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Interpreting the Republic - Marginalization and Belonging in Contemporary French Novels and Films (Paperback)
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Interpreting the Republic - Marginalization and Belonging in Contemporary French Novels and Films (Paperback)
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Interpreting the Republic focuses on contemporary French literary
and cinematic works (1986-2003) that reflect on what it means to
belong to a nation such as France by giving voice to those who find
themselves marginalized by French society. While citizenship and
belonging can be, and indeed are, interpreted differently depending
on the socio-cultural and political context, it is the foundational
universalist republican principle of egalitarianism that has
remained the sacred cow of French society. One of the major claims
of this study is that the rigidity of French national discourse
that attempts to impose a certain homogeneity in its official
identificatory practices-all citizens are French, and thus
difference (ethnic, sexual or other) ceases to matter-is but one of
the many possible interpretations of the notion of the Republic.
Vinay Swamy seeks to show how such supposedly unshakeable
principles, too, can be, and often are, reinterpreted in novel ways
by the works analyzed in this study, which carve out niches for
their protagonists that are otherwise foreclosed in the French
national space. Swamy examines the different tactics of
identification deployed in works ranging from early "romans beurs"
by Azouz Begag, Farida Belghoul and Soraya Nini, and Allah
Superstar, the 2003 satirical novel by Y.B., to a number of films
including Gazon maudit (1995), Ma vie en rose (1997), Le Placard
(2001), Chouchou (2003), all of which (re)interpret the Republic in
an effort to legitimize their protagonists' otherwise marginalized
social position(s). He demonstrates how all these works put
pressure, in a variety of ways, on an unacknowledged understanding
of the institutional positions.
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