Mobile money, e-commerce, cash cards, retail credit cards, and more-as new monetary technologies become increasingly available, the global South has cautiously embraced these mediums as a potential solution to the issue of financial inclusion. How, if at all, do new forms of dematerialized money impact people's everyday financial lives? In what way do technologies interact with financial repertoires and other socio-cultural institutions? How do these technologies of financial inclusion shape the global politics and geographies of difference and inequality? These questions are at the heart of Money at the Margins, a groundbreaking exploration of the uses and socio-cultural impact of new forms of money and financial services.

SLAVERY, SMALLHOLDING AND TOURISM explores the political economy of development in the British Virgin Islands - from plantations, through the evolution of a smallholding economy, to the rise of tourism. The study argues that the demise of plantation economy in the BVI ushered in a century of imperial disinterest persisting until recently, when a new "monocrop" - tourism - became ascendant. Using an historical and anthropological approach, O'Neal reveals how the trend toward reliance on tourism and other dependent industries affects many BVIslanders called the Belongers in ways that echo their historical and economic heritage. From the new Foreword: "Read in the historical context of tourism and Caribbean research, O'Neal's work stands out as an early and significant contribution. But even apart from its pioneering status, this is an important book. A quarter of a century after the original research, the work is fresh, innovative, and ethnographically rich... an in-depth account of the transformations activated by tourism, as they are happening." - Colleen Ballerino Cohen, Professor of Anthropology & Women's Studies, Vassar College; author, 'Take Me to My Paradise' From the new Afterword: "O'Neal's book is a story of tourism, not finance. But it was written right at the beginning of the emergence of this 'second pillar' of the British Virgin Islands' economy-financial services-and the tantalizing references to that industry in this book, as well as the rich discussion of the enduring influence of the plantation complex, provide...commentary on value, its circulation, and its deep histories, histories that O'Neal's volume helps us better to discern." - Bill Maurer, Professor of Anthropology & Law, University of California, Irvine; author, 'Recharting the Caribbean'

In Economics and Morality, the authors seek to illuminate the multiple kinds of analyses relating morality and economic behavior in particular kinds of economic systems. The chapters explore economic systems from a variety of diverse indigenous and capitalist societies, focusing on moral challenges in non-Western economic systems undergoing profound change, grassroots movements and moral claims in the context of capitalism, and morality-based movements taking place within corporate and state institutions. The anthropological insights of each chapter provide the value of firsthand fieldwork and ethnographic investigation, as well as the tradition of critically studying non-Western and Western societies. Because the moral challenges in a given capitalist society can no longer be effectively addressed without considering the interaction and influences of different societies in the global system, the international ethnographic research in this book can help document and make sense of the changes sweeping our planet.

In Economics and Morality, the authors seek to illuminate the multiple kinds of analyses relating morality and economic behavior in particular kinds of economic systems. The chapters explore economic systems from a variety of diverse indigenous and capitalist societies, focusing on moral challenges in non-Western economic systems undergoing profound change, grassroots movements and moral claims in the context of capitalism, and morality-based movements taking place within corporate and state institutions. The anthropological insights of each chapter provide the value of firsthand fieldwork and ethnographic investigation, as well as the tradition of critically studying non-Western and Western societies. Because the moral challenges in a given capitalist society can no longer be effectively addressed without considering the interaction and influences of different societies in the global system, the international ethnographic research in this book can help document and make sense of the changes sweeping our planet.

The origins of the modern, Western concept of money can be traced back to the earliest electrum coins that were produced in Asia Minor in the seventh century BCE. While other forms of currency (shells, jewelry, silver ingots) were in widespread use long before this, the introduction of coinage aided and accelerated momentous economic, political, and social developments such as long-distance trade, wealth creation (and the social differentiation that followed from that), and the financing of military and political power. Coinage, though adopted inconsistently across different ancient societies, became a significant marker of identity and became embedded in practices of religion and superstition. And this period also witnessed the emergence of the problems of money - inflation, monetary instability, and the breakup of monetary unions - which have surfaced repeatedly in succeeding centuries. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in Antiquity presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The Enlightenment was a time of monetary turmoil and transformation in Europe. Change began with a riot of experimentation, including novel ideas about human agency and capacity to promote economic progress, efforts to reframe divinity in terms (like the providential) compatible with market exchange, new instruments of credit, and innovative institutions such as national banks and capital markets. Europeans, including the settler societies in North America, improvised frantically: people faced the task of everyday exchange in changing media; governments took up the project of creating currencies that supported their political power; artists and writers raced to represent new forms of wealth and interpret the issues they raised; and intellectuals struggled to conceptualize, and tame, patterns of monetary transformation. The result was a rich debate, still unsettled, about the sources of value, the morality of the market, and the very nature of money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Age of Enlightenment presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

Money provides a unique and illuminating perspective on the Middle Ages. In much of medieval Europe the central meaning of money was a prescribed unit of precious metal but in practice precious metal did not necessarily change hands and indeed coinage was very often in short supply. Money had economic, institutional, social, and cultural dimensions which developed the legacy of antiquity and set the scene for modern developments including the rise of capitalism and finance as well as a moralized discourse on the proper and improper uses of money. In its many forms - coin, metal, commodity, and concept - money played a central role in shaping the character of medieval society and, in turn, offers a vivid reflection of the distinctive features of medieval civilization. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Medieval Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The nineteenth century was a time of intense monetization of social life: increasingly money became the only means of access to goods and services, especially in the new metropolises; new technologies and infrastructures emerged for saving and circulating money and for standardizing coinage; and paper currencies were printed, founded purely on trust without any intrinsic metallic value. But the monetary landscape was ambivalent so that the forces unifying monetary practice (imperial and national currencies, global monetary standards such as the gold standard) coexisted with the proliferation of local currencies. Money became a central issue in politics, the arts, and sciences - and the modern discipline of economics was born, with its claim to a monopoly on knowing and governing money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Age of Empire presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

"Money is a matter of functions four: a medium, a measure, a standard, a store." But money is always a medium of communication too, whether about price or about political conviction and authority, fealty, desire, or disdain. In a work that spans 4,500 years, 54 experts chart across six volumes how money has made "the world go round" and capture money's complexities in both substance and form. Individual volume editors ensure the cohesion of the whole and, to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1 - Antiquity (2500 BCE-500 CE); 2 - Medieval Age (500-1400); 3 - Renaissance (1400-1680); 4 - Age of Enlightenment (1680-1820); 5 - Age of Empire (1820-1920); 6 - Modern Age (1920-present). Themes (and chapter titles) are: Money and its Technologies; Money and its Ideas; Money, Ritual, and Religion; Money and the Everyday; Money, Art, and Representation; Money and its Interpretation; Money and the Issues of the Age The total extent of the pack is approximately 1,680 pages. Each volume opens with a Series Preface, an Introduction, and Notes on Contributors and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Money is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com. Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com.

Bracketed by global financial crises and economic downturns, the modern age has been defined by debates about, and transformations of, money. The period witnessed the consolidation of national currencies and monetary policies as well as the diversification of payment technologies and the proliferation of financial instruments. Throughout, even as it appeared abstracted by finance and depoliticized by expert ideologies, money was revealed again and again to be a powerful medium of cultural imagination and practical inventiveness as well as the site of public and political struggles. Modern money - both as a form of liquidity and as a claim on wealth - remains deeply unsettled, caught between private and public interests and subject to epic struggles over the infrastructures of value creation and circulation and their distributional consequences. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Modern Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

"Accelerating Possession" is a groundbreaking collection of essays that examines how recent economic movements have revolutionized the relationship between property and personhood. These prominent scholars argue that in our present age, globalization, rampant privatization, and biotechnology have irrevocably changed traditional ideas of property and the self. Definitions of property no longer correspond to the configurations of the person who owns or is subjected to property. Self and ownership have a whole new arithmetic.
In these essays, privatization is understood as an array of interconnected processes and relationships through which the capitalist marketplace controls, among other things, the political rights, social membership, and knowledge production that constitute personhood. The contributors believe such processes are accelerating profoundly, and they examine the effects via a range of topics, including the invention of property rights in U.S.-occupied Iraq, the work of John Locke, the art of Jenny Holzer, and the writing of Octavia Butler and Stanislaw Lem. They explore the synergy and dissonance between conceptions of the private as marketable and the private as inalienable, and consider how the contemporary transformations and futures of property and personhood relate to concepts of citizenship, state, culture, and education.
These essays were all written with the guiding belief that the evolving relationship between ownership and the self has a fundamental effect on debates in critical theory. The essays are methodologically linked through their emphasis on the linguistic and rhetorical, as well as the philosophical and epistemological. Their focus onreflections of property and personhood in literary, textual, or artistic objects makes this collection a vital cross-disciplinary tool.

Mobile money, e-commerce, cash cards, retail credit cards, and more-as new monetary technologies become increasingly available, the global South has cautiously embraced these mediums as a potential solution to the issue of financial inclusion. How, if at all, do new forms of dematerialized money impact people's everyday financial lives? In what way do technologies interact with financial repertoires and other socio-cultural institutions? How do these technologies of financial inclusion shape the global politics and geographies of difference and inequality? These questions are at the heart of Money at the Margins, a groundbreaking exploration of the uses and socio-cultural impact of new forms of money and financial services.

Why are people continually surprised to discover that money is "just" meaning? "Mutual Life, Limited" spends time among those who, in acknowledging the fictions of finance, are making money anew. It documents ongoing efforts to remake money and finance by Islamic bankers who seek to avoid interest and local currency proponents who would stand outside of national economies. It asks how alternative moneys both escape and reenact dominant forms of money and finance, and reflects critically on their broader implications for scholarship.

Based on fieldwork among participants in a local currency system in Ithaca, New York, and among Islamic banking practitioners in the United States, Indonesia, and elsewhere, this book exploits the convergence between the reflexivity of monetary alternatives and social inquiry by questioning the equivalence between money and ethnography. Can money ever be adequate to the value backing it? Can social description ever be adequate to messy and contingent realities?

Bill Maurer's ethnographic discovery is that ethnography as such--the holistic description of a way of life--cannot be sustained when faced with a set of practices that anticipates and incorporates it in advance. His fluently written book represents an unprecedented critique of social scientific approaches to money through an ethnographic description of specific monetary alternatives, while also speaking broadly to the very problem of anthropological knowledge in the twenty-first century.

From Bitcoin to Apple Pay, big changes seem to be afoot in the world of money. Yet the use of coins and paper bills has persisted for 3,000 years. In How Would You Like to Pay?, leading anthropologist Bill Maurer narrates money's history, considers its role in everyday life, and discusses the implications of how new technologies are changing how we pay. These changes are especially important in the developing world, where people who lack access to banks are using cell phones in creative ways to send and save money. To truly understand money, Maurer explains, is to understand and appreciate the complex infrastructures and social relationships it relies on. Engaging and straightforward, How Would You Like to Pay? rethinks something so familiar and fundamental in new and exciting ways. Ultimately, considering how we would like to pay gives insights into determining how we would like to live.  

Data is too big to be left to the data analysts. Data: Now Bigger and Better! brings together researchers whose work is deeply informed by the conceptual frameworks of anthropology-frameworks that are comparative as well as field-based. From kinship to gifts, everything old becomes rich with new insight when the anthropological archive washes over "big data." Bringing together anthropology's classic debates and contemporary interventions, the book counters the future-oriented speculation so characteristic of discussions regarding big data. Drawing on long-standing experience in industry contexts, the contributors also provide analytical provocations that can help reframe some of the most important shifts in technology and society in the first half of the twenty-first century.

"Slavery, Smallholding and Tourism" explores the political economy of development in the British Virgin Islands - from plantations, through the evolution of a smallholding economy, to the rise of tourism. The study argues that the demise of plantation economy in the BVI ushered in a century of imperial disinterest persisting until recently, when a new "monocrop" - tourism - became ascendant. Using an historical and anthropological approach, O'Neal reveals how the trend toward reliance on tourism and other dependent industries affects many BVIslanders - called the "Belongers" - in ways that echo their historical and economic heritage.

Part of the "Classic Dissertation Series" from Quid Pro Books, the book adds a new Foreword by Vassar's Colleen Ballerino Cohen and additional commentary by UC-Irvine's Bill Maurer, who shows how even the emergence of a financial services industry may be understood through the insights that O'Neal presents in his study.

"From the new Foreword: " "Read in the historical context of tourism and Caribbean research, Michael O'Neal's work stands out as an early and significant contribution. But even apart from its pioneering status, this is an important book. A quarter of a century after the original research, the work is fresh, innovative, and ethnographically rich... an in-depth account of the transformations activated by tourism, as they are happening." - Colleen Ballerino Cohen, Professor of Anthropology and Women's Studies, Vassar College Author, "Take Me to My Paradise"

"From the new Afterword: " "O'Neal's book is a story of tourism, not finance. But it was written right at the beginning of the emergence of this 'second pillar' of the British Virgin Islands' economy - financial services - and the tantalizing references to that industry in this book, as well as the rich discussion of the enduring influence of the plantation complex, provide ... commentary on value, its circulation, and its deep histories, histories that this volume helps us better to discern." - Bill Maurer, Professor of Anthropology and Law, University of California, Irvine
Author, "Recharting the Caribbean"

The future outlines of the new global order are the constant object of speculation--economic, political, and metaphysical. From the sunny new world proclaimed by global free marketers to the rebellion against globalization unleashed in the streets of Seattle and Genoa, to the doomsdays envisioned by transnational terrorists and counterterrorists alike, this emerging global-millennial epoch is foretold alternately as redemption or apocalypse. The authors consider these sweeping descriptions of humankind's future, as well as the discourses of globalization that filter and frame them, from perspectives in anthropology, geography, law, sociology, and cultural studies. Their goal is not to resolve the ultimate semantic or philosophical question of what "globalization" really is; instead, their essays explore the forms, practices, and effects of governmentality integral to global modernity's architecture. In Globalization under Construction, the authors ask: What are the rationalities of government implicit in global modernity's project of mobilizing space, time, and difference? And what difference does it make to the globalization debates to put those rationalities in the foreground of critical analysis? Altogether, their work attempts to discern in the disparateness of contemporary events an emerging pattern of governmentality, techniques of governance and assemblages of intersecting arguments about the history of the present and the nature of the future that our present portends. A kaleidoscopic look at the intersections of globalization and governance.

"Money is a matter of functions four: a medium, a measure, a standard, a store." But money is always a medium of communication too, whether about price or about political conviction and authority, fealty, desire, or disdain. In a work that spans 4,500 years, 54 experts chart across six volumes how money has made "the world go round" and capture money's complexities in both substance and form. Individual volume editors ensure the cohesion of the whole and, to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1 - Antiquity (2500 BCE-500 CE); 2 - Medieval Age (500-1400); 3 - Renaissance (1400-1680); 4 - Age of Enlightenment (1680-1820); 5 - Age of Empire (1820-1920); 6 - Modern Age (1920-present). Themes (and chapter titles) are: Money and its Technologies; Money and its Ideas; Money, Ritual, and Religion; Money and the Everyday; Money, Art, and Representation; Money and its Interpretation; Money and the Issues of the Age The total extent of the pack is approximately 1,680 pages. Each volume opens with a Series Preface, an Introduction, and Notes on Contributors and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Money is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com. Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com.