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Arts & Crafts > Fine Art Supplies > Paper Showing 1 - 25 of 115 matches in Paper
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
Daler-Rowney Simply Sketchbooks consist of a compact range of everyday sketchbooks. With either soft white or extra white medium grain paper. Simply Sketchbooks are available in a variety of sizes in both hardbound and spiral-bound formats with black or coloured covers.
Daler-Rowney Artists' Sketchbooks are a complete range of hardback books specially developed for artists. Ebony hardback spiral sketchbooks contain 50 sheets of 160gsm acid-free paper. The smooth white cartridge paper is suitable for pencil, pen and ink and light watercolour wash artwork. A hardback outer casing protects the enclosed paper, keeping the artwork safe.
This pad contains 80 sheets of smooth 45gsm layout paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in
This pad contains 25 sheets of smooth heavyweight 220gsm acid-free off white cartridge paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in
This pad contains 25 sheets of smooth heavyweight 220gsm acid-free off white cartridge paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in
Daler-Rowney Artists' Sketchbooks are a complete range of hardback books specially developed for artists. Ebony hardback sketchbooks have either 62 sheets (A6, A5, A4) or 48 sheets (A3). All sizes contain unperforated 150gsm acid-free paper.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes. |
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