e Kenzabur was awarded the Nobel Prize for Literature in 1994.
This critical study examines e s entire career from 1957 2006 and
includes chapters on e s later novels not published in English.
Through close readings at different points in e s career Yasuko
Claremont establishes the spiritual path that he has taken in its
three major phrases of nihilism, atonement, and salvation, all
highlighted against a background of violence and suicidal despair
that saturate his pages. e uses myth in two distinct ways: to link
mankind to the archetypal past, and as a critique of contemporary
society. Equally, he depicts the great themes of redemption and
salvation on two levels: that of the individual atoning for a
particular act, and on a universal level of self-abnegation, dying
for others. In the end it is e s ethical concerns that win out, as
he turns to the children, the inheritors of the future, new men in
a new age who will have the power and desire to redress the ills
besetting the world today. Essentially, e is a moralist, a novelist
of ideas whose fiction is densely packed with references from
Western thought and poetry.
This book is an important read for scholars of e Kenzabur s work
and those studying Japanese Literature and culture more
generally.
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