|
Showing 1 - 17 of
17 matches in All Departments
Since antiquity, people have searched for a way to understand the
colors we see--what they are, how many there are, and how they can
be systematically identified and arranged in some kind of order.
How to order colors is not merely a philosophical question, it also
has many practical applications in art, design, and commerce. Our
intense interest in color and its myriad practical applications
have led people throughout history to develop many systems to
characterize and order it. The number of color order systems
developed throughout history is unknown but ranges in the hundreds.
Many are no longer used, but continue to be of historical interest.
Despite wrong turns and slow progress, our understanding of color
and its order has improved steadily. Although full understanding
continues to elude us, it seems clear that it will ultimately come
from research in neurobiology, perception and consciousness. Color
Ordered is a comprehensive, in-depth compendium of over 170
systems, dating from antiquity to the present. In it, Rolf Kuehni
and Andreas Schwarz present a history and categorization of color
systems, describe each one using original figures and schematic
drawings, and provide a broad review of the underlying theory.
Included are a brief overview of color vision and a synthesis of
the various systems. This volume is a unique and valuable resource
for researchers in color vision, and visual perception, as well as
for neuroscientists, art historians, artists, and designers.
Bachelor Thesis from the year 2011 in the subject American Studies
- Culture and Applied Geography, grade: 1,3, Free University of
Berlin (John-F.-Kennedy-Institut), language: English, abstract: In
film studies, the term New Hollywood is used in non-conclusive and
heterogeneous ways. The discourse does not make explicit what the
real New was. However, there appears to be a general consensus as
to the actual time frame in which a bigger change happened in
Hollywood that stirred up the system - starting in 1967. Scholars
have been trying to explain the proclaimed change of the Classical
Hollywood Cinema from different perspectives, which, depending on
author and release date, point out economical, production-related,
societal, or creative-aesthetic revolutions as responsible factors.
Coming from the film critic's angle towards New Hollywood, the most
important factor in the process was the development and success of
the American auteur. The auteur theory has been appointed as such
by film critic Andrew Sarris, who based his assumptions mainly on
the theoretical conclusions drawn by the writers of the French
Cahiers du Cinema. Taking the auteur approach to explain aspects of
the New Hollywood, some scholars pinpoint the era down to the years
of 1967-1976. This national cinematography is hardly discussed
consensually within its own historiographical discourse or the
boundaries of text analysis. I want to specifically trace the role
of the idea of an auteur cinema within the Hollywood industry
during this change, and thereby further disentangle the complex
relationship of commerce and authorship. My first chapter will
therefore be employed with the theoretical background and the
discourse around authorship in general, film in particular.
Eventually this will lead to a clear idea about the specifics and
limitations of the auteur theory discourse. The second chapter will
then be occupied with the historical change of the Hollywood system
in the sixties and seventies of
In diesem Buch erfahren Sie, wie Sie in kurzer Zeit mit wenigen
hochwirksamen Fuhrungsmethoden in 90% aller Fuhrungssituationen
erfolgreich sein konnen. In den ersten Teilen des Buches erhalten
Sie optimale Unterstutzung fur Ihre Fuhrungspraxis: Die drei
grundlegenden Mechanismen, nach denen wir Menschen unser Handeln
steuern und wo Fuhrung ansetzen kann. Die 8 Fuhrungssituationen,
die 90% des Fuhrungsalltags abdecken. Die 5 wirksamsten
Fuhrungsmethoden. Die wichtigsten Voraussetzungen fur die
praktische Anwendung. Im letzten Teil des Buches werden die 20
Personlichkeitsmerkmale beschrieben, die Sie als echte
Fuhrungspersonlichkeit haben sollten, um Ihre
Erfolgswahrscheinlichkeit zu erhohen. Sie konnen sich dabei selbst
einschatzen und erhalten eine Empfehlung bezogen auf Ihre
Fuhrungskompetenz.
|
|