User-Generated Content and its Impact on Web-Based Library Services examines the impact of user-generated content on web-based library services. It begins with an overview of Web 2.0 tools and technologies and a brief look at the emerging semantic tools of Web 3.0 and their implications for libraries. The book investigates the changing role of the end user as both a creator and consumer of web content and what this means for society s perception and understanding of information. The author addresses the advantages and challenges of using these tools to bring community expertise and opinion into the library, from reinvention of the library website as a community rather than a collection to the issues of moderating user-generated content. The book also explores the notion of low-fidelity authority, understanding that by acknowledging the value in content that does not necessarily meet traditional definition of authority, it creates the potential to achieve a much greater level of relevance and engagement with users. Throughout the book, conceptual discussion is illustrated with real-world examples and practical suggestions for library practitioners.
Relatively new and extremely relevant topic, with which many libraries and librarians are currently grapplingProvides conceptual discussion and practical examples of sound strategies for managing user-generated contentThe book is about rethinking what we do as librarians, and surrendering some of our traditional notions of authority and control to the expertise that exists in the community "

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Highway Engineering: Planning, Design, and Operations, Second Edition, presents a clear and rigorous exposition of highway engineering concepts, including project development and the relationship between planning, operations, safety and highway types. The book includes important topics such as corridor selection and traverses, horizontal and vertical alignment, design controls, basic roadway design, cross section elements, intersection and interchange design, and the integration of new vehicle technologies and trends. It also presents end of chapter exercises to further aid understanding and learning. This edition has been fully updated with the current design policies and reference manuals essential for highway, transportation, and civil engineers who are required to work to these standards.

Explores the development of the Pre-Raphaelite movement in the mid 19th century; and works which figure amongst the most lasting and generally propular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the individual artists, their interconnection and previously unpublished material of their intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rosetti and Holman Hunt. He reviews the major exhibition of 150 works at Tate Britain launched in September 2012. 'I think what I want to do is to follow a trail that leads, through many twists and turns, from the religious revival of the early 19th century to Blue Period Picasso, then to Surrealism. It may take in the Children of the Raj and the discovery of Japan along the way. It leads from rather rigid moralism, to conscious immoralism, and then at last to Freud/Dali.' Edward Lucie-Smith 05/2012

The Wave, a collection of short stories featuring mystery, comedy, love and fantasy begins with a comical romp on Monument Avenue. The excitement surrounding The Diamond, an enchanted valley in Peru and the haunting operatic sounds in the Bagel Hunters will capture your heart and leave you craving for more. You will fall in love with Detective Swoop, a smart and savvy investigator who always shows the criminals who the boss is. He will mesmerize and amaze you in Swoop Scoops the Land.

Renowned artist Damien Hirst (b.1965) is reviewed in an exhibition of works spanning twenty years, held at Tate Modern from April to September 2012.The review explores the development of his art from the potent animal vitrines and butterfly composites to the series of extensive spot paintings, where the artist engaged in a complex invigilation of the coded systems that govern daily existence. The exhibition at Tate Modern features 'For The Love of God', the celebrated diamond studded skull, to be centred in the vast Turbine Hall of the converted power station at Bankside.

Author Alivia Cahill learned that people are not merely reflections of their life experiences; they're reflections of their perceptions of, and reactions to, those life experiences. Henry David Thoreau said, "It's not what you look at that matters, it's what you see." What's more, the response to what is seen can change life forever. This compilation of personal experiences illustrates how Alivia's unhealthy responses to a harsh environment shaped her life in many ways. Years of stewing quietly and bottling up negative emotions about life's adversities led to decades of self-abuse and devastating physical dis-ease. Fortunately, experiencing unconditional love and acquiring profound knowledge about the mind-body connection eventually led her on a path to wellness. Life Happens follows Alivia's agonizing journey of creating dis-ease and working towards healing, which sparks the motivation to make better choices in the face of hardship. The traumas described and lessons learned encourage a positive view of life's obstacles to be adopted-to grow from them and allow them to positively shape the body, mind, and spirit-so that wellness may be experienced, instead of simply dreamed about

Olynthus, an ancient city in northern Greece, was preserved in an exceptionally complete state after its abrupt sacking by Phillip II of Macedon in 348 B.C., and excavations in the 1920s and 1930s uncovered more than a hundred houses and their contents. In this book Nicholas Cahill analyzes the results of the excavations to reconstruct the daily lives of the ancient Greeks, the organization of their public and domestic space, and the economic and social patterns in the city. Cahill compares the realities of daily life as revealed by the archaeological remains with theories of ideal social and household organization espoused by ancient Greek authors. Describing the enormous variety of domestic arrangements, he examines patterns and differences in the design of houses, in the occupations of owners, and in the articulations between household and urban economies, the value of land, and other aspects of ancient life throughout the city. He thus challenges the traditional view that the Greeks had one standard household model and approach to city planning. He shows how the Greeks reconciled conflicting demands of ideal and practice, for instance between egalitarianism and social inequality or between the normative roles of men and women and roles demanded by economic necessities. The book, which is extensively illustrated with plans and photographs, is supported by a Web site containing a database of the architecture and finds from the excavations linked to plans of the site.

Despite the global financial crisis in 2007-2008, neoliberalism has remained dominant and even informs the responses to the crisis. In his masterful analysis, Damien Cahill demonstrates that this resilience is due to neoliberalism being firmly embedded within wider class relations, institutions and ideological norms. And yet, as Cahill also argues, progressive change is possible provided it is based on large-scale political mobilisation. I most strongly recommend this book for reading.' - Andreas Bieler, Nottingham University, UK'Damien Cahill has emerged as one of the most penetrating social scientists on the politics of neoliberalism in the advanced capitalist societies. In his new book, he brings his many years of pouring over policy documents to examine neoliberalism in the new 'age of austerity'. The result is an impressive survey of the history and debates about neoliberal policies. But more powerful is Cahill's hard-headed analysis of why neoliberalism may not simply be in decline, despite the great social disasters it has produced: the 'Great Recession' of 2008 only being the most spectacular. Cahill insists on what many are only beginning to realize: that a new progressive political economy will not emerge as a result of the 'failure of neoliberal ideas', but only when an alternative vision of society fuses with new organized forms of social resistance.' - Greg Albo, York University, Toronto, Canada When the global financial crisis hit in 2007, many commentators thought it heralded the end of neoliberalism. Several years later, neoliberalism continues to dominate policy making. This book sets out why such commentators got it so wrong, and why neoliberalism remains so durable in the face of crisis. This book is the first comprehensive critique of the dominant 'ideas-centered' approach to understanding neoliberalism. It offers an alternative view of neoliberalism as a policy regime that is embedded in institutions, class relations and ideological norms. Damien Cahill argues that the socially embedded nature of neoliberalism explains why policy makers continue to use neoliberal policies as forms of crisis response, even though the crisis itself resulted from several decades of neoliberal restructuring. It takes aim at dominant interpretations of neoliberalism, arguing that it is wrongly viewed as reflecting neoliberal free market ideals, or as resulting from the influence of fundamentalist neoliberal intellectuals. The book concludes with a prognosis of the future prospects for neoliberalism. The End of Laissez-Faire? is a compelling and insightful analysis of neoliberalism, which will appeal to scholars and students of public policy, political science, sociology, political economy, anthropology, human geography, industrial relations and economics-related studies. Contents: Introduction 1. The Idealist View of Neoliberalism 2. Actually Existing Neoliberalism 3. Did Neoliberal Ideas Create the Neoliberal State and Economy? 4. Always Embedded Neoliberalism 5. The Class Embedded Nature of Neoliberalism 6. Institutionally Embedded Neoliberalism 7. Ideologically Embedded Neoliberalism 8. The Global Financial Crisis and the Future of Embedded Neoliberalism Bibliography Index

Reviews 'David Hockney RA: A Bigger Picture', exhibited at The Royal Academy. The project of creating monumental landscape paintings was based on a small area near the artist's home at Bridlington in East Yorkshire. Works developed with time-framed films, photographs, i-pad studies, drawings, sketchbooks, oils and watercolours. recording particular motifs and places in the changing seasons. Studies were enlarged on joined canvases in compositions up to 32' wide, designed to immerse the viewer in an intense experience of the landscape. The monograph includes exhibition reviews by James Cahill and Michael Lovell Pank + reviews of recent catalogues and books on the artist by Marco Livingstone, Martin Gayford and Christopher Simon Sykes, by Marina Vaizey.

Do you want to feel more confident about your investment decisions?

Do you need to have a better understanding of how the stock markets value a business?

Do you want to know what the key ratios are that drive share price performance?

The Financial Times Guide to Making the Right Investment Decisions is the insider’s guide to how the market examines companies and values shares.  It helps you understand the factors that drive long term wealth creation as well as highlighting the key risks that lead to value being destroyed.

Originally published as Analysing Companies and Valuing Shares, this new edition has been fully revised and includes a new and easy to follow framework for understanding valuation.  Perfect for investors at all levels, it guides you through the investment maze, and highlights the key issues you need to consider to invest successfully.

The Financial Times Guide to Making the Right Investment Decisions:

• Gives you an easy to follow framework to  guide your decision-making
• Explains clearly and concisely key financial concepts and how they drive valuation
• Shows you the key ratios to monitor and how they affect share prices
• Illustrates the key risks and warning signals that will help you avoid losses
• Identifies the qualities of company management and governance that differentiates winners from losers
• Brings the issues and numbers to life with real examples and case studies

James Cahill presents a review of a new exhibition by the renowned artist Francesco Clemente,(b.1952) exploring his first show in London for seven years. The monograph includes a conversation recorded with the artist in which he discusses the new paintings, and the ideas which grounded their development. Clemente embodies a binding of different cultures: the Western Italian Renaissance, Eastern philosophy of Buddhism and the Mandala; formed in a life divided between New York and India. The exhibition of fourteen works at Blain|Southern, Hanover Square, is entitled 'Mandala for Crusoe' and runs until 26th January 2013. Francesco Clemente (b. 1952, Naples, Italy) is a renowned artist from the Neo-Expressionist movement of the late 1970s and early 1980s. From 1970 he studied architecture at the University of Rome, and began to exhibit his drawings, photographs and conceptual works in Europe. From 1973, he travelled regularly to India, and in 1981 he moved to New York. He collaborated with close friends, notably the poets Allen Ginsberg and Robert Creeley, and reacting against a wave of anti-painting sentiment among critical circles, Clemente initiated a series of collaborative paintings with Jean-Michel Basquiat and Andy Warhol. Since the mid-1980s, Clemente's work has been the subject of many international solo exhibitions, including; Nationalgalerie, Berlin (1984 - 5); Kunstmuseum Basel (1987); Philadelphia Museum of Art (1990); Royal Academy of Arts, London (1990); Centre Georges Pompidou, Paris (1994 - 5); Guggenheim Museum, New York (1999 - 2000); Irish Museum of Modern Art, Dublin (2004); Museo MAXXI, Rome (2006); Museum MADRE, Naples (2009); and more recently at the Schirn Kunsthalle, Frankfurt (2011) and the Uffizi Gallery, Florence (2011). His works have also been included in notable group exhibitions including Documenta 7 in 1982 and the Venice Biennale in 1988 and 1995. Clemente is a member of the American Academy of Arts and Letters. (Blain|Southern)