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The very best short stories and novellas from National Public
Radio's Alan Cheuse are brought together in a quintessential
collection. Countless listeners depend on the book reviews from
Cheuse, America's voice of books, and many of those listeners also
follow his own critically acclaimed fiction and non-fiction. The
title story -- a flash fiction piece that acts as both prologue and
an intriguing look at a writer's inspiration -- takes us through a
child's eyes into a fantastic land, one that informs, shapes, and
travels along with the other stories in this stunning collection.
These stories deal with life, death, love, family, work, and a deep
exploration of the soul.
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Why I Like This Story (Hardcover)
Jackson R. Bryer; Contributions by A.R. Gurney, Alan Cheuse, Alice McDermott, Andre Dubus, …
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R1,267
Discovery Miles 12 670
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Ships in 12 - 17 working days
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Presents essays by leading short-story writers on their favorite
American short stories and why they like them. It will send readers
to the library or bookstore to read - or re-read - the stories
selected. On the assumption that John Updike was correct when he
asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can
read like a writer," Why I Like This Story presents brief essays by
forty-eight leading American writers on their favorite American
short stories, explaining why they like them. The essays, which are
personal, not scholarly, not only tell us much about the story
selected, they also tell us a good deal about the author of the
essay, about what elements of fiction he or she values. Among the
writers whose stories are discussed are such American masters as
James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver,
Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book
also includes pieces on stories by canonical but lesser-known
practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle,
Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen,
Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass,
and Jamaica Kincaid, and relative newcomers such as Lorrie Moore,
Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P.
Jones. Why I Like This Story will send readers to the library or
bookstore to read or re-read the stories selected. Among the
contributors to the book are Julia Alvarez, Andrea Barrett, Richard
Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass,
Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice
McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan
Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R.
Bryer is Professor Emeritus of English at the University of
Maryland.
"An impressive gathering of the late Malamud's essays, interviews,
lectures and notes. . . . In addition to admirers of Malamud's
fiction, this book should also be of considerable interest to
aspiring writers, as Malamud is open and revealing about his own
creative process, and consistently engaging in his often
politicized and outspoken views on the artist's role in
society".--PUBLISHERS WEEKLY.
Throughout American history, short story writers have entertained
us by creating brief narratives - short takes, we might call them -
of the people and places that have become our national heritage.
Alan Cheuse, the writer whose voice is familiar to all who listen
to NPR, has put together a new variety of anthology, one that
starts as a collection of wonderful literature but, by means of
Cheuse's selection and commentary, becomes a social history of our
nation. Organized chronologically, the anthology has been edited so
that each story contributes to building a picture of America from
the earliest stories in the 19th century all the way to World War
I. The Greatest Early American Short Stories: People and Places
that Came Before Us features stories by Washington Irving, Louisa
May Alcott, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville,
Mark Twain, Henry James, Edith Wharton, Theodore Dreiser, Willa
Cather, and more.
When he sold his first short story to "The New Yorker" in 1979,
Alan Cheuse was hardly new to the literary world. He had studied at
Rutgers under John Ciardi, worked at the Breadloaf Writing
Workshops with Robert Frost and Ralph Ellison, written hundreds of
reviews for "Kirkus Reviews, " and taught alongside John Gardner
and Bernard Malamud at Bennington College for nearly a decade. Soon
after the "New Yorker" story appeared, Cheuse wrote a freelance
magazine piece about a new, publicly funded broadcast network
called National Public Radio, and a relationship of reviewer and
radio was born.
In "Listening to the Page," Alan Cheuse takes a look back at
some of the thousands of books he has read, reviewed, and loved,
offering retrospective pieces on modern American literary figures
such as Hemingway, Thomas Wolfe, Bernard Malamud, and John
Steinbeck, as well as contemporary writers like Elizabeth Tallent
and Vassily Aksyonov. Other essays explore landscape in "All the
Pretty Horses," the career of James Agee, Mario Vargas Llosa and
naturalism, and the life and work of Robert Penn Warren.
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The Fires (Paperback)
Alan Cheuse
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R271
R238
Discovery Miles 2 380
Save R33 (12%)
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Ships in 10 - 15 working days
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Finely-honed portraits of hope and change, these two novellas
are linked so skillfully that they achieve the
intensity of a single novel in which some characters succeed
and others fail on separate but equally compelling
quests. In "The Fires," Gina Morgan makes a pilgrimage to
Uzbekistan to carry out her husband's final wish—to be
cremated—only to find herself entirely at sea in the
strange new reality of the former Soviet republic, while in "The
Exorcism,"Â Tom Swanson begins to make sense of his
life when he retrieves his angry daughter from her exclusive
New England college after her expulsion for setting fire to a grand
piano.
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