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Full Contributors: Monika Bernold, University of Vienna, Andrea Ellmeier, University of Vienna, Mica Nava, University of East London, Andrew Blake, University of East London, Colin Campbell, University of York, Joanne Entwhistle, University of North London, Pasi Falk, University of Helsinki, Robert Goldman, Lewis Clarke College, Steven Kline, Simon Fraser University, Reina Lewis, University of East London, Katrina Rolley, University of East London, Celia Lury, University of Lancaster, Alan Warde, University of Lancaster, Frank Mort, Portsmouth University, Iain MacRury, University of East London, Sean Nixon, University of Essex, Stephanie O'Donohue, Edinburgh University, Kim Christian Schoder, University of Roskigde, Denmark, Rob Shields, Carleton University, Andrew Wernick, Trent University, Ontario
A study of the interrelationship of the Victorian novel with other
forms of writings, arguing that the whole literary culture was
concerned with the production of Victorian values, including
novels, an active part in the compromise between aristocratic and
middle class cultures in this period.
This book examines the key developments in the UK magazine industry
since 2014 and explains in detail how the business has innovated to
survive. Innovations in Magazine Publishing explores the key issues
that publishers and editors have had to grapple with in recent
years and demonstrates how they have changed their business models
and encouraged innovation and creativity. Written in an engaging
and accessible style, the authors and contributors have drawn on
years of industry expertise and contacts to examine the massive
changes that have taken place in the areas of content creation and
advertising in the last decade. Beginning with a highly useful
summary of UK magazine publishing history, the book then provides a
detailed focus on how magazines have had to adapt to a declining
revenue picture in both copy and advertisement sales. This
discussion considers changes in ownership and the supply chain,
mutual dependency on social media, the rapid growth of the
independent sector, investing in brand and product extensions, and
how media companies themselves have changed to meet the demands of
the new era. The important issue of ethnic diversity within the UK
publishing industry is addressed and the introduction also includes
a discussion of the effects of the Covid-19 pandemic on the
industry, and how the magazine business will need to respond to
whatever the future may bring. This comprehensive overview of the
current state of the industry is a vital resource for students,
researchers and professionals in magazine journalism, as well as
for those studying media and journalism studies more generally.
This book examines the key developments in the UK magazine industry
since 2014 and explains in detail how the business has innovated to
survive. Innovations in Magazine Publishing explores the key issues
that publishers and editors have had to grapple with in recent
years and demonstrates how they have changed their business models
and encouraged innovation and creativity. Written in an engaging
and accessible style, the authors and contributors have drawn on
years of industry expertise and contacts to examine the massive
changes that have taken place in the areas of content creation and
advertising in the last decade. Beginning with a highly useful
summary of UK magazine publishing history, the book then provides a
detailed focus on how magazines have had to adapt to a declining
revenue picture in both copy and advertisement sales. This
discussion considers changes in ownership and the supply chain,
mutual dependency on social media, the rapid growth of the
independent sector, investing in brand and product extensions, and
how media companies themselves have changed to meet the demands of
the new era. The important issue of ethnic diversity within the UK
publishing industry is addressed and the introduction also includes
a discussion of the effects of the Covid-19 pandemic on the
industry, and how the magazine business will need to respond to
whatever the future may bring. This comprehensive overview of the
current state of the industry is a vital resource for students,
researchers and professionals in magazine journalism, as well as
for those studying media and journalism studies more generally.
This analysis of macroeconomic policy, originally published in
1989, argues that key government objectives, such as reduced
inflation, decreased unemployment and an adequate level of national
saving can be achieved only by employing both monetary and fiscal
policies, in conjunction with supply-side policies expressly
designed to improve the workings of the labour market. Part 1 is a
comparative analysis showing the effects of monetary and fiscal
policy on the economy. Real-wage rigidity in the labour market is
shown to have important consequences for the working of both types
of policy, because it conditions the economy's response to tax
changes. Part 2 presents an econometric model which combines
consistent stock-flow accounts with a full range of expectational
effects. Part 3 presents an innovative technique for solving
rational expectations models with the need for arbitary terminal
conditions.
Author Biography: Andrew Blake is Head of the School of Cultural Studies at King Alfred's College, Winchester.
In 1956 many people thought rock `n' roll was a passing fad, yet over forty years later , more than ever, Popular Music is a part of contemporary culture, reinventing itself for successive generations. Pop embraces its own history, with musicians from every genre routinely sampling the sounds of the past. present. Living Through Pop explores popular music's history, and the ways in which it has been produced by musicians, broadcasters, critics and fans. In discussing this complex relationship between the past and the present, the contributors investigate signficant moments in music's history, from the Rolling Stones and the Velvet Underground to the Sex Pistols and the Verve, from drum `n' bass to European extreme techno.
Buy This Book is an important contribution to the history and understanding of consumption and advertising. This book brings together an outstanding collection of writing on the study of advertising, consumer practices and the future directions of research. Advertising and Consumption constitutes an invaluable resource for researchers, teachers and students. The essays are based on new textual and ethnographic research and engage with existing theoretical and historical work to form a volume which is a challenging companion to studies in this field.
This analysis of macroeconomic policy, originally published in
1989, argues that key government objectives, such as reduced
inflation, decreased unemployment and an adequate level of national
saving can be achieved only by employing both monetary and fiscal
policies, in conjunction with supply-side policies expressly
designed to improve the workings of the labour market. Part 1 is a
comparative analysis showing the effects of monetary and fiscal
policy on the economy. Real-wage rigidity in the labour market is
shown to have important consequences for the working of both types
of policy, because it conditions the economy's response to tax
changes. Part 2 presents an econometric model which combines
consistent stock-flow accounts with a full range of expectational
effects. Part 3 presents an innovative technique for solving
rational expectations models with the need for arbitary terminal
conditions.
Active Contours deals with the analysis of moving images - a topic
of growing importance within the computer graphics industry. In
particular it is concerned with understanding, specifying and
learning prior models of varying strength and applying them to
dynamic contours. Its aim is to develop and analyse these modelling
tools in depth and within a consistent framework.
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Vision (Paperback)
Andrew Fabian, Janet Gibson, Mike Sheppard, Simone Weyand; Contributions by Andrew Blake, …
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R561
Discovery Miles 5 610
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Ships in 12 - 17 working days
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Arising from the 2019 Darwin College Lectures, this book presents
essays from seven prominent public intellectuals on the theme of
vision. Each author examines this theme through the lens of their
own particular area of expertise, making for a lively
interdisciplinary volume including chapters on neuroscience, colour
perception, biological evolution, astronomy, the future of
technology, computer vision, and the visionary core of science.
Featuring contributions by professors of neuroscience Paul Fletcher
and Anya Hurlbert, professor of zoology Dan-Eric Nilsson, the
futurist Sophie Hackford, Microsoft distinguished scientist Andrew
Blake, theoretical physicist and author Carlo Rovelli, and Dr
Carolin Crawford, the Public Astronomer at the University of
Cambridge, this volume will be of interest to anybody curious about
how we see the world.
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Energy Minimization Methods in Computer Vision and Pattern Recognition - 7th International Conference, EMMCVPR 2009, Bonn, Germany, August 24-27, 2009, Proceedings (Paperback, 2009 ed.)
Daniel Cremers, Yuri Boykov, Andrew Blake, Frank R. Schmidt
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R1,531
Discovery Miles 15 310
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Ships in 10 - 15 working days
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Overthelastdecades, energyminimizationmethods
havebecomeanestablished paradigm to resolve a variety of challenges
in the ?elds of computer vision and pattern recognition. While
traditional approaches to computer vision were often based on a
heuristic sequence of processing steps and merely allowed very l-
ited theoretical understanding of the respective methods, most
state-of-the-art methods are nowadays based on the concept of
computing solutions to a given problem by minimizing respective
energies. This volume contains the papers presented at the 7th
International Conf- ence on Energy Minimization Methods in Computer
Vision and Pattern Rec- nition (EMMCVPR 2009), held at the
University of Bonn, Germany, August 24-28, 2009. These papers
demonstrate that energy minimization methods have become a mature
?eld of research spanning a broad range of areas from discrete
graph theoretic approaches and Markov random ?elds to variational
methods and partial di?erential equations. Application areas
include image segmentation and tracking, shape optimization and
registration, inpainting and image deno- ing, color and texture
modeling, statistics and learning. Overall, we received 75
high-quality double-blind submissions. Based on the reviewer
recommendations,
36paperswereselectedforpublication,18asoraland18asposterpresentations.
Both oral and poster papers were attributed the same number of
pages in the conference proceedings. Furthermore, we were delighted
that three leading experts from the ?elds of computer vision and
energy minimization, namely, Richard Hartley (C- berra, Australia),
Joachim Weickert (Saarbruc ] ken, Germany) and Guillermo
Sapiro(Minneapolis,
USA)agreedtofurtherenrichtheconferencewithinspiring keynote
lectures.
A study of the interrelationship of the Victorian novel with other
forms of writings, arguing that the whole literary culture was
concerned with the production of Victorian values, including
novels, an active part in the compromise between aristocratic and
middle class cultures in this period.
This scarce antiquarian book is a selection from Kessinger
PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series.
Due to its age, it may contain imperfections such as marks,
notations, marginalia and flawed pages. Because we believe this
work is culturally important, we have made it available as part of
our commitment to protecting, preserving, and promoting the world's
literature. Kessinger Publishing is the place to find hundreds of
thousands of rare and hard-to-find books with something of intere
"Five, six, seven, eight!" Defines the life of actress, dancer,
choreographer, and director Miriam Nelson. Miriam's life reads like
a 1930's musical. While still in her twenties, she appeared in six
Broadway shows. On the day she moved to Los Angeles, Miriam ran
into old friend Billy Daniels from New York who took her to lunch
at Paramount. During lunch, Miriam ran into another New York
friend, Paramount president Buddy de Sylva, who hired her on the
spot for Lady in the Dark starring Ginger Rogers. Miriam has been
dancing with the stars ever since! Nelson has tapped and chassd
with countless stars, including Julie Andrews, Ingrid Bergman,
Doris Day, Judy Garland, Bette Davis, Bing Crosby, Gene Kelly, John
Travolta and Billy Bob Thornton. Miriam was there for the opening
day at Disneyland - Walt Disney hired her to choreograph dance
numbers around the Park, including the famous Golden Horseshoe
Revue. Miriam's career spans both the famous and infamous eras of
stage, screen, and television. Encouraged by friends and family to
recall her special "behind the scenes" moments, Miriam sorted
through memories, scrapbooks and mountains of photographs to enable
readers to share the excitement and anticipation, the joy and the
sorrow that chronicled her extraordinary life. Fortunately, for
those who love to dance and those who love to watch dance, Miriam
Nelson remains an exciting part of the professional American dance
scene. "You're a darling girl, Miriam, and I love you for all that
you did. God bless you always, your dear friend," - Busby Berkley
Active Vision explores important themes emerging from the active
vision paradigm, which has only recently become an established area
of machine vision. In four parts the contributions look in turn at
tracking, control of vision heads, geometric and task planning, and
architectures and applications, presenting research that marks a
turning point for both the tasks and the processes of computer
vision.The eighteen chapters in Active Vision draw on traditional
work in computer vision over the last two decades, particularly in
the use of concepts of geometrical modeling and optical flow;
however, they also concentrate on relatively new areas such as
control theory, recursive statistical filtering, and dynamical
modeling.Active Vision documents a change in emphasis, one that is
based on the premise that an observer (human or computer) may be
able to understand a visual environment more effectively and
efficiently if the sensor interacts with that environment, moving
through and around it, culling information selectively, and
analyzing visual sensory data purposefully in order to answer
specific queries posed by the observer. This method is in marked
contrast to the more conventional, passive approach to computer
vision where the camera is supposed to take in the whole scene,
attempting to make sense of all that it sees.Andrew Blake is
Lecturer in Engineering Science at the University of Oxford Alan
Yuille is Associate Professor in the Division of Applied Sciences
at Harvard University.
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Discovery Miles 5 930
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