
Bull, Film Editing" seeks to dispel the notion that editing is
necessarily polarized as continuity versus discontinuity.
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