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Jack Kerouac and the Traditions of Classic and Modern Haiku (Paperback)
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Jack Kerouac and the Traditions of Classic and Modern Haiku (Paperback)
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Jack Kerouac and the Traditions of Classic and Modern Haiku is a
reading of the haiku collected in Jack Kerouac's Book of Haikus,
edited by Regina Weinreich, (2003), one of the two largest
collections of English haiku. "Above all," Kerouac wrote in his
journal, "a Haiku must be very simple and free of all poetic
trickery and makes a little picture and yet be as airy and graceful
as a Vivaldi Pastorella." Before trying his hand at composing
haiku, Kerouac learned, as did Wright, the theory and technique of
haiku from R. H. Blyth, the most influential haiku scholar and
critic. Most of Kerouac's haiku reflect eastern philosophies
Confucianism, Buddhist ontology, and Zen , as do classic haiku. A
son of devout French Canadian Catholic parents, the young Kerouac
was impressed with Christian doctrine, but later was inspired by
Buddhism. In his haiku Kerouc conflates Christian doctrine of mercy
with that of Buddhism. Classic haiku taught Kerouac that not only
must human beings treat their fellow human beings with respect and
compassion, but they must also treat nonhuman beings such as
animals, insects, plants, and flowers as their equals. Many of
Kerouac's haiku can be read as modern haiku for the technique of
beat poetics he applied. All in all, Kerouac's haiku express the
worldview that human beings are not at the center of the universe.
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