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Divergent Tracks - How Three Film Communities Revolutionized Digital Film Sound (Hardcover)
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Divergent Tracks - How Three Film Communities Revolutionized Digital Film Sound (Hardcover)
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By examining three case studies of award-winning soundtracks from
cult films—Barton Fink (1991), Bram Stoker’s Dracula (1992),
and The English Patient (1996)—it becomes clear that major
American film communities, when confronted with the initial
technological changes of the 1990s, experienced similar challenges
with the inelegant transition from analogue to digital. However,
their cultural and structural labor differences governed different
results. Vanessa Ament, author of The Foley Grail (2009), rather
than defining the 1990s as an era of technological determinism—a
superficial reading—it is best understood as one in which sound
professionals became more viable as artists, collaborated in sound
design authorship, and influenced this digital transition to better
accommodate their needs and desires in their work.
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