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Two leading authorities – a bestselling historian and the
outstanding battlefield commander and strategist of our time –
collaborate on a landmark examination of war since 1945. Conflict
is both a sweeping history of the evolution of warfare up to
Putin’s invasion of the Ukraine, and a penetrating analysis of
what we must learn from the past—and anticipate in the
future—in order to navigate an increasingly perilous world. In
this deep and incisive study, General David Petraeus, who commanded
the US-led coalitions in both Iraq and Afghanistan and former CIA
director, and the prize-winning historian Andrew Roberts, explore
over 70 years of conflict, drawing significant lessons and insights
from their fresh analysis of the past. Drawing on their different
perspectives and areas of expertise, Petraeus and Roberts show how
often critical mistakes have been repeated time and again, and the
challenge, for statesmen and generals alike, of learning to adapt
to various new weapon systems, theories and strategies. Among the
conflicts examined are the Arab-Israeli wars, the Korean and
Vietnam Wars, the two Gulf Wars, the Balkan wars in the former
Yugoslavia, and both the Soviet and Coalition wars in Afghanistan,
as well as guerrilla conflicts in Africa and South America.
Conflict culminates with a bracing look at Putin’s disastrous
invasion of Ukraine, yet another case study in the tragic results
when leaders refuse to learn from history, and an assessment of the
nature of future warfare. Filled with sharp insight and the wisdom
of experience, Conflict is not only a critical assessment of our
recent past, but also an essential primer of modern warfare that
provides crucial knowledge for waging battle today as well as for
understanding what the decades ahead will bring.
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The Heat (DVD)
Sandra Bullock, Melissa McCarthy, Kaitlin Olson, Taran Killam, Michael Rapaport, …
1
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R59
R53
Discovery Miles 530
Save R6 (10%)
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Ships in 10 - 20 working days
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Sandra Bullock and Melissa McCarthy star as two mismatched cops in
this comedy from 'Bridesmaids' director Paul Feig. Unaware that her
colleagues hate her, prim and priggish FBI special agent Sarah
Ashburn (Bullock) is seconded to Boston where she's forced to team
up with foul-mouthed, take-no-prisoners detective Shannon Mullins
(McCarthy). When the pair are ordered to take down a local drug
baron, the two cops' wildly contrasting styles - and mutual hatred
- soon threaten to derail their mission. But as the weeks pass, a
grudging admiration for each others' methods brings about a thawing
in hostilities, as the ill-starred crimefighters turn out to be a
force to be reckoned with.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
'Superb...his pages fizz with character and colour' Dominic
Sandbrook, Sunday Times 'Scholarly and very readable' Andrew
Lycett, Spectator 'Energetic and hugely entertaining' A.N.Wilson,
TLS A definitive and compelling biography of Alfred Harmsworth, 1st
Viscount Northcliffe (1865-1922), the greatest press magnate in
history, the genius who invented modern popular journalism, and
against whom all the other great newspaper proprietors must be
measured. By the time of his tragically early death at 57 in August
1922, Northcliffe had founded the Daily Mail and Daily
Mirror, and had also owned The Times and the Observer. At one
point he owned two-thirds of all the titles on Fleet Street. He
laid down the essential features of British popular journalism that
we see now. He was a tough and uncompromising businessman, but in
The Chief Andrew Roberts puts his ruthlessness and wilfulness in
the overall context of a life of visionary business skill,
journalistic brilliance, distinguished wartime public service and
heartfelt patriotism. From a modest background, growing up on the
outskirts of Dublin, by 27 he presided over a magazine empire
with the largest circulation in the world. He wanted his
readers to know that he was on their side, which they instinctively
did. He was proud of his populist approach, saw the importance of
appealing to both sexes in his pages, and allowed his editors
leeway so long as they understood and followed his vision. The
formula he created for the Daily Mail is still world-beating to
this day. Based on exclusive access to the Harmsworth family
archive, The Chief is a compelling and essential portrait of a man
who changed the way we learn about the news, and whose influence
still resonates today. Â
Explore the Holy Habits through the life of Jesus This resource
provides seven weeks of material for church groups to use during
Lent. Each session includes the printed Bible passage, a suggestion
for a simple symbolic worship centre, music suggestions,
reflection, poem, questions, prayer and take-home ideas. Additional
material for Holy Week provides daily reflections that can be used
as the basis of a gathered act of worship, or for personal
devotion.
Andrew Robert was born on the 26th of September 1976 in Agbor,
Delta State, Nigeria. Though not born into Christian family, Andrew
was blessed to find himself in Church at a tender age and he grew
into spiritual and physical maturity in God and as a result of his
conversion his entire family is now serving the true God. Tutored
and mentored by Archbishop Benson Idahosa, Andrew has traveled the
world taking the message of Christ everywhere including to Libya,
Afghanistan, India, Myanmar, Laos, 26 Maldives, Niger, Vietnam and
more. Andrew has been blessed with great insight into the word of
God. Andrew currently resides in Cambodia where he is involved in
the Lord's work. His Beauty for my Ashes is an insightful book and
considered one of the best works of the century. The book offers a
unique and fresh insight on many sensitive topics that will edify
the Body of Christ. Topics covered include: The meaning of 'greater
works'; Judas' salvation; The unforgivable sin of blasphemy against
the Holy Spirit and How a Christian can lose their salvation. Be
blessed by your reading and we will welcome any feedback and
comments on our website:
'Superb...his pages fizz with character and colour' Dominic
Sandbrook, Sunday Times 'Scholarly and very readable' Andrew
Lycett, Spectator 'Energetic and hugely entertaining' A.N.Wilson,
TLS A definitive and compelling biography of Alfred Harmsworth, 1st
Viscount Northcliffe (1865-1922), the greatest press magnate in
history, the genius who invented modern popular journalism, and
against whom all the other great newspaper proprietors must be
measured. By the time of his tragically early death at 57 in August
1922, Northcliffe had founded the Daily Mail and Daily Mirror, and
had also owned The Times and the Observer. At one point he owned
two-thirds of all the titles on Fleet Street. He laid down the
essential features of British popular journalism that we see now.
He was a tough and uncompromising businessman, but in The Chief
Andrew Roberts puts his ruthlessness and wilfulness in the overall
context of a life of visionary business skill, journalistic
brilliance, distinguished wartime public service and heartfelt
patriotism. From a modest background, growing up on the outskirts
of Dublin, by 27 he presided over a magazine empire with the
largest circulation in the world. He wanted his readers to know
that he was on their side, which they instinctively did. He was
proud of his populist approach, saw the importance of appealing to
both sexes in his pages, and allowed his editors leeway so long as
they understood and followed his vision. The formula he created for
the Daily Mail is still world-beating to this day. Based on
exclusive access to the Harmsworth family archive, The Chief is a
compelling and essential portrait of a man who changed the way we
learn about the news, and whose influence still resonates today.
Two leading authorities--an acclaimed historian and the outstanding
battlefield commander and strategist of our time--collaborate on a
landmark examination of war since 1945. Conflict is both a sweeping
history of the evolution of warfare up to Putin's invasion of the
Ukraine, and a penetrating analysis of what we must learn from the
past--and anticipate in the future--in order to navigate an
increasingly perilous world. In this deep and incisive study,
General David Petraeus, who commanded the US-led coalitions in both
Iraq, during the Surge, and Afghanistan and former CIA director,
and the prize-winning historian Andrew Roberts, explore over 70
years of conflict, drawing significant lessons and insights from
their fresh analysis of the past. Drawing on their different
perspectives and areas of expertise, Petraeus and Roberts show how
often critical mistakes have been repeated time and again, and the
challenge, for statesmen and generals alike, of learning to adapt
to various new weapon systems, theories and strategies. Among the
conflicts examined are the Arab-Israeli wars, the Korean and
Vietnam Wars, the two Gulf Wars, the Balkan wars in the former
Yugoslavia, and both the Soviet and Coalition wars in Afghanistan,
as well as guerilla conflicts in Africa and South America. Conflict
culminates with a bracing look at Putin's disastrous invasion of
Ukraine, yet another case study in the tragic results when leaders
refuse to learn from history, and an assessment of the nature of
future warfare. Filled with sharp insight and the wisdom of
experience, Conflict is not only a critical assessment of our
recent past, but also an essential primer of modern warfare that
provides crucial knowledge for waging battle today as well as for
understanding what the decades ahead will bring.
An Islamo-facist terrorist with shifty eyes who ends up being
nothing more than a red herring. A CNN anchorwoman who is too
attractive to have gotten her job based solely on her questionable
credentials. A wizened and respected CNN anchorman whose famous
beard could be its own situation room topic. A nuclear physicist
with precognitive abilities and fondness for being killed by buses
in the first act. A black man/rap mogul who goes against type and
actually lives to the end of the movie. A flatfooted rookie cop who
kills a lot of people before all is said and done. A liberal
congressman who never met a regulation he didn't like. An aging
movie star desperate for attention. Two British Lords ripped from
their own time and get a lesson in modern racial etiquette and
fighting techniques. A teenage girl on a journey of self-discovery
and other-discovery. Two sarcastic Gen Xers who die and nobody
cares that they die. A spaced-out feminist folk singer with hairy
armpits and terribly broad definitions of rape. A nameless couple
who fights all the time and use their kids as emotional weapons
against each other. Two Mafia musclemen who try their hardest to
not bolster stereotypes about their culture. What do these people
have in common? In the real world; absolutely nothing. In my
fantasy world I've thought up so I can escape the harsh and
overbearing realities of life? Everything. They come together
(except for the fighting couple; they're just filler material and
give me some space to backhandedly complain about the bad parents
of the world I see) and stop a diabolical villain from blowing up
New York City.
The tumultuous political events that swept Russia in the early
twentieth century sent powerful ripples around the world. The
Bolshevik revolutionaries and activists had sympathizers among
Americans and Europeans alike, and one notable way they exercised
their support was through artfully created postcards. This
remarkable volume" "presents for the first time a newly unearthed
collection of those cards that recount the 1917 Russian Revolution
in a novel way.
The postcards originated not only from Russia, but also from
Germany, the United States, Belgium, and France, and they reflect
their diverse origins in the rich array of artistic styles employed
to create them. Whether simply drawn, hand-painted, or
mass-printed, the cards present compelling and complex images of
the Bolshevik Revolution of 1917 and the people who were enmeshed
in it. The cards serve as concise yet powerful artistic documents
of Russian history and culture, as they display bloody and graphic
street scenes, rare pictures of lesser-known revolutionary leaders,
satirical sketches of Russian rulers, portraits of the royal
family, illustrations of palaces and institutional buildings, and
depictions of pivotal events leading up to the Revolution such as
the 1905 assassination of Grand Duke Alexander. Also included in
this fascinating visual narrative are cards depicting crucial
events from the aftermath of the Revolution, including the great
famine of 1921 and public celebrations of the newly formed Union of
Soviet Socialist Republics.
An unprecedented and arresting exploration of the Russian Empire
in its death throes, "Postcards from the Russian Revolution"
reveals a wholly new and vibrant perspective on one ofthe most
important political movements of the twentieth century.
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Light (Hardcover)
Andrew Robert Woodhead; Illustrated by Alan Chen; Produced by Simon Tobias
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R534
Discovery Miles 5 340
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Ships in 10 - 15 working days
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Reaching beyond the popular celebration of commercial gains often
associated with the proliferation of stadiums, events, and teams in
the city, Sporting Dystopias explores the role of sport in the
process of community building. Scholars from various fields,
including anthropology, cultural studies, history, marketing, media
studies, and sociology, examine the cultural, economic, and
political interplay of sport and the city. The book systematically
challenges the overwhelming claims of sport's benefit to the city
as it scrutinizes the various tensions inherent in the
relationship. Grounded in economic means, racial and ethnic
affiliation, and the contestation for space, sport is seen as
precipitating a broad range of human challenges.
Today, any regular newspaper reader is likely to be exposed to
reports on manifold forms of (physical, emotional, sexual) child
abuse on the one hand, and abnormal behavior, misconduct or
offences of children and minors on the other hand. Occasionally
reports on children as victims and children as offenders may appear
on the same issue or even the same page. Rather seldom the more
complex and largely hidden phenomena of structural hostility or
indifference of society with a view to children are being dealt
with in the press. Such fragmentary, ambiguous, incoherent or even
contradictory perception of children in modem society indicates
that, firstly, there is a lack of reliable information on modem
childhood, and secondly, children are still treated as a
comparatively irrelevant population group in society. This
conclusion may be surprising in particular when drawn at the end of
The Century of the Child proclaimed by Ellen Key as early as 1902.
Actually, there exist unclarities and ambiguities about the
evolution of childhood in the last century not only in public
opinion, but also in scientific literature. While De Mause with his
psycho-historic model of the evolution of childhood, comprising
different stages from infanticide, abandonment, ambivalence,
intrusion, socialisation to support, underlines the continuous
improvement of the condition of childhood throughout history and
thus rather confirms Key's expectations, Aries, with his social
history of childhood, seems to hold a more culturally pessimistic
view.
The popular Netflix series The Crown covers the tumultuous period
from the Queen’s accession in 1952 to the present day, and so
does this book, which explores the rise, decline and—to
some—unexpected rebound of the historic UK, Canada, Australia,
and New Zealand alliance. While a post-Brexit and post-Elizabethan
Britain seeks a new role in today’s volatile world, its
traditional partner countries also recognise the logic of
reinvigorating their relationship, based on a multitude of
still-strong cultural, economic, political, and military ties,
including the monarchy as a uniquely shared global, and not merely
British, institution. But this wasn’t always the case. Although
in the 1950s commentators spoke of a new "Elizabethan Age" with
much postwar hope across the Commonwealth, that optimism quickly
faded. By the 1970s, many thought Britain washed up and that Crown
and Commonwealth ties and allegiance were becoming obsolete.
Perhaps unsurprisingly, the four countries increasingly went their
separate ways. So, a groggy time-traveller from that period
appearing in London, Toronto, Sydney, or Auckland today would be
taken by surprise by the durability of the Crown, even as it has
passed to King Charles, and the growing reconvergence of the four
"CANZUK" realms in terms of trade, defence, foreign policy
coordination, freedom of movement, mutual recognition of
professional qualifications, and other new or revived links. This
book evocatively tells the whole story of where we are, what’s
possible for the future, and not least how we got here. In
today’s age of global instability and raw power politics, this
renewed Anglosphere Crown Commonwealth alliance is more important
and relevant than ever.
World War I has come down to us in indelible images--those of
airplane bombers, bleak-eyed soldiers, stern-faced commanders, and
the ruins of countless villages. But soldiers themselves also took
photographs on the battlefield, and many of their striking images
were transformed into postcards that were sent home to family and
friends or collected as war mementos. "Postcards from the Trenches"
gathers a number of these postcards to create a striking visual
history of World War I.
The cards in this compelling volume were created not only by
soldiers, but also by embedded journalists from France, Belgium,
Austria, Germany, and Britain. The images capture scenes both
humorous and poignant, including soldiers having a mock party with
little food to eat, wounded soldiers smiling for the camera, a
makeshift trench hospital, the bloody aftermath of a battle, and a
huddle of men taking what they know could be their last communion
before marching onto the battlefield. Other cards document the
mundane duties that dominated wartime life, including men digging
trenches, troops marching to new trenches and battlefields, and or
soldiers nearly comatose with boredom while waiting for the fight
to begin. This stunning visual narrative opens a new window into
one of the most analyzed events in history, as the postcards'
images testify to the resilience and bravery of soldiers in the
most trying circumstances.
A fascinating and unprecedented historical document, "Postcards
from the Trenches" draws back the curtain to unflinchingly show the
daily horror and humanity that define life in war.
This book rethinks the idea of privacy. It argues that a
satisfactory account of privacy should not limit itself to
identifying why privacy might be valuable. It also needs to attend
to the further question of how it can be secured in those
circumstances in which it proves to be valuable. Drawing on
republican ideas about the relationship between freedom and
self-government, the book asserts that privacy is valuable, because
it enables us to lead non-dominated lives. It prevents others from
acquiring power to interfere in our choices - to remove options
that would otherwise be available to us, and to manipulate our
decision-making. It further examines the means through which
citizens might exercise effective control over decisions and
actions that affect their privacy and proposes a democratic theory
of privacy. With the emergence of the 'surveillance state,' this
volume will be indispensable for scholars, students, and
researchers in political theory, political philosophy, law, and
human and civil rights. It will be of particular interest to
policymakers, lawyers, and human rights activists.
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