The late sixth century was a period of considerable change in
Etruria; this change is traditionally seen as the adoption of
superior models from Greece. In a re-alignment of agency, this 2007
book examines a wide range of Etruscan material culture - mirrors,
tombs, sanctuaries, houses and cities - in order to demonstrate the
importance of local concerns in the formation of Etruscan material
culture. Drawing on theoretical developments, the book emphasises
the deliberate nature of the smallest of changes in material
culture form, and develops the concept of surface as a unifying key
to understanding the changes in the ways Etruscans represented
themselves in life and death. This concept allows a uniquely
holistic approach to the archaeology of Etruscan society and has
the potential for other archaeological investigations. The book
will interest all scholars and students of classical archaeology.
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