Armed with only one word - Tenet - and fighting for the survival of the entire world, our Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

As he soon discovers, it's not time travel.

But time inversion.

Bryan Cranston, Ken Watanabe, Aaron Taylor-Johnson and Sally Hawkins star in this reimagining of the 1954 Japanese film about the destruction caused by a giant monster.

When a devastating event is covered up as a natural disaster, nuclear physicist Joe Brody realises something much more sinister is to blame. Scientists Dr. Ichiro Serizawa and Dr. Vivienne Graham reveal that in 1954 a powerful monster was awakened and though 'nuclear tests' were carried out in the Pacific Ocean to destroy it, the creature has now returned.

With the US Armed Forces, including Joe's son Navy Lieutenant Ford Brody, called into action, humanity fights for its survival.

Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to Screening Characters draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queries. Providing multifaceted accounts of the nature of screen characters, contributions are organized around a series of important subjects, including issues of class, race, ethics, and generic types as they are encountered in moving image media. These topics, in turn, are personified by such memorable figures as Cary Grant, Jon Hamm, Audrey Hepburn, and Seul-gi Kim, in addition to avatars, online personalities, animated characters, and the ensembles of shows such as The Sopranos, Mad Men, and Breaking Bad.

When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance.

As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

This book focuses on architect Demetri Porphyrios and developer Roger Madelin projects that highlight dialogues between historic buildings and new districts to create city centers in a master plan for Kings Cross London with the Yale School of Architecture.

This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

Rapier fencing and duelling during the 16th and 17th centuries was dominated by the Italian masters, whose systems of sword fighting became increasingly sophisticated. Breaking away from this trend, Nicoletto Giganti developed something different: a frugal system of fencing that cut to the core of what a swordfight was and how to win it. Giganti's Scola overo Teatro, or The School of the Sword, became one of the most influential systems of fencing across Europe in the seventeenth century. In this remarkable new translation by historical fencing instructor and historian Aaron Taylor Miedema, author of Bayonets and Blobsticks, Giganti's work is presented fresh to the modern reader. Copiously illustrated with redrawings of dozens of Giganti's original plates, over 60 new photographs, and even a new plate, Giganti's detailed curriculum is augmented by comprehensive annotation and commentary. Regardless of whether you are a historian, a casual reader with an interest in the sword, or an accomplished swordsman, Nicoletto Giganti's The School of the Sword is a fascinating guide to the art of rapier fencing."

Action comedy based on the Marvel comic strip. Run-of-the-mill high school student Dave Lizewski (Aaron Johnson), disillusioned with his humdrum life, is inspired by the heroes of the comic books he loves to become a real-life superhero called 'Kick-Ass'. His first attempts to fight evil-doers meet with little success, but undeterred by his various setbacks Dave perseveres and eventually joins forces with mysterious vigilante Big Daddy (Nicolas Cage) and his daughter Hit-Girl (Chloë Moretz) to bring down local crime boss Frank D'Amico (Mark Strong).

For a long time, it has been accepted that the bayonet was an inadequate weapon in World War I - an anachronism, relied upon by foolish generals eager to relive the glories of the Napoleonic Wars while incapable of coming to terms with the modern battlefield and trench warfare. But was this the reality of the Western Front of the Great War, or a myth perpetuated by historians? In reality, the soldiers of World War I seemed oblivious to what appears so obvious to critics ninety years removed. They quite liked their bayonets, and they used them - often. In this fascinating and provocative study, Aaron Taylor Miedema takes a new look at the role of the bayonet and shock tactics on the Western front. Through the experience of the Canadian Corps - the British shock troops of the Western Front - he challenges the conventional view of the bayonet as an obsolete weapon system and rekindles the controversial debate over technologies, old and new, on the field of battle.

Bryden grew up on a strange world, enchanted by the light of its moon and the glowing nevaeh trees. In this forgotten village, Bryden's sister Cayala has suspiciously disappeared into the valley that the townspeople have not dared enter since their ancestors' original climb up the cliffs to safety. Bryden, his brother Dak, and his friends T and Kylun will have to brave a world controlled by the deadly Krog in an attempt to save the lives of Cayala and the villagers. Before this journey is over, the four young adults must face the secrets in their town's past and those found within this new world while dealing with a relentless, warring species bent on conquering the galaxy. But they will also discover a world that they have only dreamed of as they confront the Krog. For Bryden and his friends, it will take all the courage and determination they can muster along with a great deal of luck to survive. But one thing is certain-the descent into the mysterious, misty valley will change their lives forever.

Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to Screening Characters draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queries. Providing multifaceted accounts of the nature of screen characters, contributions are organized around a series of important subjects, including issues of class, race, ethics, and generic types as they are encountered in moving image media. These topics, in turn, are personified by such memorable figures as Cary Grant, Jon Hamm, Audrey Hepburn, and Seul-gi Kim, in addition to avatars, online personalities, animated characters, and the ensembles of shows such as The Sopranos, Mad Men, and Breaking Bad.

"Aaron... brilliantly shares how to stretch your way to less pain, greater flexibility and mobility, and new levels of free movement. To keep mobile, flexible, and bodily free, read this book."-Mark Victor Hansen, World's bestselling author with 500MM books sold. You are asleep; your alarm abruptly awakes you. Your back sends a signal to your brain as you slowly roll over in bed to turn off that obnoxious noise. As you gingerly get out of bed, you are unable to straighten up. You have no idea that you are part of 80% of all Americans that will experience back pain, or that approximately 264 million days of work are lost each year and over $50 billion are spent annually treating back pain. This book is designed to truly help anyone who suffers from aches and pains, wants to reduce stress and anxiety, or just wants better range of motion. The book is a practical resource containing pictures and descriptions of 283 different stretches as well as programs to follow for different sports and ailments. To round-out your health, included are healthy recipes that celebrity chef Stephanie Izard so graciously provided. This book gives the individual a resource to follow and refer back to when they perform their daily stretching routine.

This book illuminates the connectedness of Dostoevsky's literary art with his philosophical and psychological brilliance. Two Fyodor Dostoevsky conferences originating at the University of North Texas set the stage for this volume. Scholars contributed original papers focusing on how Dostoevsky's literary art and philosophical insights enrich one another. Fyodor Dostoevsky wrote and thought polyphonically. His polyphonic method is both his special literary technique and his distinctive way of probing theological, social, and philosophical depths. As Bakhtin and Terras suggest, all Dostoevsky's major literary inventions from the underground man to the vitriolic Grushenka are products of his ability to listen profoundly to his own characters. Like the genius author-redactor of 1 and 2 Samuel, he reports the heights and depths of human emotion and behavior, whether exploring the anatomy of dysfunctional families, making the heart soar with Zosima's vision of forgiveness, or giving Ivan Karamazov full rein to challenge theism. Dostoevsky's characters transform themselves into irregular verbs whose fierce independence emerges only because of their desperate and inescapable interdependence. His major characters are text, subtext, and context for each other. They play inside each other's head and answer in one way or another."