This book argues that a basic problem in thinking about
understanding, temporality, and selfhood is due to "imitative"
modes of thought found in much traditional Western philosophy and
theology. Given this, the book examines the complex role that
"image" and "imitation" play in understanding and its world of
meaning, the import of language and narrative for configuring human
temporality, and the existence of self. The author's contention is
that when critically understood, mimesis, with its roots in
performative enactment, holds resources for reconsidering these
basic dimensions of human life beyond imitative paradigms of
thought.
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