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What People Do with Images - Aesthetics, Politics and the Production of Iranian Visual Culture in Transnational Circuits (Hardcover)
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What People Do with Images - Aesthetics, Politics and the Production of Iranian Visual Culture in Transnational Circuits (Hardcover)
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Rejecting broad-brush definitions of post-revolutionary art, What
People Do with Images provides a nuanced account of artistic
practice in Iran and its diaspora during the first part of the
twenty-first century. Careful attention is paid to the effects of
shifts in internal Iranian politics; the influence of US elections,
travel bans and sanctions; and global media sensationalism and
Islamophobia. Drawing widely on critical theory from both cultural
studies and anthropology, Mazyar Lotfalian details an ecosystem for
artistic production, covering a range of media, from performance to
installations and video art to films. Museum curators, it is
suggested, have mistakenly struggled to fit these works into their
traditional-modern-contemporary schema, and political commentators
have mistakenly struggled to position them as resistance,
opposition or counterculture to Islam or the Islamic Republic.
Instead, the author argues that creative artworks neutralize such
dichotomies, working around them, and playing a sophisticated game
of testing and slowly shifting the boundaries of what is
acceptable. They do so in part by neutralizing the boundaries of
what is inside and outside the nation-state, travelling across the
transnational circuits in which the domestic and diasporic arenas
reshape each other. While this book offers the valuable opportunity
to gain an understanding of the Iranian art scene, it also has a
wider significance in asking more generally how identity politics
is mediated by creative acts and images within transnational
socio-political spheres.
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