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Books > Language & Literature > Literature: history & criticism > Poetry & poets
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Lady in the Labyrinth - Milton's Comus as Initiation (Hardcover)
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Lady in the Labyrinth - Milton's Comus as Initiation (Hardcover)
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Modern literary scholarship has traced the ways in which a
distinctly modern sense of selfhood and subjectivity, and of the
individualist liberal society in which such a self takes shape,
emerges from the drama and poetry of the early seventeenth century.
John Milton, writer of the greatest long poem in English, Paradise
Lost, takes up the challenge of modern character and social
formation from Shakespeare and Donne and their contemporaries. He
begins this task in his own early maturity, some thirty years
before the publication of his great epic, with A Maske Presented at
Ludlow Castle,I>, more commonly known as Comus. There has not
been a major book-length study of Milton's Maske in the past twenty
years, so Lady in the Labyrinth fills a major gap in Milton and
Renaissance criticism. It comprehensively surveys, evaluates, and
integrates recent and traditional criticism of Comus in the context
of Milton's other work, while developing new directions for study,
focusing anthropological and psychological analysis on the poem's
characters and mythological dimensions. Parallels between the
ritual elements of the Maske and the rites of passage of
non-European cultures will widen the horizons of both canonically
based and multiculturally engaged scholars and writers. The book's
study of Milton's identification with his female hero, and his
advocacy of womens ethical, sexual, and political autonomy, gives a
jolt to ongoing debates about Milton and feminism. The first of
Milton's heroes of Christian Liberty, the fifteen-year-old Lady who
performs in his Maske, is also the first of his characters to act
out this transformation of human identity. Lady in the Labyrinth
treats Comus, first performed in 1634, as a rite of passage for its
Lady, and for the emerging culture whose hopes are invested in her.
Displaying in song, argument and dance such character qualities as
inferiority, self-consciousness, flexibility, and independence, the
Lady gives vital form to
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