This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XXXI is considered one of the greatest autobiographies ever written, by Italian BENVENUTO CELLINI (1500-1571). Literally a Renaissance man, making a name for himself as an artist, soldier, and musician-his works are still readily found all over European museums and public places-he is perhaps most famous for his life story. Highly readable and hugely entertaining, it is replete with tales of illicit romance, murder, angelic visions, his own poisoning, and many other salacious affairs.

Benvenuto Cellini started getting onto trouble at a young age. By age sixteen, he had already been exiled from his hometown for six months due to a public assault of another citizen. As a man with endless talents-sculpting, drafting, writing, music, Cellini enjoyed dabbling in many different art forms, a career that enabled him to travel to various major cities. After apprenticing for a goldsmith, Cellini moved to Rome at age nineteen. There, Pope Clement praised his work. However, Cellini's relationship with Clement was the last time he stood in good graces with a Pope. After insulting Pope Clement's successor, Pope Farnese, Cellini left Rome to pursue work in France, fearing that he would be arrested if he stayed. However, his travels did not protect him from the wrath of Pope Farnese. After being accused of the theft of precious Vatican items, Cellini was imprisoned. Deciding to take matters into his own hands, Cellini organizes a prison escape. Though his feud with Pope Farnese greatly complicated his life, Cellini relishes making enemies, and finds humor in every situation he is in. With stories of sexual conquests, murder, escapes, near-death experiences, and artistic endeavors, Benvenuto Cellini reveals all the salacious details of his exhilarating life. Though he exposes many ugly personality traits that he possesses, Cellini himself does not believe that he has faults, and only admits to being wrong once in his life. Despite this, Cellini possesses an influential amount of charisma, which is as evident in his written work as it was in his life. Autobiography by Benvenuto Cellini provides a privileged look into the social life of the Italian Renaissance, and preserves the memory of the incredible artistic work of Cellini, most of which has been lost to time. Because of the fascinating and atypical life Cellini led, paired with his charisma and humor, Autobiography has remained to feel exciting and relevant to a modern audience, both for entertainment and educational purposes. Now with an eye-catching cover design and printed in a readable font, Benvenuto Cellini's Autobiography is accessible for a contemporary audience, preserving the wit and grandeur of work, while renovating it to appeal to a modern audience.

Benvenuto Cellini started getting onto trouble at a young age. By age sixteen, he had already been exiled from his hometown for six months due to a public assault of another citizen. As a man with endless talents—sculpting, drafting, writing, music, Cellini enjoyed dabbling in many different art forms, a career that enabled him to travel to various major cities. After apprenticing for a goldsmith, Cellini moved to Rome at age nineteen. There, Pope Clement praised his work. However, Cellini’s relationship with Clement was the last time he stood in good graces with a Pope. After insulting Pope Clément’s successor, Pope Farnese, Cellini left Rome to pursue work in France, fearing that he would be arrested if he stayed. However, his travels did not protect him from the wrath of Pope Farnese. After being accused of the theft of precious Vatican items, Cellini was imprisoned. Deciding to take matters into his own hands, Cellini organizes a prison escape. Though his feud with Pope Farnese greatly complicated his life, Cellini relishes making enemies, and finds humor in every situation he is in. With stories of sexual conquests, murder, escapes, near-death experiences, and artistic endeavors, Benvenuto Cellini reveals all the salacious details of his exhilarating life. Though he exposes many ugly personality traits that he possesses, Cellini himself does not believe that he has faults, and only admits to being wrong once in his life. Despite this, Cellini possesses an influential amount of charisma, which is as evident in his written work as it was in his life. Autobiography by Benvenuto Cellini provides a privileged look into the social life of the Italian Renaissance, and preserves the memory of the incredible artistic work of Cellini, most of which has been lost to time. Because of the fascinating and atypical life Cellini led, paired with his charisma and humor, Autobiography has remained to feel exciting and relevant to a modern audience, both for entertainment and educational purposes. Now with an eye-catching cover design and printed in a readable font, Benvenuto Cellini’s Autobiography is accessible for a contemporary audience, preserving the wit and grandeur of work, while renovating it to appeal to a modern audience.