Qian Zhongshu was one of twentieth-century China's most
ingenious literary stylists, one whose insights into the ironies
and travesties of modern China remain stunningly fresh. Between the
early years of the Second Sino-Japanese War (1937-1945) and the
Communist takeover in 1949, Qian wrote a brilliant series of short
stories, essays, and a comedic novel that continue to inspire
generations of Chinese readers.
With this long-awaited translation, English-language readers can
immerse themselves in the invention and satirical wit of one of the
world's great literary cosmopolitans. This collection brings
together Qian's best short works, combining his iconoclastic essays
on the "book of life" from "Written in the Margins of Life" (1941)
with the four masterful short stories of "Human, Beast, Ghost"
(1946). His essays elucidate substantive issues through deceptively
simple subjects-the significance of windows versus doors, for
example, or the blind spots of literary critics--and assert the
primacy of critical and creative independence. His stories blur the
boundaries between humans, beasts, and ghosts as they struggle
through life, death, and resurrection. Christopher G. Rea situates
these works within China's wartime politics and Qian's literary
vision, highlighting significant changes that Qian Zhongshu made to
different editions of his writings and providing unprecedented
insight into the author's creative process.
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