Cesare Pavese (1908-1950) was the leading Italian scholar of American literature of the generation that came to maturity under Mussolini. He was not only an acute and wide-ranging literary critic, but also a sensitive poet and novelist. In addition, he was a prodigious translator. In collaboration with Elio Vittorini, he translated and brought to the attention of the Italian public the works of many important American writers. American literature helped to give direction to Pavese's creative work and was a resource for his personal literary campaign against Fascism.

Pavese was a non-academic critic, though far less anti - academic than D. H. Lawrence. His first purpose was to use American literature to subvert Italian literature, but beyond that there were a number of issues on which he disagreed with standard American criticism. When he does, his wild, original energy of discovery can trigger a welcome change of focus for our views of American writing.

Pavese never visited or lived in America; it was for him a foreign country, although a shifting and sliding special case. He had no stake in its sectional chauvinisms. He had a vital stake in its whole literature because, as his communications to Vittorini make clear, he had a stake in the literature of the whole world. For a while, America seemed to him the probable center of that whole. This was the center where things were happening in the world of the mind, and where the future was being born and licked into shape. Paveses's writings about American literature still offer original and unsparing insights.

On June 23rd, 1950, Pavese, Italy's greatest modern writer received the coveted Strega Award for his novel "Among Women Only." On August 26th, in a small hotel in his home town of Turin, he took his own life. Shortly before his death, he methodically destroyed all his private papers. His diary is all that remains and for this the contemporary reader can be grateful.

Contemporary speculation attributed this tragedy to either an unhappy love aff air with the American film star Constance Dawling or his growing disillusionment with the Italian Communist Party. His Diaries, however, reveal a man whose art was his only means of repressing the specter of suicide which had haunted him since childhood: an obsession that fi nally overwhelmed him.

As John Taylor notes, he possessed something much more precious than a political theory: a natural sensitivity to the plight and dignity of common people, be they bums, priests, grape-pickers, gas station attendants, offi ce workers, or anonymous girls picked up on the street (though to women, the author could--as he admitted--be as misogynous as he was aff ectionate). Bitter and incisive, "This Business of Living, " is both moving and painful to read and stands with James Joyce's Letters and Andre Gide's "Journals" as one of the great literary testaments of the twentieth century.

Cesare Pavese (1908-1950), was educated in Turin. In 1930 he began to contribute essays on American literature to "La Cultura," of which he later became editor. In 1935 he was imprisoned for anti-fascist activities. This experience formed the basis of "The Political Prisoner." Between 1936 and 1940 nine of his books were published in Italy, these included novels, short stories, poetry and essays. His books have been fi lmed and dramatized, and translated into many languages.

John Taylor, a frequent contributor to the "Times Literary Supplement, Context," the "Yale Review," the "Antioch Review," the "Michigan Quarterly Review," and "Chelsea," has introduced numerous European writers and poets to English readers, often for the first time. Some of his works include "The Apocalypse Tapestries, Paths to Contemporary French Literature" (Volumes 1 and 2) and "Into the Heart of European Poetry."

Compared to the late 1970s, when the Austrian voting behavior was characterized by extraordinary stability, low electoral volatility, and high turnout rates, the 1980s and 1990s stand for exceptional changes and ruptures elicited primarily by the rise of the right wing populist FPi (Freedom Party of Austria). This volume of collected papers investigates the permanent changes of Austrian voting behavior over the past forty years and analyzes causes and consequences for party competition and the electoral process in Austria during the first decade of the twenty-first century. Some of the contributions include Oliver Rathkolb's wide-ranging historical typology which addresses the Austrian voters in the twentieth century from the perspective of expanding voting laws and the struggle for political participation and integration. Based on compact trend data of Austrian Election Studies, Fritz Plasser and Peter A. Ulram present an empirical overview of trends and patterns in Austrian voting behavior covering the period from 1970 to 2006. Both the rising electoral volatility and the permanent increase of constant non-voters since the 1980s are dealt with. The development and dynamics of regional elections in Austria since the mid-1980s are reconstructed and related to the electoral behavior on the federal level. Kurt Richard Luther analyzes electoral strategies and the rise and fall of Austrian right wing populism from 1986 to 2006, focusing in particular upon changing styles of electoral mobilization. The media's role in framing the Austrian campaign discourse and the specific characteristics of campaign coverage in Austria are also in focus. This well-conceived volume also contains review essays, book reviews, and the annual review of Austrian politics. A mandatory selection for the bookshelves of all those interested in Austria or European Studies, this book provides invaluable information regarding the electoral process in Austria.

On June 23rd, 1950, Pavese, Italy's greatest modern writer received the coveted Strega Award for his novel Among Women Only. On August 26th, in a small hotel in his home town of Turin, he took his own life. Shortly before his death, he methodically destroyed all his private papers. His diary is all that remains and for this the contemporary reader can be grateful. Contemporary speculation attributed this tragedy to either an unhappy love aff air with the American film star Constance Dawling or his growing disillusionment with the Italian Communist Party. His Diaries, however, reveal a man whose art was his only means of repressing the specter of suicide which had haunted him since childhood: an obsession that finally overwhelmed him. As John Taylor notes, he possessed something much more precious than a political theory: a natural sensitivity to the plight and dignity of common people, be they bums, priests, grape-pickers, gas station attendants, office workers, or anonymous girls picked up on the street (though to women, the author could--as he admitted--be as misogynous as he was affectionate). Bitter and incisive, This Business of Living, is both moving and painful to read and stands with James Joyce's Letters and Andre Gide's Journals as one of the great literary testaments of the twentieth century.

Cesare Pavese (1908-1950) was the leading Italian scholar of American literature of the generation that came to maturity under Mussolini. He was not only an acute and wide-ranging literary critic, but also a sensitive poet and novelist. In addition, he was a prodigious translator. In collaboration with Elio Vittorini, he translated and brought to the attention of the Italian public the works of many important American writers. American literature helped to give direction to Pavese's creative work and was a resource for his personal literary campaign against Fascism. Pavese was a non-academic critic, though far less anti - academic than D. H. Lawrence. His first purpose was to use American literature to subvert Italian literature, but beyond that there were a number of issues on which he disagreed with standard American criticism. When he does, his wild, original energy of discovery can trigger a welcome change of focus for our views of American writing. Pavese never visited or lived in America; it was for him a foreign country, although a shifting and sliding special case. He had no stake in its sectional chauvinisms. He had a vital stake in its whole literature because, as his communications to Vittorini make clear, he had a stake in the literature of the whole world. For a while, America seemed to him the probable center of that whole. This was the center where things were happening in the world of the mind, and where the future was being born and licked into shape. Paveses's writings about American literature still offer original and unsparing insights.

Compared to the late 1970s, when the Austrian voting behavior was characterized by extraordinary stability, low electoral volatility, and high turnout rates, the 1980s and 1990s stand for exceptional changes and ruptures elicited primarily by the rise of the right wing populist FP (Freedom Party of Austria). This volume of collected papers investigates the permanent changes of Austrian voting behavior over the past forty years and analyzes causes and consequences for party competition and the electoral process in Austria during the first decade of the twenty-first century.

Some of the contributions include Oliver Rathkolb's wide-ranging historical typology which addresses the Austrian voters in the twentieth century from the perspective of expanding voting laws and the struggle for political participation and integration. Based on compact trend data of Austrian Election Studies, Fritz Plasser and Peter A. Ulram present an empirical overview of trends and patterns in Austrian voting behavior covering the period from 1970 to 2006. Both the rising electoral volatility and the permanent increase of constant non-voters since the 1980s are dealt with. The development and dynamics of regional elections in Austria since the mid-1980s are reconstructed and related to the electoral behavior on the federal level.

"Kurt Richard Luther" analyzes electoral strategies and the rise and fall of Austrian right wing populism from 1986 to 2006, focusing in particular upon changing styles of electoral mobilization. The media's role in framing the Austrian campaign discourse and the specific characteristics of campaign coverage in Austria are also in focus. This well-conceived volume also contains review essays, book reviews, and the annual review of Austrian politics. A mandatory selection for the bookshelves of all those interested in Austria or European Studies, this book provides invaluable information regarding the electoral process in Austria.

"Gnter Bischof" is Marshall Plan Professor of History, chair of the History Department, and director of CenterAustria at the University of New Orleans; "Fritz Plasser" is professor of political science and dean of the political science and sociology faculty at the University of Innsbruck.

"There is only one pleasure, that of being alive. All the rest is misery," wrote Cesare Pavese, whose short, intense life spanned the ordeals of fascism and World War II to witness the beginnings of Italy's postwar prosperity. Searchingly alert to nuances of speech, feeling, and atmosphere, and remarkably varied, his novels offer a panoramic vision, at once sensual and finely considered, of a time of tumultuous change. This volume presents readers with Pavese's major works. "The Beach" is a wry summertime comedy of sexual and romantic misunderstandings, while "The House on the Hill" is an extraordinary novel of war in which a teacher flees through a countryside that is both beautiful and convulsed with terror. "Among Women Only" tells of a fashion designer who enters the affluent world she has always dreamed of, only to find herself caught up in an eerie dance of destruction, and "The Devil in the Hills" is an engaging road novel about three young men roaming the hills in high summer who stumble on mysteries of love and death.

'Pavese's novels are works of an extraordinary depth where one never stops finding new levels, new meanings' Italo Calvino June, 1943. Allied aircraft are bombing Turin; fascist Italy is on its knees. Every evening, after a day's teaching in the city, Corrado returns to the safety of the hills and the care of his two doting landladies. He has no attachments, no obligations. Yet against his better judgement he is drawn to the easy warmth of a circle of anti-fascists who congregate at a nearby tavern, and confronted with a painful choice: emotional and political commitment, with all its dangers - or devastating retreat. Pavese's extraordinary semi-autobiographical novel is a lucid portrayal of missed opportunities and human weakness, set against the seductive intensity of the Italian countryside. Translated with an introduction by Tim Parks Shortlisted for The Society of Authors Translation Award 2022

Winner of the 2003 PEN/Book-of-the-Month Club Translation Prize
A NEW YORK REVIEW BOOKS ORIGINAL
The nameless narrator of "The Moon and the Bonfires," Cesare Pavese's last and greatest novel, returns to Italy from California after the Second World War. He has done well in America, but success hasn't taken the edge off his memories of childhood, when he was an orphan living at the mercy of a bitterly poor farmer. He wants to learn what happened in his native village over the long, terrible years of Fascism; perhaps, he even thinks, he will settle down. And yet as he uncovers a secret and savage history from the war--a tale of betrayal and reprisal, sex and death--he finds that the past still haunts the present. "The Moon and the Bonfires" is a novel of intense lyricism and tragic import, a masterpiece of twentieth-century literature that has been unavailable to American readers for close to fifty years. Here it appears in a vigorous new English version by R. W. Flint, whose earlier translations of Pavese's fiction were acclaimed by Leslie Fiedler as "absolutely lucid and completely incantatory."

Cesare Pavese was one of Italy's great post-war writers. His poetry was revolutionary--both artistically and politically--rejecting the verbal and philosophical constraints of tradition and utilizing direct, colloquial language. His subjects were peasants, hobos, and prostitutes, and this bilingual volume includes all the poetry Pavese ever published, including work originally deleted by Fascist censors. A landmark volume.

Cesare Pavese (1908-50) was a novelist, poet, and translator and a major literary figure in post-war Italy. He brought American influence to Italian literature through his translations. Pavese's flight from the Fascists and subsequent confinement were reflected in his writings, which dealt with social struggle and revealed his sympathy for the oppressed. He committed suicide at the height of his literary powers.

A Kage-an Series Book

'An astonishing portrait of an innocent on the verge of discovering the cruelties of love... there are whispers here of the future work of Elena Ferrante' Elizabeth Strout, from the introduction 'Life was a perpetual holiday in those days...' It's the height of summer in 1930s Italy and sixteen-year-old Ginia is desperate for adventure. So begins a fateful friendship with Amelia, a stylish and sophisticated artist's model who envelops her in a dazzling new world of bohemian artists and intoxicating freedom. Under the spell of her new friends, Ginia soon falls in love with Guido, an enigmatic young painter. It's the start of a desperate love affair, charged with false hope and overwhelming passion - destined to last no longer than the course of a summer. The Beautiful Summer is a gorgeous coming-of-age tale of lost innocence and first love, by one of Italy's greatest writers. 'Pavese, to me, is a constant source of inspiration' Jhumpa Lahiri 'One of the few essential novelists of the mid-twentieth century' Susan Sontag '[Pavese writes books of] extraordinary depth where one never stops finding new levels, new meaning' Italo Calvino 'For my trip to Los Angeles, I'm packing The Beautiful Summer, a slender account of love in 1930s Italy' Jessie Burton, bestselling author of The Miniaturist and The Muse

'Insinuating, haunting and lyrically pervasive' The New York Times Book Review A new translation by Tim Parks Twenty years after making his fortune in America, Eel is drawn back to the closest thing he has to a home: the Piedmontese countryside where he grew up poor and illegitimate. Wandering the valleys and vineyards with his childhood friend Nuto, Eel remembers the farm where he worked, his employer's beautiful daughters, the rituals of rural life. Yet as he discovers more about what happened there during the war, he realizes that these timeless landscapes hide terrible, savage secrets. By turns fond and evocative, seductive and troubling, The Moon and the Bonfires is a lyrical masterpiece of memory and betrayal. Translated with an Introduction by Tim Parks

El bello verano lo escribio Pavese entre el 2 de marzo y el o de mayo de 1940. Con la cuidad como fondo unico, sordido y gris, el autor nos ofrece un relato del horror a lo adulto: el paso de la adolescencia a la madurez, la transicion del verano hacia el invierno que trae el frio tiempo de la desesperanza.