Gargoyles are an architectural feature designed to throw rainwater clear of the walls of a building. Widely used on medieval churches, these water spouts were often richly decorated, and fashioned as serpents' heads and other fanciful shapes. Today, the term gargoyle is also popularly applied to any carved decorative head or creature high up on a building and this book is an exploration of all of these enchanting features. Written by an academic and stonecarver, it is the perfect introduction to this fascinating subject.
"Gargoyles" aims to provide a concise introduction to the stone carvings often found on religious and secular buildings in Britain from the medieval period to the modern. It will explore the typical imagery, some of the theories put forward to explain them, as well as consider the carvings within their architectural and social contexts. Incorporating recent and current research, the book will nevertheless be accessible to the general reader.

The presence of unusual, grotesque and rude carvings on ecclesiastical buildings have been explained in a number of ways, from reflecting the warped sense of humour of the masons, to a purely ornamental or marginal function. However, in this study of medieval sculpture from southern England, Alex Woodcock suggests that imagery should be seen in the same way as the buildings themselves, as liminal spaces mediating between the human, mortal world and the sacred and unknown. In examining various distorted and foliate heads, grotesques, mythical creatures, beasts and so on, Woodcock argues that these are wholly appropriate images for medieval religious life, reflecting the ambiguous and the unclassifiable in an unknown realm, whilst also having an apotropaic function. Placing emphasis on liminality, the study focuses in particular on heads - severed, foliate and otherwise - and whole figures, humans, animals and hybrids, including detailed studies of the siren and mermaid.