The first of three epic instalments in director Peter Jackson's blockbuster prequel to 'The Lord of the Rings' trilogy. Set in Middle-Earth 60 years before events in 'The Lord of the Rings', the story follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the Dwarves' lost kingdom of the Lonely Mountain from the clutches of Smaug the dragon. After setting out on their quest from the safety of Bag End, the band of travellers soon find themselves pitted against a range of strange and fearsome opponents, in addition to a small, slimy creature known simply as Gollum (Andy Serkis).

"Allen's Keynotes" is one of the most popular and widely read materia medica. The reason for its popularity being its preciseness and comprehensiveness. This title is designed keeping in view its usefulness for the students and practitioners of homeopathy.

What is the point of introducing and executing a policy, programme or project in the lifecycle of an organisation if no forethought has been given to how the success, failure or progressof the exercise will be periodically examined? Both private and public sector organisations need to be responsive to the expectations of their internal and external stakeholders to demonstrate that their performance not only yields the desired results in terms of the "bottom line" but also that those results have integrity, i.e. what was planned is reflected in their processes and in what was eventually achieved. Monitoring and evaluation of policies, programmes and projects examines the key concepts and practices involved in performance tracking and evaluation. Monitoring and evaluation of policies, programmes and projects has drawn from the diverse experiences and expertise of the authors as well as from practical insights gained from practitioners and teaching students at various training courses, nationally and internationally. The balance between theory and practice makes it easy to understand and apply in the workplace, for the achievement of improved results. In this second edition, chapters have been expanded and re-focused to address emerging trends, and new chapters have been added to address institutionalising monitoring and evaluation to make it more participatory. Monitoring and evaluation of policies, programmes and projects remains both a conceptual text and an academic resource for university students, particularly those in management and public administration, as well as a reference work for practitioners and decision-makers in public and private sector organisations.

The need for results delivery in private and public sector organisations has increased, with stakeholders putting substantial pressure on organisations to demonstrate good performance in an environment with limited operational resources. In effect, organisations are being expected to deliver better results with fewer resources. By employing the appropriate tools and techniques of monitoring and evaluation, organisations can be better equipped to ensure that "what is planned" becomes "what is achieved". Monitoring and evaluation of policies, programmes and projects explains key concepts and practices involved in performance tracking and assessment. Monitoring and evaluation of policies, programmes and projects has drawn from the diverse experiences and expertise of the authors in public and private sector management of organisations, as well as practical insights gained from practitioners and students at various training courses, nationally and internationally. The balance between the more abstract, theoretical underpinnings of the subject and its practical aspects makes it easy to follow and incorporate. Contents include the following: Conceptual models of the policy process; the fundamentals and practical steps of policy monitoring and evaluation; the result-based management approach; tools and techniques for monitoring and evaluation; the use of research of policies, programmes and projects.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A user-friendly guide to designing, establishing, managing and evaluating an induction programme. Uses an outcomes-based approach while integrating relevant unit standards and industry best practices, as well as SAQA specific outcomes, assessment criteria and reflexive competence. Includes practical work-related examples, case studies and activities, providing the optimal usage of notional hours within the SAQA framework. Aimed primarily at students.

Extended versions of all three films from director Peter Jackson's blockbuster prequel to 'The Lord of the Rings' trilogy. Set in Middle-Earth 60 years before events in 'The Lord of the Rings', 'The Hobbit: An Unexpected Journey' (2012) follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the Dwarves' lost kingdom of the Lonely Mountain from the clutches of a dragon. After setting out on their quest from the safety of Bag End, the band of travellers soon find themselves pitted against a range of strange and fearsome opponents, in addition to a small, slimy creature known simply as Gollum (Andy Serkis). In 'The Hobbit: The Desolation of Smaug' (2013), while Gandalf heads south on his own, Bilbo, Thorin and the Dwarves enter the treacherous Mirkwood Forest on their way to the mountain. When they reach Lake-town Bilbo has to perform the role he was assigned at the start of the quest - to find a secret door that will lead him to the lair of Smaug the dragon (voice of Benedict Cumberbatch). In the final instalment, 'The Hobbit: The Battle of the Five Armies' (2014), Bilbo, Thorin and the other Dwarves have unintentionally released Smaug from the Lonely Mountain and endangered the residents of Lake-town. Bilbo has to make a difficult decision when Thorin puts his desire to find the royal jewel Arkenstone before his loyalty to his friends. Meanwhile, Gandalf discovers that the evil Sauron has returned, commanding a horde of Orcs to attack the Lonely Mountain. Bilbo and his friends must fight for their survival as five armies meet in battle. The rest of the cast includes Luke Evans, Cate Blanchett, Orlando Bloom, Evangeline Lilly and Christopher Lee.

"The Television Studies Reader" brings together key writings in the growing field of television studies, providing an invaluable overview of the development of the field, and addressing issues of industry, genre, audiences, production and ownership, and representation.
The "Reader" charts the ways in which television and television studies are being redefined to include new and "alternative" forms and technologies such as cable television, direct satellite/digital broadcasting, home video, video art, video/digital applications on the internet, interactive TV, video surveillance, and converging media. It explores the recent boom in reality TV and includes discussions of television programs and practices from around the world. The "Reader" comprises 44 foundational and cutting-edge articles from an international cast of contributors, situating the study of television in relation both to its global reach and to the many and varied local contexts of its production and reception, and laying out a wide array of approaches to the study of the changing phenomenon of television around the world. The essays are organized in seven themed sections: * Institutions of Television * Spaces of Television * Modes of Television * Making Television * Social Representation on Television * Watching Television * Transforming Television Key features include a comprehensive bibliography and a list of further reading.

All three films from director Peter Jackson's blockbuster prequel to 'The Lord of the Rings' trilogy. Set in Middle-Earth 60 years before events in 'The Lord of the Rings', 'The Hobbit: An Unexpected Journey' (2012) follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the Dwarves' lost kingdom of the Lonely Mountain from the clutches of a dragon. After setting out on their quest from the safety of Bag End, the band of travellers soon find themselves pitted against a range of strange and fearsome opponents, in addition to a small, slimy creature known simply as Gollum (Andy Serkis). In 'The Hobbit: The Desolation of Smaug' (2013), while Gandalf heads south on his own, Bilbo, Thorin and the Dwarves enter the treacherous Mirkwood Forest on their way to the mountain. When they reach Lake-town Bilbo has to perform the role he was assigned at the start of the quest - to find a secret door that will lead him to the lair of Smaug the dragon (voice of Benedict Cumberbatch). In the final instalment, 'The Hobbit: The Battle of the Five Armies' (2014), Bilbo, Thorin and the other Dwarves have unintentionally released Smaug from the Lonely Mountain and endangered the residents of Lake-town. Bilbo has to make a difficult decision when Thorin puts his desire to find the royal jewel Arkenstone before his loyalty to his friends. Meanwhile, Gandalf discovers that the evil Sauron has returned, commanding a horde of Orcs to attack the Lonely Mountain. Bilbo and his friends must fight for their survival as five armies meet in battle. The rest of the cast includes Luke Evans, Cate Blanchett, Orlando Bloom, Evangeline Lilly and Christopher Lee.

The Russian Workers' Opposition in 1919-21 advocated trade union management of the Soviet economy and worker dominance of the Russian Communist Party's leading bodies. The Workers' Opposition in the Russian Communist Party: Documents, 1919-30 comprises the most complete set of articles, speeches, theses, memoranda, protocols, resolutions, letters, diary entries, and other documents pertaining to the activity of the Workers' Opposition group during its existence. It also includes materials from the Opposition's individual former members after the group itself dissolved and until its key members ceased their participation in dissenting political activities by 1930. Most of the documents in this collection have never before been published in English and many have not been published in Russian. The material contained herein represents a major contribution to the documentary material of Soviet history.

A systematic consideration of commercial television in the light of contemporary culture, literary and cinematic criticism, the essays in this book address the place of semiotics, narrative theory, reception theory, ideological analysis, psychoanalysis, feminist criticism and British cultural studies in the critical analysis of television. The second edition includes two new chapters discussing postmodernism and television theory: "Television and Modernism" and "Relations of Discourse". The original essays have been substantially revised and updated in the light of contemporary theory, and refer to recent programmes such as "Twin Peaks" as well as being illustrated with more than 50 TV stills. Together they aim to open up new directions for television studies now and in the future. Contributors to the volume include: Robert C. Allen, James Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Ruth Kozloff, Ellen Seiter and Mimi White. This book should be of interest to undergraduates in media and communication studies, cultural studies and film studies.

A nickelodeon screening a Charlie Chaplin silent classic, the downtown arthouse cinemas that made Antonioni and Cassavetes household names, the modern suburban megaplex and its sold-out Friday night blockbuster: "how" American and global audiences have viewed movies is as rich a part of cinematic history as "what" we've seen on the silver screen. "Going to the Movies" considers the implications of this social and cultural history through an analysis of the diverse historical and geographical circumstances in which audiences have viewed American cinema. Featuring a distinguished group of film scholars--including Richard Abel, Annette Kuhn, Jane Gaines, and Thomas Doherty--whose interests range broadly across time and place, this volume analyzes the role of movie theatres in local communities, the links between film and other entertainment media, non-theatrical exhibition, and trends arising from the globalization of audiences. Emphasizing moviegoing outside of the northeastern United States, as well as the complexities of race in relation to cinema attendance, "Going to the Movies "appeals to the global citizen of cinema--locating the moviegoing experience in its appeal to the heart and mind of the audience, whether it's located in a South African shanty town or the screening room of a Hollywood production lot.

The Television Studies Reader brings together key writings in the expanding field of television studies, providing an overview of the discipline and addressing issues of industry, genre, audiences, production and ownership, and representation.

The Reader charts the ways in which television and television studies are being redefined by new and 'alternative' ways of producing, broadcasting and watching TV, such as cable, satellite and digital broadcasting, home video, internet broadcasting, and interactive TV, as well as exploring the recent boom in genres such as reality TV and docusoaps. It brings together articles from leading international scholars to provide perspectives on television programmes and practices from around the world, acknowledging both television's status as a global medium and the many and varied local contexts of its production and reception. Articles are grouped in seven themed sections, each with an introduction by the editors:

*Institutions of Television
*Spaces of Television
*Modes of Television
*Making Television
*Social Representation on Television
*Watching Television
*Transforming Television

To Be Continued... explores the world's most popular form of television drama; the soap opera. From Denver to Delhi, Moscow to Manchester, audiences eagerly await the next episode of As the World Turns, The Rich Also Weep or Eastenders. But the popularity of soap operas in Britain and the US pales in comparison to the role that they play in media cultures in other parts of the world.
To Be Continued... investigates both the cultural specificity of television soap operas and their reception in other cultures, covering soap production and soap watching in the U.S., Asia, Europe, Australia and Latin America. The contributors consider the nature of soap as a media text, the history of the serial narrative as a form, and the role of the soap opera in the development of feminist media criticism.
To Be Continued... presents the first scholarly examination of soap opera as global media phenomenon.

To Be Continued... explores the world's most popular form of television drama; the soap opera. From Denver to Delhi, Moscow to Manchester, audiences eagerly await the next episode of As the World Turns, The Rich Also Weep or Eastenders. But the popularity of soap operas in Britain and the US pales in comparison to the role that they play in media cultures in other parts of the world.

To Be Continued... investigates both the cultural specificity of television soap operas and their reception in other cultures, covering soap production and soap watching in the U.S., Asia, Europe, Australia and Latin America. The contributors consider the nature of soap as a media text, the history of the serial narrative as a form, and the role of the soap opera in the development of feminist media criticism.

To Be Continued... presents the first scholarly examination of soap opera as global media phenomenon.

In Lamentations, we read of the unbearable grief experienced by a group of believers. Leslie Allen suggests the book can be read as the script of a liturgy performed to help the people of God come to terms with the fall of Jerusalem and the national catastrophe it entailed. It reveals God's sometimes hidden support for those who grieve and for their caregivers.
In this unique commentary on Lamentations, respected Old Testament scholar and volunteer hospital chaplain Leslie Allen appropriates this oft-neglected book of the Bible to deal with a universal issue. Incorporating stories of pastoral encounters with hospital patients, Allen integrates Scripture and pastoral care to present a biblical model for helping those coping with grief. The book includes a foreword by Nicholas Wolterstorff, author of "Lament for a Son."

A nickelodeon screening a Charlie Chaplin silent classic, the downtown arthouse cinemas that made Antonioni and Cassavetes household names, the modern suburban megaplex and its sold-out Friday night blockbuster: "how" American and global audiences have viewed movies is as rich a part of cinematic history as "what" we've seen on the silver screen. "Going to the Movies" considers the implications of this social and cultural history through an analysis of the diverse historical and geographical circumstances in which audiences have viewed American cinema. Featuring a distinguished group of film scholars--including Richard Abel, Annette Kuhn, Jane Gaines, and Thomas Doherty--whose interests range broadly across time and place, this volume analyzes the role of movie theatres in local communities, the links between film and other entertainment media, non-theatrical exhibition, and trends arising from the globalization of audiences. Emphasizing moviegoing outside of the northeastern United States, as well as the complexities of race in relation to cinema attendance, "Going to the Movies "appeals to the global citizen of cinema--locating the moviegoing experience in its appeal to the heart and mind of the audience, whether it's located in a South African shanty town or the screening room of a Hollywood production lot.

This volume recounts the political formation and positions of Russian trade unionist and 'old Bolshevik' Alexander Shlyapnikov. Famous for his role in the Workers' Opposition, and his calls for trade unions to realize workers' mastery over the economy, this biography - the first in any language - offers a little seen 'on the shop floor' view of life within the Russian revolutionary movement.

This collection of essays on the philosophy of religion and its future brings together accomplished thinkers across several related fields, from comparative philosophy to analytic and continental philosophy of religion and beyond. Contributing authors address pressing questions including: Where does philosophy stand in relation to religion and the study of religion in the 21st century? How ought the philosophy of religion to interact with religious studies and theology to make for fruitful interdisciplinary engagement? And what does philosophy uniquely have to offer to the broad discourse on religion in the modern world? Through exploring these questions and more, the authors' goal is not that of meeting the philosophical future, but of forging it. Readers will enter a vivid conversation through engaging essays which demonstrate the importance of disciplinary openness and show that we do not need to sacrifice depth in order to achieve breadth. Modernity and postmodernity come together in a constantly evolving discussion that moves the philosophy of religion forward, while keeping an eye toward the experience accumulated in past centuries. This book will interest students of philosophy, theology, religious studies, and other fields that wonder about the place of philosophy and religion in today's world. It also has much to offer advanced scholars in these fields, through its breadth and forward thinking.

This collection of essays on the philosophy of religion and its future brings together accomplished thinkers across several related fields, from comparative philosophy to analytic and continental philosophy of religion and beyond. Contributing authors address pressing questions including: Where does philosophy stand in relation to religion and the study of religion in the 21st century? How ought the philosophy of religion to interact with religious studies and theology to make for fruitful interdisciplinary engagement? And what does philosophy uniquely have to offer to the broad discourse on religion in the modern world? Through exploring these questions and more, the authors' goal is not that of meeting the philosophical future, but of forging it. Readers will enter a vivid conversation through engaging essays which demonstrate the importance of disciplinary openness and show that we do not need to sacrifice depth in order to achieve breadth. Modernity and postmodernity come together in a constantly evolving discussion that moves the philosophy of religion forward, while keeping an eye toward the experience accumulated in past centuries. This book will interest students of philosophy, theology, religious studies, and other fields that wonder about the place of philosophy and religion in today's world. It also has much to offer advanced scholars in these fields, through its breadth and forward thinking.

The 'Industrial Revolution' was a pivotal point in British history that occurred between the mid-eighteenth and mid-nineteenth centuries and led to far reaching transformations of society. With the advent of revolutionary manufacturing technology productivity boomed. Machines were used to spin and weave cloth, steam engines were used to provide reliable power, and industry was fed by the construction of the first railways, a great network of arteries feeding the factories. Cities grew as people shifted from agriculture to industry and commerce. Hand in hand with the growth of cities came rising levels of pollution and disease. Many people lost their jobs to the new machinery, whilst working conditions in the factories were grim and pay was low. As the middle classes prospered, social unrest ran through the working classes, and the exploitation of workers led to the growth of trade unions and protest movements. In this Very Short Introduction, Robert C. Allen analyzes the key features of the Industrial Revolution in Britain, and the spread of industrialization to other countries. He considers the factors that combined to enable industrialization at this time, including Britain's position as a global commercial empire, and discusses the changes in technology and business organization, and their impact on different social classes and groups. Introducing the 'winners' and the 'losers' of the Industrial Revolution, he looks at how the changes were reflected in evolving government policies, and what contribution these made to the economic transformation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A systematic consideration of commercial television in the light of contemporary culture, literary and cinematic criticism, the essays in this book address the place of semiotics, narrative theory, reception theory, ideological analysis, psychoanalysis, feminist criticism and British cultural studies in the critical analysis of television. The second edition includes two new chapters discussing postmodernism and television theory: "Television and Modernism" and "Relations of Discourse". The original essays have been substantially revised and updated in the light of contemporary theory, and refer to recent programmes such as "Twin Peaks" as well as being illustrated with more than 50 TV stills. Together they aim to open up new directions for television studies now and in the future. Contributors to the volume include: Robert C. Allen, James Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Ruth Kozloff, Ellen Seiter and Mimi White. This book should be of interest to undergraduates in media and communication studies, cultural studies and film studies.

Serves as an ideal complement to your medical student curriculum and a helpful tool for primary care residents and physicians who want to broaden their knowledge of eye disease diagnosis and treatment. The tenth edition includes updated, practical information on the diagnosis, management and referral of common ocular disorders, and summarises important ophthalmic concepts and techniques. It includes coverage of eye examinations, acute and chronic vision loss, red eye, ocular and orbital injuries, amblyopia and strabismus, neuro-ophthalmology, ocular manifestations of systemic diseases and drugs and the eye. This edition includes a new chapter on eyelid, orbital, and lacrimal disease. It also features 140 figures, access to 17 video clips, key points to remember, sample problems to test knowledge, and annotated resources.