Media law as a means of organization in the real world and the virtual world continues to gain in economic and cultural importance. The global market and the networking of information and communication processes require an improved legal framework for media law in the 21st century. It is not merely production conditions that have been impacted by the digital revolution, but the manner of marketing media products and the use of such are increasingly being conducted in the Internet. In addition to the classical fields of media law, such as press, broadcasting and film, these five volumes also take into account issues pertaining to sports, theater and electronic media. The presentation includes media law-related aspects of the law of competition, telemedia law and copyright law as well as the laws regarding broadcasting, press, personality rights, telecommunications, data protection, samples/design, and domain rights; licensing contract law, the law of publication, media criminal law, photography law as well as media cartel law are also discussed. This complete presentation of media law particularly addresses the European legal framework. Attorneys, legal scholars and media experts comprehensively and systematically address the processes in society relevant to media law in their contributions to the five volumes of this handbook.

Media law as a means of organization in the real world and the virtual world continues to gain in economic and cultural importance. The global market and the networking of information and communication processes require an improved legal framework for media law in the 21st century. It is not merely production conditions that have been impacted by the digital revolution, but the manner of marketing media products and the use of such are increasingly being conducted in the Internet. In addition to the classical fields of media law, such as press, broadcasting and film, these five volumes also take into account issues pertaining to sports, theater and electronic media. The presentation includes media law-related aspects of the law of competition, telemedia law and copyright law as well as the laws regarding broadcasting, press, personality rights, telecommunications, data protection, samples/design, and domain rights; licensing contract law, the law of publication, media criminal law, photography law as well as media cartel law are also discussed. This complete presentation of media law particularly addresses the European legal framework. Attorneys, legal scholars and media experts comprehensively and systematically address the processes in society relevant to media law in their contributions to the five volumes of this handbook.

Media law as a means of organization in the real world and the virtual world continues to gain in economic and cultural importance. The global market and the networking of information and communication processes require an improved legal framework for media law in the 21st century. It is not merely production conditions that have been impacted by the digital revolution, but the manner of marketing media products and the use of such are increasingly being conducted in the Internet. In addition to the classical fields of media law, such as press, broadcasting and film, these five volumes also take into account issues pertaining to sports, theater and electronic media. The presentation includes media law-related aspects of the law of competition, telemedia law and copyright law as well as the laws regarding broadcasting, press, personality rights, telecommunications, data protection, samples/design, and domain rights; licensing contract law, the law of publication, media criminal law, photography law as well as media cartel law are also discussed. This complete presentation of media law particularly addresses the European legal framework. Attorneys, legal scholars and media experts comprehensively and systematically address the processes in society relevant to media law in their contributions to the five volumes of this handbook.

Volume 5 considers the liability of Internet providers, the protection of personal data, and the criminal liability of users and firms. It offers practical explanations of laws pertaining to telemedia, telecommunications, databases, IT security, and media criminal liability.

Volume 4 offers a practical presentation of press law and broadcasting law. It also includes sports law and theater law along with legal questions related to child protection and protection of personal images.

Volume 3 deals with the relationships between firms in relation to media products. It examines issues of media concentration in the fields of music, the press, and broadcasting as well as related topics in copyright law, competition law, brand-name law, and domain rights, including protection of work titles, seals, and logos.

Volume 1 presents the full range of European media law with a practical orientation. It covers EU directive policy along with the problems encountered in translating Community law into national contexts. In addition, the Handbook discusses issues related to the practical enforcement of claims and licensing rights in the realm of intellectual property.

Media law as a means of organization in the real world and the virtual world continues to gain in economic and cultural importance. The global market and the networking of information and communication processes require an improved legal framework for media law in the 21st century. It is not merely production conditions that have been impacted by the digital revolution, but the manner of marketing media products and the use of such are increasingly being conducted in the Internet. In addition to the classical fields of media law, such as press, broadcasting and film, these five volumes also take into account issues pertaining to sports, theater and electronic media. The presentation includes media law-related aspects of the law of competition, telemedia law and copyright law as well as the laws regarding broadcasting, press, personality rights, telecommunications, data protection, samples/design, and domain rights; licensing contract law, the law of publication, media criminal law, photography law as well as media cartel law are also discussed. This complete presentation of media law particularly addresses the European legal framework. Attorneys, legal scholars and media experts comprehensively and systematically address the processes in society relevant to media law in their contributions to the five volumes of this handbook.

This textbook uses a three stage didactic model for acquiring or deepening knowledge about copyright law. Based on theoretical as well as practical issues in the area of copyright law, it draws on major decisions of the BGH (German Supreme Court), which help develop the important doctrinal implications of the case."

Das Urheberrecht als Teil des geistigen Eigentums gewinnt im Rahmender nationalen und internationalen Marktordnung zunehmend an kultureller und wirtschaftlicher Bedeutung. Die effektive Durchsetzung des Urheberrechts in der Praxis obliegt nicht nur den Unternehmen in der Kulturindustrie, den Rechtsanw�lten und Staatsanw�lten, sondern die Gerichte tragen wesentlich zur rechtspolitischen Umsetzung der urheberrechtlichen Ziele bei. Dem Bundesgerichtshof ist dabei eine grundlegende Aufgabe �bertragen worden. Anhand von ca. 100 Entscheidungen des BGH und Kurzkommentierungen werden rechtspolitische bzw. dogmatische Probleme des Urheberrechtsund f�r deren Rechtsanwendung dargelegt. Da das nationale Urheberrecht besonders im Fokus der europ�ischen Richtlinienpolitik steht, sind f�r den BGH ebenso die Entscheidungen des EuGH und des BVerfG zum Urheberrecht von Bedeutung, die in der Entscheidungssammlung ber�cksichtigt werden. Die ausgew�hlten Entscheidungen des BGH mit den entsprechenden Kurzkommentierungen bilden ein Grundger�st f�r das Verst�ndnis des Urheberrechts und dessen Grundfragen im Zeitalter des Internets und der Digitalisierung.

Media law as a means of organization in the real world and the virtual world continues to gain in economic and cultural importance. The global market and the networking of information and communication processes require an improved legal framework for media law in the 21st century. It is not merely production conditions that have been impacted by the digital revolution, but the manner of marketing media products and the use of such are increasingly being conducted in the Internet. In addition to the classical fields of media law, such as press, broadcasting and film, these five volumes also take into account issues pertaining to sports, theater and electronic media. The presentation includes media law-related aspects of the law of competition, telemedia law and copyright law as well as the laws regarding broadcasting, press, personality rights, telecommunications, data protection, samples/design, and domain rights; licensing contract law, the law of publication, media criminal law, photography law as well as media cartel law are also discussed. This complete presentation of media law particularly addresses the European legal framework. Attorneys, legal scholars and media experts comprehensively and systematically address the processes in society relevant to media law in their contributions to the five volumes of this handbook.

The textbook on copyright law offers a didactic three-step-model to aid the acquisition and deepening of copyright law knowledge. Significant German Federal Court of Justice decisions are drawn upon based on theoretical as well as practical questions in the area of copyright law which especially illustrate the dogmatic key aspects of the case.

The textbook on copyright law offers a didactic three-step-model to aid the acquisition and deepening of copyright law knowledge. Significant German Federal Court of Justice decisions are drawn upon based on theoretical as well as practical questions in the area of copyright law which especially illustrate the dogmatic key aspects of the case.

The new textbook on copyright law offers a didactic three-step-model to aid the acquisition and deepening of copyright law knowledge. Significant German Federal Court of Justice decisions are drawn upon based on theoretical as well as practical questions in the area of copyright law which especially illustrate the dogmatic key aspects of the case. The reader is then offered the possibility of answering questions that follow. This manner of self-monitoring allows the reader to see the extent to which the theoretical and dogmatic problems presented have been understood.