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Storytellers of Art Histories (Paperback, New edition)
Loot Price: R906
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Storytellers of Art Histories (Paperback, New edition)
Series: Living and Sustaining a Creative Life
Expected to ship within 9 - 15 working days
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This anthology, Storytellers of Art Histories, gives voice to those
who are reshaping art histories: not only art historians and
curators, but also archivists and artists. There is a special focus
on gender, race (including Whiteness), class, sexuality and
transnationality - all of which are often marginalized in dominant
art histories. Each of the contributors in this book has provided
short, often very personal, contributions describing how they began
to become passionate about their practice. A particular feature of
the collection is that there are twice as many contributions by
women than by men. The contributors respond in a multitude of
surprising ways, appealing equally to people enmeshed in the field
through their work and to those simply interested in the field. The
stories you will read take various forms - a letter written to a
friend, a revisioned grant application, the pastiche of image and
text, children's fables, interviews, co-authored narrative, memoir,
manifesto, apology. A number of the essays perform, through a
combination of recollected early memory alongside scholarly
research, the roots of the theories they explore through
publishing, curating and archival work. Many of the contributors
embody overlapping cultural diasporas that suggest the porousness
of borders, challenging the field to understand itself as a product
of regional art histories. Collecting this range of narratives born
from different workplaces and disciplines speaks to our belief in
the potential boundlessness of the art histories that shape the
stories we consume. Storytellers of Art Histories brings together
the first-person narratives of an international group of art
historians, curators, artists and archivists. This much-needed book
book fills a significant gap in the literature, showing how these
practitioners' works come together productively in the teaching and
writing of art history. The anthology also illuminates the
relationship between curatorial studies and art history. Primary
readership will include artists, art historians, archivists,
curators and educators. It will be a useful resource for educators
and students connected with undergraduate courses in art history,
contemporary art history and curatorial and museum studies.
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