Double Falshood was staged at the Theatre Royal in Drury Lane at
the end of 1727, and the following year Lewis Theobald (1688-1744)
published the text, which was reprinted several times. Theobald was
an energetic editor who translated Sophocles' Electra and
Aristophanes' Plutus for performance in London, wrote and edited
many other dramatic works, and caused great controversy in literary
circles with his Shakespeare Restored (1726), a critique of Pope's
edition. Scholars have debated for nearly three centuries to what
extent, if at all, Double Falshood derives from a lost play by
Shakespeare, as Theobald claimed. There is now widespread agreement
that it is the only surviving version of Shakespeare and Fletcher's
Cardenio, which was based on episodes from Cervantes' Don Quixote
and is known to have been performed in 1613. Interest generated by
the play's partial acceptance into the Shakespearean canon has also
led to modern revivals.
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