American photographer Wendy Paton allows herself to disappear in
order to let her subjects emerge from the night. In "Visages de
Nuit" ("Faces Of Night"), Paton's eye is that of the celebrant as
well as a voyeur, and in graphic compositions of black and white
that mesmerize us, she offers personal and intimate glimpses of our
human, ineffable presence. Her nocturnal portraits are both
intimate and familiar, compelling and mysterious. Paton's work has
been exhibited in gallery and museum venues internationally, and is
in private and public collections in the United States and
Europe.
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