In Translations of Authority in Medieval English Literature, leading critic Alastair Minnis presents the fruits of a long-term engagement with the ways in which crucial ideological issues were deployed in vernacular texts. The concept of the vernacular is seen as possessing a value far beyond the category of language - as encompassing popular beliefs and practices which could either confirm or contest those authorized by church and state institutions. Minnis addresses the crisis for vernacular translation precipitated by the Lollard heresy; the minimal engagement with Nominalism in late fourteenth-century poetry; Langland"s views on indulgences; the heretical theology of Walter Brut; Margery Kempe"s self-promoting biblical exegesis; and Chaucer"s tales of suspicious saints and risible relics. These discussions disclose different aspects of "vernacularity," enabling a fuller understanding of its complexity and potency.

'Phantom limb pain' designates the sensations which seem to emanate from limbs that in reality are missing. The phrase was coined by the American Civil War surgeon, Weir Mitchell, in reference to his fictional amputee, George Dedlow. Contemporary neuroscience holds that the brain encloses a schema which covers the whole body, and asserts its unity even if certain parts are missing. Reading backwards from Dedlow's sufferings, Alastair Minnis traces the medieval precedents and parallels, focusing on Augustine and Dante, who subscribed to the notion of a 'body in the soul'. Dante's souls in purgatory self-prosthesize with aerial phantoms as they long for the full embodiment which only the resurrection can bring. Is a complete body necessary for personhood? And how can the gamut of human feelings be run if parts or the entirety of one's body does not exist? Combining medieval studies and contemporary neuroscience, this absorbing study explores the fascinating and surprising history of phantom pain.

In Translations of Authority in Medieval English Literature, leading critic Alastair Minnis presents the fruits of a long-term engagement with the ways in which crucial ideological issues were deployed in vernacular texts. The concept of the vernacular is seen as possessing a value far beyond the category of language - as encompassing popular beliefs and practices which could either confirm or contest those authorized by church and state institutions. Minnis addresses the crisis for vernacular translation precipitated by the Lollard heresy; the minimal engagement with Nominalism in late fourteenth-century poetry; Langland's views on indulgences; the heretical theology of Walter Brut; Margery Kempe's self-promoting biblical exegesis; and Chaucer's tales of suspicious saints and risible relics. These discussions disclose different aspects of 'vernacularity', enabling a fuller understanding of its complexity and potency.

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars, and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicizing literature, followed by explanations of medieval views on literary imagination and memory, and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

An impressively learned and beautifully illustrated review of medieval ideas about Paradise Did Adam and Eve need to eat in Eden in order to live? If so, did human beings urinate and defecate in paradise? And since people had no need for clothing, transportation, or food, what purpose did animals serve? Would carnivorous animals have preyed on other creatures? These were but a few of the questions that plagued medieval scholars for whom the idea of Eden proved an endless source of contemplation. As theologians attempted to reconcile their own experiences with the realities of the prelapsarian paradise, they crafted complex answers that included explanations of God's interaction with creation, the existence of death, and man's dominion over nature. In From Eden to Eternity, Alastair Minnis examines accounts of the origins of the human body and soul to illustrate the ways in which the schoolmen thought their way back to Eden to discover fundamental truths about humanity. He demonstrates how theologians sought certainty in matters of orthodox Christian thought and also engaged in speculation about matters that, they freely admitted, were not susceptible to firm proof. Moreover, From Eden to Eternity argues that the preoccupation with paradise belonged not only to the schools but to society as a whole, and it traces how lay writers and artists also attempted to interpret the origins of human society. Eden transcended human understanding, yet it afforded an extraordinary amount of creative space to late medieval theologians, painters, and poets as they tried to understand the place that God had deemed worthy of the creature made in His image.

An impressively learned and beautifully illustrated review of medieval ideas about Paradise Did Adam and Eve need to eat in Eden in order to live? If so, did human beings urinate and defecate in paradise? And since people had no need for clothing, transportation, or food, what purpose did animals serve? Would carnivorous animals have preyed on other creatures? These were but a few of the questions that plagued medieval scholars for whom the idea of Eden proved an endless source of contemplation. As theologians attempted to reconcile their own experiences with the realities of the prelapsarian paradise, they crafted complex answers that included explanations of God's interaction with creation, the existence of death, and man's dominion over nature. In From Eden to Eternity, Alastair Minnis examines accounts of the origins of the human body and soul to illustrate the ways in which the schoolmen thought their way back to Eden to discover fundamental truths about humanity. He demonstrates how theologians sought certainty in matters of orthodox Christian thought and also engaged in speculation about matters that, they freely admitted, were not susceptible to firm proof. Moreover, From Eden to Eternity argues that the preoccupation with paradise belonged not only to the schools but to society as a whole, and it traces how lay writers and artists also attempted to interpret the origins of human society. Eden transcended human understanding, yet it afforded an extraordinary amount of creative space to late medieval theologians, painters, and poets as they tried to understand the place that God had deemed worthy of the creature made in His image.

Fallible Authors Chaucer's Pardoner and Wife of Bath Alastair Minnis "In pages rich with explication of scholastic, literary, and historical material, Minnis recovers a medieval notion of authorial fallibility."--Seth Lerer, "TimesOnline" Can an outrageously immoral man or a scandalous woman teach morality or lead people to virtue? Does personal fallibility devalue one's words and deeds? Is it possible to separate the private from the public, to segregate individual failing from official function? Chaucer addressed these perennial issues through two problematic authority figures, the Pardoner and the Wife of Bath. The Pardoner dares to assume official roles to which he has no legal claim and for which he is quite unsuited. We are faced with the shocking consequences of the belief, standard for the time, that immorality is not necessarily a bar to effective ministry. Even more subversively, the Wife of Bath, who represents one of the most despised stereotypes in medieval literature, the sexually rapacious widow, dispenses wisdom of the highest order. This innovative book places these "fallible authors" within the full intellectual context that gave them meaning. Alastair Minnis magisterially examines the impact of Aristotelian thought on preaching theory, the controversial practice of granting indulgences, religious and medical categorizations of deviant bodies, theological attempts to rationalize sex within marriage, Wycliffite doctrine that made authority dependent on individual grace and raised the specter of Donatism, and heretical speculation concerning the possibility of female teachers. Chaucer's Pardoner and Wife of Bath are revealed as interconnected aspects of a single radical experiment wherein the relationship between objective authority and subjective fallibility is confronted as never before. Alastair Minnis is Professor of English at Yale University. He is the author of many articles and books, including "Medieval Theory of Authorship," and is coeditor of "The Cambridge History of Literary Criticism," vol. 2: "The Middle Ages." The Middle Ages Series 2007 528 pages 6 1/8 x 9 1/4 ISBN 978-0-8122-4030-6 Cloth $69.95s 45.50 ISBN 978-0-8122-0571-8 Ebook $69.95 45.50 World Rights Literature Short copy: Alastair Minnis reveals Chaucer's Pardoner and Wife of Bath as interconnected aspects of a radical literary experiment, wherein the relationship between objective authority and subjective fallibility is confronted as never before.

"An innovative and important book."--"Speculum" "This valuable book . . . poses in a most interesting form the question of the relationship generally between literary theory and literary practice."--"Times Higher Education Supplement" "Stimulating and learned. . . . This book should serve as a milestone in medieval literary theory."--"Yearbook of English Studies" "No professional medievalist with a serious interest in literature can afford to leave this book unread."--"British Book News" "A work of great importance. . . . Minnis's effort takes its own direction and impressively breaks new ground . . . he has helped lay the course theoretical criticism of medieval literature will have to pursue for years to come. It is this originality which most makes "Medieval Theory of Authorship" the important book that it is."--"Studies in the Age of Chaucer" It has often been held that scholasticism destroyed the literary theory that was emerging during the twelfth-century Renaissance, and hence discussion of late medieval literary works has tended to derive its critical vocabulary from modern, not medieval, theory. In "Medieval Theory of Authorship," now reissued with a new preface by the author, Alastair Minnis asks, "Is it not better to search again for a conceptual equipment which is at once historically valid and theoretically illuminating?" Minnis has found such writings in the glosses and commentaries on the authoritative Latin writers studied in schools and universities between 1100 and 1400. The prologues to these commentaries provide valuable insight into the medieval theory of authorship. Of special significance is scriptural exegesis, for medieval scholars found the Bible the most difficult text to describe appropriately and accurately. Alastair Minnis is Douglas Tracy Smith Professor of English at Yale University. His "Fallible Authors: Chaucer's Pardoner and Wife of Bath" is also published by the University of Pennsylvania Press. Short copy: Available again with a new preface, this classic work of medieval literary scholarship argues that discussion of late-medieval literary works has tended to derive its critical vocabulary from modern, not medieval, theory, and offers instead a conceptual equipment which is at once historically valid and theoretically illuminating.

Geoffrey Chaucer is the best-known and most widely read of all medieval British writers, famous for his scurrilous humour and biting satire against the vices and absurdities of his age. Yet he was also a poet of passionate love, sensitive to issues of gender and sexual difference, fascinated by the ideological differences between the pagan past and the Christian present, and a man of science, knowledgeable in astronomy, astrology and alchemy. This concise book is an ideal starting point for study of all his major poems, particularly The Canterbury Tales, to which two chapters are devoted. It offers close readings of individual texts, presenting various possibilities for interpretation, and includes discussion of Chaucer's life, career, historical context and literary influences. An account of the various ways in which he has been understood over the centuries leads into an up-to-date, annotated guide to further reading.

As literary scholars have long insisted, an interdisciplinary approach is vital if modern readers are to make sense of works of medieval literature. In particular, rather than reading the works of medieval authors as addressing us across the centuries about some timeless or ahistorical 'human condition', critics from a wide range of theoretical approaches have in recent years shown how the work of poets such as Chaucer constituted engagements with the power relations and social inequalities of their time. Yet, perhaps surprisingly, medieval historians have played little part in this 'historical turn' in the study of medieval literature. The aim of this volume is to allow historians who are experts in the fields of economic, social, political, religious, and intellectual history the chance to interpret one of the most famous works of Middle English literature, Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales, in its contemporary context. Rather than resorting to traditional historical attempts to see Chaucer's descriptions of the Canterbury pilgrims as immediate reflections of historical reality or as portraits of real-life people whom Chaucer knew, the contributors to this volume have sought to show what interpretive frameworks were available to Chaucer in order to make sense of reality and how he adapted his literary and ideological inheritance so as to engage with the controversies and conflicts of his own day. Beginning with a survey of recent debates about the social meaning of Chaucer's work, the volume then discusses each of the Canterbury pilgrims in turn. Historians on Chaucer should be of interest to all scholars and students of medieval culture whether they are specialists in literature or history,

As literary scholars have long insisted, an interdisciplinary approach is vital if modern readers are to make sense of works of medieval literature. In particular, rather than reading the works of medieval authors as addressing us across the centuries about some timeless or ahistorical 'human condition', critics from a wide range of theoretical approaches have in recent years shown how the work of poets such as Chaucer constituted engagements with the power relations and social inequalities of their time. Yet, perhaps surprisingly, medieval historians have played little part in this 'historical turn' in the study of medieval literature. The aim of this volume is to allow historians who are experts in the fields of economic, social, political, religious, and intellectual history the chance to interpret one of the most famous works of Middle English literature, Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales, in its contemporary context. Rather than resorting to traditional historical attempts to see Chaucer's descriptions of the Canterbury pilgrims as immediate reflections of historical reality or as portraits of real life people whom Chaucer knew, the contributors to this volume have sought to show what interpretive frameworks were available to Chaucer in order to make sense of reality and how he adapted his literary and ideological inheritance so as to engage with the controversies and conflicts of his own day. Beginning with a survey of recent debates about the social meaning of Chaucer's work, the volume then discusses each of the Canterbury pilgrims in turn. Historians on Chaucer should be of interest to all scholars and students of medieval culture whether they are specialists in literature or history.

Geoffrey Chaucer is the best-known and most widely read of all medieval British writers, famous for his scurrilous humour and biting satire against the vices and absurdities of his age. Yet he was also a poet of passionate love, sensitive to issues of gender and sexual difference, fascinated by the ideological differences between the pagan past and the Christian present, and a man of science, knowledgeable in astronomy, astrology and alchemy. This concise book is an ideal starting point for study of all his major poems, particularly The Canterbury Tales, to which two chapters are devoted. It offers close readings of individual texts, presenting various possibilities for interpretation, and includes discussion of Chaucer's life, career, historical context and literary influences. An account of the various ways in which he has been understood over the centuries leads into an up-to-date, annotated guide to further reading.