Suzanne Gossett offers a full and critical performance history,
with an introduction showing how the play's performance history has
paralled the criticism. It then gives an interpretation of this
two-generation romance, with its successive male and female central
characters, based on a reading 'through the family', and influenced
by the feminist and new historicist criticism of the last two
decades. The edition integrates cumulative research on
Shakespeare's collaborative authorship and the transmission of the
text without rewriting the play or ignoring years of emendations.
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