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The Role of Authorship during the Shift towards a New Hollywood (Paperback)
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The Role of Authorship during the Shift towards a New Hollywood (Paperback)
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Bachelor Thesis from the year 2011 in the subject American Studies
- Culture and Applied Geography, grade: 1,3, Free University of
Berlin (John-F.-Kennedy-Institut), language: English, abstract: In
film studies, the term New Hollywood is used in non-conclusive and
heterogeneous ways. The discourse does not make explicit what the
real New was. However, there appears to be a general consensus as
to the actual time frame in which a bigger change happened in
Hollywood that stirred up the system - starting in 1967. Scholars
have been trying to explain the proclaimed change of the Classical
Hollywood Cinema from different perspectives, which, depending on
author and release date, point out economical, production-related,
societal, or creative-aesthetic revolutions as responsible factors.
Coming from the film critic's angle towards New Hollywood, the most
important factor in the process was the development and success of
the American auteur. The auteur theory has been appointed as such
by film critic Andrew Sarris, who based his assumptions mainly on
the theoretical conclusions drawn by the writers of the French
Cahiers du Cinema. Taking the auteur approach to explain aspects of
the New Hollywood, some scholars pinpoint the era down to the years
of 1967-1976. This national cinematography is hardly discussed
consensually within its own historiographical discourse or the
boundaries of text analysis. I want to specifically trace the role
of the idea of an auteur cinema within the Hollywood industry
during this change, and thereby further disentangle the complex
relationship of commerce and authorship. My first chapter will
therefore be employed with the theoretical background and the
discourse around authorship in general, film in particular.
Eventually this will lead to a clear idea about the specifics and
limitations of the auteur theory discourse. The second chapter will
then be occupied with the historical change of the Hollywood system
in the sixties and seventies of
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