The de-objectification of the photograph in the digital era of the
medium is one of the many issues regarding 'post-photography'
although its consequences on the identity and principles of
photography are as yet largely obscure and argued upon. Alongside
other more structural transformations, objectless photography will
have effects on the medium regarding issues such as memory,
indexicality, authenticity and monetary value. While apparent that
the object continues to survive alongside new immaterial
photographs and influences their implementations, whether or not it
is possible for object properties to be assimilated into the new
system without transfiguring the medium completely remains to be
seen. With the help of discourses from scholars such as Geoffrey
Batchen, Damian Sutton and W. J. Mitchell, this master's thesis
seeks to answer how vital objecthood is to the medium photography
by examining, respectively, the connection of memory to the object
and the ideological differences between the object and its digital
counterpart.
General
Imprint: |
Lap Lambert Academic Publishing
|
Country of origin: |
Germany |
Release date: |
August 2010 |
First published: |
August 2010 |
Authors: |
Zeynep Beler
|
Dimensions: |
229 x 152 x 4mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
64 |
ISBN-13: |
978-3-8383-9132-8 |
Categories: |
Books >
Arts & Architecture >
Photography & photographs >
General
|
LSN: |
3-8383-9132-2 |
Barcode: |
9783838391328 |
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