Cited by Lukacs as a principal source of literary modernism, Walter
Benjamin's study of the baroque stage-form called Trauerspiel
(literally, "mourning play") is the most complete document of his
prismatic literary and philosophical practice. Engaging with
sixteenth- and seventeenth-century German playwrights as well as
the plays of Shakespeare and Calderon and the engravings of Durer,
Benjamin attempts to show how the historically charged forms of the
Trauerspiel broke free of tragedy's mythological timelessness. From
its philosophical prologue, which offers a rare account of
Benjamin's early aesthetics, to its mind-wrenching meditation on
allegory, "The Origin of German Tragic Drama" sparkles with early
insights and the seeds of Benjamin's later thought.
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