From the 494 B.C. plebeians' march out of Rome to gain improved status, to Gandhi's nonviolent campaigns in India, to the liberation of Poland and the Baltic nations, and the revolutions in North Africa, nonviolent struggles have played pivotal roles in world events for centuries. Sharp'sDictionary of Power and Struggle is a groundbreaking reference work on this topic by the "godfather of nonviolent resistance." In nearly 1,000 entries, the Dictionary defines those ideologies, political systems, strategies, methods, and concepts that form the core of nonviolent action as it has occurred throughout history and across the globe, providing much-needed clarification of language that is often mired in confusion. Entries discuss everything from militarization to censorship, guerrilla theater, pacifism, secret agents, and protest songs. In addition, the dictionary features a foreword by Sir Adam Roberts, President of the British Academy; an introduction by Gene Sharp; an essay on power and realism; case studies of conflicts in Serbia and Tunisia; and a guide for further reading. Sharp's Dictionary of Power and Struggle is an invaluable resource for activists, educators and anyone else curious about nonviolent alternatives to both passivity and violent conflict.
"Gene Sharp is perhaps the most influential proponent of nonviolent action alive."--The Progressive
"Sharp has had broad influence on international events over the past two decades, helping to advance a global democratic awakening."--The Wall Street Journal
" Sharp's] work has served as the template for taking on authoritarian regimes from Burma to Belgrade."--The Christian Science Monitor

With an Introduction and Notes by Adam Roberts, Royal Holloway, University of London. Homer's great epic describes the many adventures of Odysseus, Greek warrior, as he strives over many years to return to his home island of Ithaca after the Trojan War. His colourful adventures, his endurance, his love for his wife and son have the same power to move and inspire readers today as they did in Archaic Greece, 2800 years ago. This poem has been translated many times over the years, but Chapman's sinewy, gorgeous rendering (1616) stands in a class of its own. Chapman believed himself inspired by the spirit of Homer himself, and matches the breadth and power of the original with a complex and stunning idiom of his own. John Keats expressed his admiration for the resulting work in the famous sonnet, 'On first looking into Chapman's Homer': 'Much have I travelled in the realms of gold...' This new Wordsworth edition of Chapman's Homer contains accessible annotation, and a detailed introduction that places his masterpiece in the context of his own day, and discusses its influences on later poets.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

With an Introduction and Notes by Adam Roberts, Royal Holloway, University of London. The product of more than a decade's continuous work (1598-1611), Chapman's translation of Homer's great poem of war is a magnificent testimony to the power of The Iliad. In muscular, onward-rolling verse Chapman retells the story of Achilles, the great warrior, and his terrible wrath before the walls of besieged Troy, and the destruction it wreaks on both Greeks and Trojans. Chapman regarded the translation of this epic, and of Homer's Odyssey (also available in Wordsworth Editions) as his life's work, and dedicated himself to capturing the 'soul' of the poem. Swinburne praised the resulting translation for its 'romantic and sometimes barbaric grandeur, its freshness, strength, and inexhaustible fire', qualities that reflect the grandeur, fire and brutality of the original poem. This new edition includes a critical introduction and extensive notes, rendering Chapman's extraordinary poetic masterpiece accessible to modern readers.

In contrast to the common perception that the United Nations is, or should become, a system of collective security, this paper advances the proposition that the UN Security Council embodies a necessarily selective approach. Analysis of its record since 1945 suggests that the Council cannot address all security threats effectively. The reasons for this include not only the veto power of the five permanent members, but also the selectivity of all UN member states: their unwillingness to provide forces for peacekeeping or other purposes except on a case-by-case basis, and their reluctance to involve the Council in certain conflicts to which they are parties, or which they perceive as distant, complex and resistant to outside involvement.

The Council's selectivity is generally seen as a problem, even a threat to its legitimacy. Yet selectivity, which is rooted in prudence and in the UN Charter itself, has some virtues. Acknowledging the necessary limitations within which the Security Council operates, this paper evaluates the Council's achievements in tackling the problem of war since 1945. In doing so, it sheds light on the division of labour among the Council, regional security bodies and states, and offers a pioneering contribution to public and governmental understanding of the UN's past, present and future roles.

When twenty-something Isabella Pasternack is fired from her job at a digital food magazine, she accepts a thankless job for the paycheck: ghostwrite the very past-due cookbook for a once-beloved thirty-something actress, Molly Babcock.

Molly, trying to repair her reputation after a serious downward spiral, meets Isabella’s earnest attempts to connect with inconsistency, indifference, and cruelty. But, for the first time in her life, Isabella is determined to dig in her heels, and figure out if there’s anything Molly actually knows how to cook (or even likes to eat).

Isabella’s slice of contemporary New York is filled out by a cast including: Isabella’s acerbic roommate and best friend Owen, her widowed mother whose cooking isn’t only bad, it’s dangerous, and of course a handsome chef love interest. Hilarious and hopeful, at its core, Food Person is about commitment to self-discovery, the beauty of community, and how unapologetically forging your own future can lead to everyone getting the ending they deserve. And of course, very delicious food.

In a world where we have been genetically engineered so that we can photosynthesise sunlight with our hair, hunger is a thing of the past, food an indulgence. The poor grow their hair, the rich affect baldness and flaunt their wealth by still eating. But other hungers remain ... The young daughter of an affluent New York family is kidnapped. The ransom demands are refused. A year later a young woman arrives at the family home claiming to be their long lost daughter. She has changed so much, she has lived on light, can anyone be sure that she has come home? Adam Roberts' new novel is yet another amazing melding of startling ideas and beautiful prose. Set in a New York of the future it nevertheless has echoes of a Fitzgeraldesque affluence and art-deco style. It charts his further progress as one of the most important writers of his generation.

Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor's writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor's writing for nearly half a century, addresses the whole of Landor's prodigious output over the seven decades of his writing life, in verse, prose, and drama, in English and Latin: from the brief lyrics by which (if at all) he is remembered today up to his idylls, tragedies, and epics; from his pamphlets and essays to historical novels like Pericles and Aspasia and the textual colossus of the Imaginary Conversations. 'Cleanness' becomes the organising principle by which this heterogeneous and multivocal body of work is read. At once a survey of Landor's output and life, a critically engaged reading of his work and an interrogation of the principles of poetry itself, Landor's Cleanness seeks to reconfigure the map of Romantic and Victorian writing, and move Landor's reputation at least some way in the direction of the eminence he once enjoyed: as a major writer of his time, both intensely characteristic of the nineteenth-century and startlingly relevant to the twenty-first.

The author's goal for the book is that it's clearly written, could be read by a calculus student and would motivate them to engage in the material and learn more. Moreover, to create a text in which exposition, graphics, and layout would work together to enhance all facets of a student's calculus experience. They paid special attention to certain aspects of the text: 1. Clear, accessible exposition that anticipates and addresses student difficulties.2. Layout and figures that communicate the flow of ideas. 3. Highlighted features that emphasize concepts and mathematical reasoning including Conceptual Insight, Graphical Insight, Assumptions Matter, Reminder, and Historical Perspective.4. A rich collection of examples and exercises of graduated difficulty that teach basic skills as well as problem-solving techniques, reinforce conceptual understanding, and motivate calculus through interesting applications. Each section also contains exercises that develop additional insights and challenge students to further develop their skills. Achieve for Calculus redefines homework by offering guidance for every student and support for every instructor. Homework is designed to teach by correcting students' misconceptions through targeted feedback, meaningful hints, and full solutions, helping teach students conceptual understanding and critical thinking in real-world contexts.

This thesis describes the application of the collinear resonance laser spectroscopy to sensitively measure the electromagnetic nuclear observables of the neutron-rich indium isotopes 115-131In. This entailed a systematic study of the efficiency of resonant ionization schemes to extract the hyperfine structure of the isotopes, the atomic charge exchange process and benchmarking of modern atomic calculations with a laser ablation ion source. This allowed determination of the root-mean-square nuclear charge radii, nuclear magnetic dipole moments, nuclear electric quadrupole moments and nuclear spins of the 113-131In isotopes with high accuracy. With a proton hole in the Z = 50 nuclear shell closure of tin and several nuclear isomer states, these measurements of the indium (Z = 49) isotope chain provided an efficient probe of the evolution of nuclear structure properties towards and at the doubly-magic nuclear shell closure of 132Sn (N = 82) - revealing unpredicted changes.

'For those of us who have to live with terrorism, when we leave home in the morning there is no guarantee that we will come back.' Thus Lakshman Kadirgamar, Sri Lanka's Foreign Minister, foreshadowed his own assassination in 2005. He was an astute and brave thinker and practitioner on many key issues in international politics. Long before 9/11 he warned Western democracies that they were too passive about the activities on their soil of foreign terrorist movements and their front organizations. He was a strong advocate of democracy and human rights, conducting the first-ever Amnesty investigation into the problems of a particular country - Vietnam. He was uniquely effective in countering the propaganda campaigns of the separatist Tamil Tigers in his native Sri Lanka - the movement which ultimately took his life. This definitive work explores the continuing relevance of his ideas for the modern world. Democracy, Sovereignty and Terror presents Kadirgamar's distinctive voice in his major speeches. It also offers a convincing picture, by those who knew him, of a scholar-statesman who was both a realist and an idealist. He showed that these approaches can be combined in both thought and action.

Following the great success of our Gothic Fantasy, deluxe edition short story compilations, Ghosts, Horror, Science Fiction, Murder Mayhem and Crime & Mystery this latest title is packed with dark valleys, high mountain passes, dinosaurs and endless dark creations. Contains a fabulous mix of classic and brand new writing, with authors from the US, Canada, and the UK.

"Science Fiction "is a fascinating and comprehensive introduction to one of the most popular areas of modern culture. This second edition reflects how the field is rapidly changing in both its practice and its critical reception. With an entirely new conclusion and all other chapters fully reworked and updated, this volume offers:
- A concise history of science fiction and the ways in which the genre has been used and defined
- Explanations of key concepts in SF criticism and theory through chapters such as Gender, Race, Technology and Metaphor
- Examines the interactions between Science Fiction and Science Fact
- Anchors each chapter with a case study drawn from short story, book or film, from Frank Herbert's Dune to Star Wars, from The Left Hand of Darkness to Neuromancer.
Introducing the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential contemporary guide to a major cultural movement.

In contrast to the common perception that the United Nations is, or should become, a system of collective security, this paper advances the proposition that the UN Security Council embodies a necessarily selective approach. Analysis of its record since 1945 suggests that the Council cannot address all security threats effectively. The reasons for this include not only the veto power of the five permanent members, but also the selectivity of all UN member states: their unwillingness to provide forces for peacekeeping or other purposes except on a case-by-case basis, and their reluctance to involve the Council in certain conflicts to which they are parties, or which they perceive as distant, complex and resistant to outside involvement. The Council's selectivity is generally seen as a problem, even a threat to its legitimacy. Yet selectivity, which is rooted in prudence and in the UN Charter itself, has some virtues. Acknowledging the necessary limitations within which the Security Council operates, this paper evaluates the Council's achievements in tackling the problem of war since 1945. In doing so, it sheds light on the division of labour among the Council, regional security bodies and states, and offers a pioneering contribution to public and governmental understanding of the UN's past, present and future roles.

It is 1958 and France's first nuclear submarine, Plongeur, leaves port for the first of its sea trials. On board, gathered together for the first time, one of the Navy's most experienced captains and a tiny skeleton crew of sailors, engineers and scientists. The Plongeur makes her first dive and goes down, and down and down... Out of control, the submarine plummets to a depth where the pressure will crush her hull, killing everyone on board, and beyond. The pressure builds, the hull protests, the crew prepare for death, the boat reaches the bottom of the sea and finds... nothing. Her final dive continues, the pressure begins to relent, but the depth gauge is useless. They have gone miles down. Hundreds of miles, thousands... And so it goes on. And on board the crew succumb to madness, betrayal, religious mania and murder. Has the Plongeur left the limits of our world and gone elsewhere? Contains 33 full-page pen and ink illustrations by acclaimed artist Mahendra Singh, who previously illustrated an edition of THE HUNTING OF THE SNARK. Adam Roberts and Mahendra Singh have revisited Jules Verne's classic SF novel, and together they have come up with a unique vision.

Ten years before the Soviet Union collapsed, Senator Daniel Patrick Moynihan stood almost alone in predicting its demise. As the intelligence community and cold war analysts churned out statistics demonstrating the enduring strength of the Moscow regime, Moynihan, focusing on ethnic conflict, argued that the end was at hand. Now, with such conflict breaking out across the world, from Central Asia to South Central Los Angeles, he sets forth a general proposition: Far from vanishing, ethnicity has been and will be an elemental force in international politics.
Drawing on a lifetime of scholarship, the Senator provides in Pandaemonium a subtle, richly textured account of the process by which theory has grudgingly begun to adapt to reality. Moynihan--whose previous studies range over thirty years from Beyond the Melting Pot (with Nathan Glazer) to the much acclaimed On the Law of Nations--provides a deep historical look at ethnic conflict around the globe. He shows how the struggles that now absorb our attention have been going on for generations and explain much of modern history. Neither side in the cold war grasped this reality, he writes. Neither the liberal myth of the melting pot nor the Marxist fantasy of proletarian internationalism could account for ethnic conflict, and so the international system stumbled from one set of miscalculations to another.
Toward the close of World War I, Woodrow Wilson declared the "self-determination of peoples" to be an Allied goal for the peace. Toward the end of World War II, Josef Stalin inserted "self-determination of peoples" into Article I of the United Nations Charter, defining "The Purposes" of the new world organization. This process has been going on ever since. The first phase, the breaking up of empire, was relatively peaceful. The second phase, presaged by the 1947 partition of India, is certain to be far more troubled, as fifty to a hundred new countries emerge.
Moynihan argues, however, that a dark age of "ethnic cleansing" is not inevitable; that the dynamics of ethnic conflict can be understood, anticipated, moderated. Ethnic pride can be a source of dignity and of stability, if only its legitimacy is accepted. Moynihan writes in a learned, reflective voice: at times theoretical, but always in the end directed to issues of fierce immediacy. A splendid achievement, Pandaemonium begins the re-education of Western diplomacy.