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Originating in Central Asia, apples are one of the most important
fruits globally and are grown in over 100 countries. Apple
cultivation faces a number of challenges. Increasing global
competition has put the focus on lowering costs whilst further
improving sensory quality and shelf-life. There is a need to reduce
inputs such as water, fertiliser and labour, both to save costs and
reduce environmentally-damaging emissions and pollution. There is a
continual battle with fungal, viral and bacterial diseases as well
as insect pests. In the long term there is a need for new varieties
able to withstand disease or more extreme conditions associated
with climate change. This means preserving genetic variety and
exploiting new molecular breeding techniques opened up by the
sequencing of the apple genome in 2010. Drawing on an international
range of expertise, this collection focuses on ways of improving
the cultivation of apples as a food crop at each step in the value
chain, from breeding through to post-harvest storage. The book
first reviews research in apple physiology and breeding. The
following sections focus on cultivation techniques through to
post-harvest storage, followed by a discussion of diseases and
pests and their management. Concluding chapters address wider
issues such as economics, consumer trends and sustainability.
Achieving sustainable cultivation of apples will be a standard
reference for fruit and horticultural scientists in universities,
government and other research centres and companies producing
apples.
In today's multi-ethnic classroom, multiculturalism plays an
increasingly vital role. What it is, how it developed, and what it
means for education, especially music education, are the questions
that form the essence of this book. Music, Education, and
Multiculturalism traces the growth and development of multicultural
music education in the United States from its start in the early
1900s to the present, and describes the state of multicultural
music education internationally.
Beginning with a discussion of the philosophical foundations
surrounding multiculturalism, Part I addresses the various
definitions of multiculturalism and its associated problems and
possibilities in both education at large and music education in
particular. It offers a succinct discussion of the various
philosophical concepts and rationales for a multicultural approach,
and concludes with current thoughts and applications in music
education. Part II follows multicultural music education in the
U.S. as it paralleled changes in general education brought about by
social and historical events. The last chapter in this section
outlines multiculturalism in music education around the world. Part
III focuses on the implications of multiculturalism for music
education, both in teacher training and in classroom instruction.
Designed to assist music educators at all levels in understanding
and implementing multicultural education, Music, Education, and
Multiculturalism provides suggestions for curricular development,
offers teaching strategies, and provides practical applications
including materials and methodologies. Combining personal narrative
and oral history with the support of primary and archivaldocuments,
this text is essential reading for all students and teachers of the
history and foundations of music education and of multiculturalism
in general education.
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