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Jane Morris - The Burden of History (Hardcover)
Loot Price: R2,516
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Jane Morris - The Burden of History (Hardcover)
Series: Edinburgh Critical Studies in Victorian Culture
Expected to ship within 12 - 17 working days
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This is a scholarly monograph devoted to Jane Morris, an icon of
Victorian art whose face continues to grace a range of
Pre-Raphaelite merchandise. Described by Henry James as a 'dark,
silent, medieval woman', Jane Burden Morris has tended to remain a
rather one-dimensional figure in subsequent accounts. This book,
however, challenges the stereotype of Jane Morris as silent model,
reclusive invalid, and unfaithful wife. Drawing on extensive
archival research as well as the biographical and literary
tradition surrounding William Morris and Dante Gabriel Rossetti,
the book argues that Jane Morris is a figure who complicates
current understandings of Victorian female subjectivity because she
does not fit neatly into Victorian categories of feminine identity.
She was a working-class woman who married into middle-class
affluence, an artist's model who became an accomplished embroiderer
and designer, and an apparently reclusive, silent invalid who was
the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane
Morris particularly focuses on textual representations - in
letters, diaries, memoirs and novels - from the Victorian period
onwards, in order to investigate the cultural transmission and
resilience of the stereotype of Jane Morris. Drawing on recent
reconceptualisations of gender, auto/biography, and afterlives,
this book urges readers to think differently - about an
extraordinary woman and about life-writing in the Victorian period.
It is the first scholarly study of Jane Morris, which seeks to
challenge the stereotype surrounding her as melancholy invalid and
Pre-Raphaelite femme fatale. It is an innovative case study of the
role of class, gender and sexuality in the formation of Victorian
feminine subjectivity. It is a contribution to emerging field of
new biography and Victorian afterlives through the inclusion and
examination of a wide variety of texts which construct the self. It
is an original exploration of feminine creative agency that
challenges conventional understandings of masculine artistic
autonomy in the Victorian period.
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