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Whitechapel Noise - Jewish Immigrant Life in Yiddish Song and Verse, London 1884-1914 (Hardcover)
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Whitechapel Noise - Jewish Immigrant Life in Yiddish Song and Verse, London 1884-1914 (Hardcover)
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New perspectives on Anglo-Jewish history via the poetry and song of
Yiddish-speaking immigrants in London from 1884 to 1914. Archive
material from the London Yiddish press, songbooks, and satirical
writing offers a window into an untold cultural life of the Yiddish
East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song
and Verse, London 1884-1914 by Vivi Lachs positions London's
Yiddish popular culture in historical perspective within
Anglo-Jewish history, English socialist aesthetics, and music-hall
culture, and shows its relationship to the transnational
Yiddish-speaking world. Layers of cultural references in the
Yiddish texts are closely analysed and quoted to draw out the
complex yet intimate histories they contain, offering new
perspectives on Anglo-Jewish historiography in three main areas:
politics, sex, and religion. The acculturation of Jewish immigrants
to English life is an important part of the development of their
social culture, as well as to the history of London. In the first
part of the book, Lachs presents an overview of daily immigrant
life in London, its relationship to the Anglo-Jewish establishment,
and the development of a popular Yiddish theatre and press,
establishing a context from which these popular texts came. The
author then analyzes the poems and songs, revealing the hidden
social histories of the people writing and performing them. Lachs
also explores how themes of marriage, relationships, and sexual
exploitation appear regularly in music-hall songs, alluding to the
changing nature of sexual roles in the immigrant London community
influenced by the cultural mores of their new location. In the
theme of religion, Lachs examines how ideas from Jewish texts and
practice were used and manipulated by the socialist poets to
advance ideas about class, equality, and revolution; and satirical
writings offer glimpses into how the practice of religion and
growing secularization was changing immigrants' daily lives in the
encounter with modernity. The detailed and nuanced analysis found
in Whitechapel Noise offers a new reading of Anglo-Jewish, London,
and immigrant history. It is a must-read for Jewish and
Anglo-Jewish historians and those interested in Yiddish, London,
and migration studies.
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