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Meaninglessness - Time, Rhythm, and the Undead in Postcolonial Cinema (Paperback)
Loot Price: R1,282
Discovery Miles 12 820
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Meaninglessness - Time, Rhythm, and the Undead in Postcolonial Cinema (Paperback)
Series: African Humanities and the Arts
Expected to ship within 12 - 17 working days
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For too long, the approach to seemingly universal experiences like
love, death, and even time in film has been dominated by the Global
North. But what if such explorations developed horizontally
instead? Drawing from both European and African cultural theorists,
including Gilles Deleuze and Wole Soyinka, Vlad Dima invites us to
consider what happens to postcolonial African film if we no longer
privilege the idea of time. How else might we understand the
cinematic image, and how would its meanings change?
Meaninglessness: Time, Rhythm, and the Undead in Postcolonial
Cinema is a study of meaning and meaninglessness through the figure
of the undead, beginning with francophone Africa and extending to
postcolonial France. Through the analysis of films like Mati Diop's
Atlantics and Jean-Pierre Bekolo's Miraculous Weapons, Dima shows
how the African cinematic image may produce meaning without any
attachment to European time, and how that meaning is connected
instead to the philosophy of negritude and to the notion of rhythm.
Meaninglessness introduces the concept of the rhythm-sequence as a
new way to understand the African moving image.
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