Rogue filmmaker Robert Rodriguez (b. 1968) rocketed to fame with
his ultra-low-budget film "El Mariachi" (1992). The
Spanish-language action film, and the making-of book that
accompanied it, were inspirational to filmmakers trying to work
with the most meager of resources. Rodriguez embodies the
postmodern auteur, maintaining a firm control of his projects by
not only writing and producing his films, but also editing,
shooting, composing, as well as working with the visual effects. He
was one of the first American filmmakers to wholeheartedly adopt
digital filmmaking, now the norm. "Spy Kids 3-D: Game Over" (2003)
helped bring back 3-D to mainstream theatres. He is as comfortable
making family films (the "Spy Kids" series) as action ("Sin City")
and horror films ("Planet Terror"). He has maintained his guerilla
filmmaking approach, despite increasing budgets, choosing to work
outside of Hollywood and even founding his own studio (Troublemaker
Studios) in Austin, Texas. He has also arguably become the most
successful Latino filmmaker.In this, the first book devoted to
Rodriguez, interviews and articles from 1993 to 2010 reveal a
filmmaker passionate about making films on his own terms. He
addresses the subjects central to his life and work: guerilla
filmmaking, the digital revolution, his family, and his disdain for
Hollywood. An easy and frank subject, these portraits depict the
rebel director at his most candid, forging a path for others to
break free from Hollywood hegemony.
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