"Transpacific Imaginations" is a study of how American literature
is enmeshed with the literatures of Asia. The book begins with
Western encounters with the Pacific: Yunte Huang reads "Moby Dick"
as a Pacific work, looks at Henry Adams's not talking about his
travels in Japan and the Pacific basin in his autobiography, and
compares Mark Twain to Liang Qichao. Huang then turns to Asian
American encounters with the Pacific, concentrating on the "Angel
Island" poems and on works by Theresa Hak Kyung Cha, Lawson Fusao
Inada, and Araki Yasusada.
Huang's argument that the Pacific forms American literature
more than is generally acknowledged is a major contribution to our
understanding of literary history. The book is in dialogue with
cross-cultural studies of the Pacific and with contemporary
innovative poetics. Huang has found a vehicle to join Asians and
Westerners at the deepest level, and that vehicle is poetry. Poets
can best imagine an ethical ground upon which different people join
hands. Huang asks us to contribute to this effort by understanding
the poets and writers already in the process of linking diverse
peoples.
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