George P. Cosmatos directs this Western starring Kurt Russell and Val Kilmer. Hoping for a more prosperous lifestyle, retired lawman Wyatt Earp (Russell) moves to Tombstone, Arizona, where he meets up with his friend Doc Holliday (Kilmer). The duo, along with Earp's brothers, soon incur the wrath of a notorious gang of outlaws known as The Cowboys which ultimately leads to the infamous showdown at the O.K. Corral. When The Cowboys retaliate by attacking two of his brothers, killing one of them, Earp becomes even more determined to seek justice.

The publication of this book has required the cooperation of many people along the way. From its very conception, the project of bringing together experiences from ongoing Farming Systems Research projects has faced a problem of communication due to the dispersal of the participants. Dr. William Partridge and Lynne Goldstein were instrumental in the initial presentation of the symposium on Social Science participation in Farming Systems Research at the 83rd Annual Meeting of the American Anthropological Association. Ben Wallace has done an admirable job not only as editor but 8s a ilpoint m-an"- throughout the process or organizirig the conference and preparing the manuscript. He deserves credit tor expediting countless actMties that could never have otherwise been accomplished because of the vagaries or international mails and telecommunications.

The publication of this book has required the cooperation of many people along the way. From its very conception, the project of bringing together experiences from ongoing Farming Systems Research projects has faced a problem of communication due to the dispersal of the participants. Dr. William Partridge and Lynne Goldstein were instrumental in the initial presentation of the symposium on Social Science participation in Farming Systems Research at the 83rd Annual Meeting of the American Anthropological Association. Ben Wallace has done an admirable job not only as editor but 8s a ilpoint m-an"- throughout the process or organizirig the conference and preparing the manuscript. He deserves credit tor expediting countless actMties that could never have otherwise been accomplished because of the vagaries or international mails and telecommunications.

Laurie Colwin once said: "People who like to cook like to talk about food. Without one cook giving another cook a tip or two, human life might have died out a long time ago." Too little attention is given over to these silent players responsible for influencing the recipes we enjoy the most and getting them on the table. This compilation finally addresses that injustice in an amusing and compelling 'who's who', which will appeal to all those foodies that like to know from where (or rather whom) their food is coming.

All 21 episodes from the first series of the American TV drama that delves into the lives of the stars who live in the capital of country music. With sales plummeting and her star beginning to fade, country music singer Rayna Jaymes (Connie Britton)'s record label proposes that she tries opening for hot, new up-and-coming star Juliette Barnes (Hayden Panettiere). But with both women viewing the other with contempt, their mutual animosity is soon heightened as each tries to recruit guitarist Deacon Claybourne (Charles Esten), Rayna's bandmate and former lover, onto their tour. The episodes are: 'Pilot', 'I Can't Help It (If I'm Still in Love With You)', 'Someday You'll Call My Name', 'We Live in Two Different Worlds', 'Move It On Over', 'You're Gonna Change (Or I'm Gonna Leave)', 'Lovesick Blues', 'Where He Leads Me', 'Be Careful of the Stones You Throw', 'I'm Sorry for You, My Friend', 'You Win Again', 'I've Been Down That Road Before', 'There'll Be No Teardrops Tonight', 'Dear Brother', 'When You're Tired of Breaking Other Hearts', 'I Saw the Light', 'My Heart Would Know', 'Take These Chains from My Heart', 'Why Don't You Love Me', 'A Picture from Life's Other Side' and 'I'll Never Get Out of This World Alive'.

The inaugural collection in an exciting new exchange between philosophers and geographers, this volume provides interdisciplinary approaches to the environment as space, place, and idea. Never before have philosophers and geographers approached each other's subjects in such a strong spirit of mutual understanding. The result is a concrete exploration of the human-nature relationship that embraces strong normative approaches to environmental problems. While grounded in philosophy and geography, the essays also will interest readers in political theory, environmental studies, public policy, and other disciplines.

While Greek tragedies are often studied as works of literature, they are less frequently examined as products of the social and political environment in which they were created. Rarely, too, are the visual and spatial aspects of these plays given careful consideration. In this detailed and innovative book, Lowell Edmunds combines two readings of the Oedipus at Colonus to arrive at a new way of looking at Greek tragedy. Edmunds sets forth a semiotic theory of theatrical space, and then applies this theory to the visual and spatial dimensions of the Oedipus at Colonus. In his historical analysis, Edmunds describes the Athenian revolution of 411 B.C.E. and its effect on Colonus. The book includes an appendix on the life of Sophocles and the reception of the Oedipus at Colonus. Edmunds' unique approach to the Oedipus at Colonus. makes this an important book for students and scholars of semiotics, Greek tragedy, and theatrical performance.