During the latter half of this century, particular attention has been paid to translating. The progress and change of perspective in this field of knowledge have been spectacular, moving from a scientific and prescriptive vision of translation to a descriptive one, which, in turn, has given way to the interaction between translation and culture. The starting point of this book is the idea that language is not neutral and that, insofar as language is the translator's tool, the act of translating is not neutral either. Translation shapes the way in which a given society receives a work, an author, a literature, or a culture; therefore it is necessary to locate the subversive aspects of translations in the larger framework of social interaction. Translating can never be neutral, as it is charged with ideology and 'games of power'. The most attractive feature of this anthology is that in the essays we can see how norms vary from one culture to another, how a 'strong' society may wish to alter those of a 'weaker' one through translation, or how the canon can be modified. Translation as a political or manipulative action will be much less dangerous if we are aware of its consequences. This book will help us to reflect on this problem.

Sheds light on the translations of renowned semiotician, essayist, and author Ilan Stavans, elucidating the ways in which they exemplify the migrant experience and translation as the interactions of living and writing in intercultural and interlinguistic spaces The volume highlights how the case of Ilan Stavans uncovers unique insights into how migrant writers' nonstandard use of language creates worlds predicated on deterritorialization and in-between spaces which more accurately reflect the nuances of the lived experiences of migrants

This book looks to expand the definition of translation in line with Susan Bassnett and David Johnston's notion of the "outward turn", applying this perspective to contemporary art to broaden the scope of how we understand translation in today's global multisemiotic world. The book takes as its point of departure the idea that texts are comprised of not only words but other semiotic systems and therefore expanding our notions of both language and translation can better equip us to translate stories told via non-traditional means in novel ways. While the "outward turn" has been analyzed in literature, Vidal directs this spotlight to contemporary art, a field which has already engaged in disciplinary connections with Translation Studies. The volume highlights how the unpacking of such connections between disciplines encourages engagement with contemporary social issues, around identity, power, migration, and globalization, and in turn, new ways of thinking and bringing about wider cultural change. This innovative book will be of interest to scholars in translation studies and contemporary art.

Written by leading experts in the area, The Routledge Handbook of Spanish Translation Studies brings together original contributions representing a culmination of the extensive research to date within the field of Spanish Translation Studies. The Handbook covers a variety of translation related issues, both theoretical and practical, providing an overview of the field and establishing directions for future research. It starts by looking at the history of translation in Spain, the Americas during the colonial period and Latin America, and then moves on to discuss well-established areas of research such as literary translation and audiovisual translation, at which Spanish researchers have excelled. It also provides state-of-the-art information on new topics such as the interface between translation and humour on the one hand, and the translation of comics on the other. This Handbook is an indispensable resource for postgraduate students and researchers of translation studies.

Written by leading experts in the area, The Routledge Handbook of Spanish Translation Studies brings together original contributions representing a culmination of the extensive research to date within the field of Spanish Translation Studies. The Handbook covers a variety of translation related issues, both theoretical and practical, providing an overview of the field and establishing directions for future research. It starts by looking at the history of translation in Spain, the Americas during the colonial period and Latin America, and then moves on to discuss well-established areas of research such as literary translation and audiovisual translation, at which Spanish researchers have excelled. It also provides state-of-the-art information on new topics such as the interface between translation and humour on the one hand, and the translation of comics on the other. This Handbook is an indispensable resource for postgraduate students and researchers of translation studies.

El proposito principal de este libro es plantear las dificultades de traducir obras literarias hibridas, que no estan escritas ni en espanol ni en ingles, sino en ambas lenguas a la vez. La cuestion no es baladi si pensamos que esa opcion que plantean ciertos escritores latinoamericanos es resultado de una eleccion vital, el reflejo de unos valores, del pasado y del futuro, a los que no quieren renunciar. La labor del traductor es, en estos casos, cuando menos compleja, y trae consigo unas reflexiones eticas sobre el poder del ingles como lengua franca o sobre como entender conceptos tales como los de identidad y diferencia.