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Bach's Testament - On the Philosophical and Theological Background of The Art of Fugue (Hardcover)
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Bach's Testament - On the Philosophical and Theological Background of The Art of Fugue (Hardcover)
Series: Contextual Bach Studies
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Written late in his life, J. S. Bach's The Art of Fugue has long
been admired-in some quarters revered-as one of his masterworks.
Its last movement, Contrapunctus 14, went unfinished, and the
enigma of its incompleteness still preoccupies scholars and musical
conductors alike. In 1881, Gustav Nottebohm discovered that the
three subjects of the movement could be supplemented by a fourth.
In 1993, Zoltan Goencz revealed that Bach had planned the passage
that would join the four subjects in an entirely unique way. This
section has not survived, but, as Goencz notes, it must have been
ready in the earliest phase of composition since Bach had created
the expositions of the first three subjects from its "disjointed"
parts. Goencz then boldly took on the task of reconstructing the
original "template" by putting together the once separate pieces.
In Bach's Testament: On the Philosophical and Theological
Background of The Art of Fugue, Goencz probes the
philosophic-theological background of The Art of Fugue, revealing
the special structures that supported the 1993 reconstruction.
Bach's Testament investigates the reconstruction's metaphysical
dimensions, focusing on the quadruple fugue. As a summary of Zoltan
Goencz's extensive research over many years, which resulted in the
completion of the fugue, this work explores the complex
combinatorial, philosophical and theological considerations that
inform its structure. Bach's Testament is ideally suited not only
to Bach scholars and musicologists but also intellectual historians
with particular interests in 18th-century religious and
philosophical ideas.
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