This book brings together the work of scholars and writer-practitioners of psychoanalysis to consider the legacy of two of Sigmund Freud's most important metapsychological papers: 'On Narcissism: An Introduction' (1914) and 'Mourning and Melancholia' (1917 [1915]). These twin papers, conceived in the context of unprecedented social and political turmoil, mark a point in Freud's metapsychological project wherein the themes of loss and of psychic violence were becoming incontrovertible facts in the story of subject formation. Taking as their concern the difficulty of setting apart the 'inner' and the 'outer' worlds, as well as the difficulty of preserving an image of the coherently boundaried subject, the psychoanalytic frameworks of narcissism and melancholia provide the background coordinates for the volume's contributors to analyse contemporary subjectivities in new psychosocial contexts. This collection will be of great interest to all scholars and practitioners of psychoanalysis and the psychotherapies, social and cultural theory, gender and sexuality studies, politics, and psychosocial studies.

Shame and Modern Writing seeks to uncover the presence of shame in and across a vast array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagements on race, gender, and the question of new media representation.

Shame and Modern Writing seeks to uncover the presence of shame in and across a vast array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagements on race, gender, and the question of new media representation.

This book brings together the work of scholars and writer-practitioners of psychoanalysis to consider the legacy of two of Sigmund Freud's most important metapsychological papers: 'On Narcissism: An Introduction' (1914) and 'Mourning and Melancholia' (1917 [1915]). These twin papers, conceived in the context of unprecedented social and political turmoil, mark a point in Freud's metapsychological project wherein the themes of loss and of psychic violence were becoming incontrovertible facts in the story of subject formation. Taking as their concern the difficulty of setting apart the 'inner' and the 'outer' worlds, as well as the difficulty of preserving an image of the coherently boundaried subject, the psychoanalytic frameworks of narcissism and melancholia provide the background coordinates for the volume's contributors to analyse contemporary subjectivities in new psychosocial contexts. This collection will be of great interest to all scholars and practitioners of psychoanalysis and the psychotherapies, social and cultural theory, gender and sexuality studies, politics, and psychosocial studies.

Arguing for a reconsideration of William Butler Yeats's work in the light of contemporary studies of world literature, Barry Sheils shows how reading Yeats enables a fuller understanding of the relationship between the extensive map of world literary production and the intensities of poetic practice. Yeats's appropriation of Japanese Noh theatre, his promotion of translations of Rabindranath Tagore and Shri Purohit SwAGBPmi, and his repeated ventures into American culture signalled his commitment to moving beyond Europe for his literary reference points. Sheils suggests that a reexamination of the transnational character of Yeats's work provides an opportunity to reflect critically on the cosmopolitan assumptions of world literature, as well as on the politics of modernist translation. Through a series of close and contextual readings, the book demonstrates how continuing global debates around the crises of economic liberalism and democracy, fanaticism, asymmetric violence, and bioethics were reflected in the poet's formal and linguistic concerns. Challenging orthodox readings of Yeats as a late-romantic nationalist, W.B. Yeats and World Literature: The Subject of Poetry makes a compelling case for reading Yeats's work in the context of its global modernity.