Constructivism in Film examines the radical experiments of early
Soviet filmmakers, with special emphasis on the relationship of
Constructivist film to contemporary literature, painting,
architecture and design. Surveying the socio-political aspects of
the Constructivist movement as well, Vlada Petric then analyzes in
detail the most important silent film produced during this era,
Dziga Vertov's The Man with the Movie Camera (1929). This updated
edition contains a new chapter about the descriptive score of the
film.
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