These stories are enveloped by change and the changes that shift the trajectories of our lives: change that shatters us, change that opens the world, and change from which we can never come back. These fourteen stories tell us about extensive and inevitable changes and how we realign ourselves and our lives, if we can.

To read Curled in the Bed of Love is to feel the incessant tug between devotion and desire that can unmake even the closest couple. These eleven stories are set in the San Francisco Bay Area, and in true Left Coast style, Catherine Brady's characters are as resolute in evading middle-class conformity as they are in clinging to their illusions about love. And while they never shy from paying their dues, they can't help but wonder sometimes if their choices have at last accrued too high a cost. What lies in the bed of love, with women and men curled sometimes in repose, sometimes in a defensive knot, are failed dreams, reproofs, ambitions, and stubborn beliefs.

Always, mortality threatens the lovers' embrace. In the title story, Jim and his HIV-positive partner contend with an illness that has fueled their love but also threatens to consume it. In some stories, an outsider exposes the frailty of a relationship. Claire, who's opted for a steady marriage in "The Loss of Green," is both stirred and repelled by the advances of her former mate Sam, a radical environmentalist with a predatory need to reassert his claim on her. And in "Behold the Handmaid of the Lord," Debbie, compelled to translate a brief affair with her cousin's fiance into a profound transgression, comes clean on a sleazy national talk show.

All of Brady's stories are gritty and unflinching in their gaze, yet lyrical and rich in the imagery of stasis and change--an empty house too long on the market, a pair of kayakers riding out a patch of rough sea, a greenhouse in which the orchid blooms only suggest the darting vitality of butterflies and birds. There is much to learn in these tales of flawed but good people working hard to hold their lives together.

This book illuminates how technique serves 'story logic, ' the particular way fiction makes meaning. Writers raid the cupboard of theory looking for what works, and generic rules don't account for the rich variety of strategies they employ. For writers who are past the beginner stage, Brady offers a closer look at craft fundamentals, including plot, characterization, patterns of imagery, and style. The lively, lucid discussion draws on vivid examples from classic and contemporary fiction, ranging from George Eliot and William Faulkner to Haruki Murakami and Toni Morrison. Because it supplies the analytical tools needed to read as a writer, this text will enrich the reader's approach to any work of fiction, energizing discussion in a workshop or craft course.

Molecular biologist Elizabeth Blackburn--one of Time magazine's 100 "Most Influential People in the World" in 2007--made headlines in 2004 when she was dismissed from the President's Council on Bioethics after objecting to the council's call for a moratorium on stem cell research and protesting the suppression of relevant scientific evidence in its final report. But it is Blackburn's groundbreaking work on telomeric DNA, which launched the field of telomere research, that will have the more profound and long-lasting effect on science and society. In this compelling biography, Catherine Brady tells the story of Elizabeth Blackburn's life and work and the emergence of a new field of scientific research on the specialized ends of chromosomes and the enzyme, telomerase, that extends them. In the early stages of telomere research, telomerase, heralded as a potential cure for cancer and diseases related to aging, attracted the voracious interest of biotech companies. The surrounding hype succeeded in confusing the role of telemorase in extending the life of a cell with a mechanism that might extend the lifespan of an entire organism. In Brady's hands, Blackburn's story reveals much about the tension between pure and applied science, the politicking that makes research science such a competitive field, and the resourceful opportunism that characterizes the best scientific thinking. Brady describes the science accessibly and compellingly. She explores Blackburn's struggle to break down barriers in an elite, male-dominated profession, her role as a mentor to other women scientists (many of whom have made their mark in telomere research), and the collaborative nature of scientific work. This book gives us a vivid portrait of an exceptional woman and a new understanding of the combination of curiosity, imaginative speculation, and aesthetic delight that powers scientific discovery.Catherine Brady is Assistant Professor in the MFA in Writing Program at the University of San Francisco. She is the author of two collections of short stories, The End of the Class War and Curled in the Bed of Love (a winner of the 2002 Flannery O'Connor Award for Short Fiction).