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In this collection, an international team of contributors contests the conventional critical view of modernism as a transnational or supranational entity. They examine relationships between modernist poetry and place, and foreground issues of region and space, nation and location in the work of poets such as Ezra Pound, Wallace Stevens, and Marianne Moore. The book brings the work of major canonical writers into juxtaposition with more neglected modernists such as Basil Bunting and Dylan Thomas, writers whose investment in the concepts of region and nation, it is argued, contributed to their relative marginalization.
First full study of the use made by Renaissance writers of the past in their prose fiction. Davis's study could scarcely be more timely or invigorating. SEAN KEILEN, College of William and Mary. Williamsburg VA A majority of the fiction composed in England in the second half of the sixteenth century was set inthe past. All the major prose writers of the period (Thomas Lodge, Sir Philip Sidney, Thomas Nashe, Thomas Deloney, Robert Greene) produced historical fiction, with settings ranging from the ancient world (as in Sidney's Arcadia) to the time of Henry VIII (in Nashe's The Unfortunate Traveller). Yet while studies of the historical drama of the period abound, the historical bias of prose fiction has so far escaped any sort of sustained critical consideration. Renaissance Historical Fiction is the first book-length study of this important topic. It argues for the complex ways in which these prose fictions engage with an idea of the past, and of their power to destabilize some of our dominant models for understanding the period of 'the Renaissance'. The wide range of texts discussed includes Lodge's Robin the Devil; Greene's Ciceronis Amor; John Lyly's Euphues and his England; and the anonymous Famous History of Friar Bacon. In addition, a chapter apiece is devoted to three key authors (Sidney, Deloney and Nashe) whose work best represents the imaginative richness and thematic complexity of the historical fiction of the late sixteenth century. Alex Davis is Lecturer in English at the University of St Andrews.
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T. S. Eliot, W. B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
In this 2000 collection, an international team of contributors contest the conventional critical view of modernism as a transnational or supranational entity. They examine relationships between modernist poetry and place, and foreground issues of region and space, nation and location in the work of poets such as Ezra Pound, Wallace Stevens and Marianne Moore. The book brings the work of major canonical writers into juxtaposition with more neglected modernists such as Basil Bunting and Dylan Thomas, writers whose investment in the concepts of region and nation, it is argued, contributed to their relative marginalisation. These essays offer a fascinating perspective on contemporary valuations of modernism through their investigation of some of the Anglo-American locations of modernism, and assess the regional and nationalist affiliations of modernist poetry. The Locations of Literary Modernism maps a topography of poetic modernism that is quite different from what had hitherto been accepted as comprehensive.
This Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the avant garde. The chapters in the second part concentrate on individual authors and movements, while the concluding part offers a comprehensive overview of the early reception and subsequent canonisation of modernist poetry. As well as insightful readings of canonical poets, the Companion features extended discussions of poets whose importance is now being increasingly recognised, such as Mina Loy, poets of the Harlem Renaissance, and postcolonial poets in the Caribbean, Africa and India. While modernist poets are often thought of as difficult, these essays will help students to understand and enjoy their experimental, playful and fascinating responses to contemporary social and cultural change and their dialogue with the arts and with each other.
A reinterpretation of the place and significance of chivalric culture in the sixteenth and seventeenth centuries, and what it says about contemporary attitudes to the medieval. Chivalry and Romance in Renaissance England offers a reinterpretation of the place and significance of chivalric culture in the sixteenth and seventeenth-century and explores the implications of this reconfigured interpretation for an understanding of the medieval generally. Received wisdom has it that both chivalric culture and the literature of chivalry - romances - were obsolete by the time of the Renaissance, an understanding epitomised by the figure of Don Quixote, the reader of chivalric fictions whose risible literary tastes render him absurd. By way of contrast, this study finds evidence for the continued vitality and relevance of chivalric values at all levels of sixteenth- and seventeenth-century society, from the court entertainments of Elizabeth I to the civic culture of London merchants and artisans. At the same time, it charts the process by which, throughout the eighteenth and nineteenth centuries, the chivalric has been firstly exclusively identified with the medieval and then transformed into a virtual shorthand for 'pastness' generally. ALEX DAVIS is lecturer in English, University of St Andrews.
This Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the avant garde. The chapters in the second part concentrate on individual authors and movements, while the concluding part offers a comprehensive overview of the early reception and subsequent canonisation of modernist poetry. As well as insightful readings of canonical poets, the Companion features extended discussions of poets whose importance is now being increasingly recognised, such as Mina Loy, poets of the Harlem Renaissance, and postcolonial poets in the Caribbean, Africa and India. While modernist poets are often thought of as difficult, these essays will help students to understand and enjoy their experimental, playful and fascinating responses to contemporary social and cultural change and their dialogue with the arts and with each other.
If you're writing one of several applications that call for asynchronous programming, this concise hands-on guide shows you how the async feature in C# 5.0 can make the process much simpler. Along with a clear introduction to asynchronous programming, you get an in-depth look at how the async feature works and why you might want to use it in your application. Written for experienced C# programmers--yet approachable for beginners--this book is packed with code examples that you can extend for your own projects.Write your own asynchronous code, and learn how async saves you from this messy choreDiscover new performance possibilities in ASP.NET web server codeExplore how async and WinRT work together in Windows 8 applicationsLearn the importance of the await keyword in async methodsUnderstand which .NET thread is running your code--and at what points in the programUse the Task-based Asynchronous Pattern (TAP) to write asynchronous APIs in .NETTake advantage of parallel computing in modern machinesMeasure async code performance by comparing it with alternatives
HORROR HAS A HUMAN FACE . . . In a world over-run with vampires, werewolves and zombies, No Monsters Allowed goes back to the very roots of horror - humanity itself. The vile acts of our fellow men and women, the fears that hide in our own minds, the nightmares that inhabit our everyday lives . . . You'll find all this and more in this collection of 20 stories. Featuring stories from: ALLEN ASHLEY, KEITH BROOKE, JEFF GARDINER, STUART HUGHES, AMELIA MANGAN, GARY MCMAHON, ANNA TABORSKA, and many more...
An incisively argued collection of essays which sets out to look afresh at the landscape of Irish poetry in the 1930s.
Greetings, player, and prepare yourselves for a journey unlike any other - a journey through the world of games. Enter a realm where a man falls in love with a playing card and a game of Scrabble has deadly consequences, a place where reality and virtual reality blur into one and the same. In these pages, the moves of a chess piece can signal the difference between life and death, rioting has become a huge national sport and the players lose themselves in games of their own devising. Featuring stories by Allen Ashley, Adam Craig, Charlie Fish, Diotima Sophia, Sandra Unerman, Jay Wilburn, Jason D Wittman and many more.
For the first time collected together, the best weird fiction from Morpheus Tales, the UK's most controversial weird fiction magazine! Only the very best weird fiction has been hand-picked from the Morpheus Tales archives to create the fourth collected volume of the magazine Christopher Fowler calls "edgy and dark". Featuring fiction by Gary Budgen, Alex Davis, James Everington, R. K. Gemienhardt, Dean M. Drinkel, Michael W. Garza, John S. Barker, Brick Marlin, Kurt Fawver, John F. D. Taff, Charles A. Muir, Martin Slag, Lenora Farrington-Sarrouf, Deborah Walker, Cate Caldwell, Richard Smith, Alex Gonzalez, Erik T. Johnson, Brian Kutco, Heather Smith, John Morgan. Established horror best-sellers rub shoulders with rising stars and newcomers in this diverse collection of short weird fiction.
This book uses the approach of a cookbook. Each recipe provides the reader with easy step-by-step descriptions of the actions necessary to accomplish a specific task. It is designed to present what often appear as extremely complicated techniques as a series of simple-to-follow recipes, allowing readers to achieve high uptimes on their MySQL servers. This book is targeted at system administrators or database administrators who have basic familiarity with Linux, the shell, and MySQL. The typical user will be able to get MySQL installed and working, but needs practical guidance to make it highly available.
AI is being touted as the biggest disruptor of legal services in living memory. Claims that "100,000 legal roles are to become automated", and "robots will replace lawyers in the next 20-30 years" mean that the trend cannot be ignored. In December 2016, ARK's best-selling Robots in Law - a vendor neutral primer on what artificial intelligence could do in legal services was published. This was written as a snapshot of how things stood at that point in time. It was early days for AI in legal, so it wasn't about implementation or adoption but about technological developments and possible uses. A year later, this book focuses on how firms have begun to adopt and use AI, providing detailed insight into the different practice areas or functions that AI has been used to drive efficiencies. The book is designed to help law firms learn lessons from previous implementations and consider which technology would be right for them to adopt.
Offering an introduction to Irish culture and society, this glossary serves as a routemap for undergraduates to further study. It contains around 400 short and accessible explanations of the key events, figures and concepts in Irish studies since the pre-modern period. From "the Abbey Theatre" and "Bloody Sunday" to "Viking Invasions" and "Oscar Wilde", this glossary gives an interdisciplinary overview of Irish culture and society and offers directions for further reading. Covering literary terms, traditions and movements as well as Irish history, politics, music and art, the entries are fully cross-referenced and assume no prior knowledge making this a useful source of information for students of Irish studies.
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