Steve Pink directs this romantic comedy, based on David Marmet's play 'Sexual Perversity in Chicago', starring Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant. Bernie Jackson (Hart) and his friend Danny Martin (Ealy) consider themselves successful womanisers. However, when they become involved with two roommates, Joan Derrickson (Hall) and Debbie Sullivan (Bryant), Bernie and Danny find that life becomes a lot more complicated. The two couples go through numerous ups and downs, with the difficulties and successes of each relationship having a knock-on effect on the other. Can romance and friendship survive such close proximity?

Remastered version of Brad Bird's animated classic featuring two new scenes.

In 1957, a gigantic iron man crash lands from outer space in Rockwell, Maine. After reassembling itself, the giant is discovered by nine-year-old Hogarth Hughes, who helps it to conceal itself while feeding on scrapyard cars. Hogarth is assisted by beatnik Dean McCoppin, unaware that government agent Kent Mansley is already on the trail of what he regards as an 'alien invader'.

Acclaimed drama from director John Duigan, starring Sam Rockwell and Mischa Barton. Ten-year-old Devon Stockard (Barton) leads a lonely existence in her wealthy parents' high-security suburban complex. Her only friend is Trent Burns (Rockwell), a 22-year-old drop-out who works as a 'lawn dog', mowing the lawns of the locals for a living. However, Trent is reviled and looked down upon by those he works for, and his friendship with Devon looks set to get him into a lot of trouble.

Ridley Scott directs this drama starring Geena Davis and Susan Sarandon. Waitress Louise (Sarandon) persuades her friend Thelma (Davis) to escape her sexist husband and join her on a road trip. When they stop off at a country bar, Louise ends up saving Thelma from an attempted rape - shooting and killing the rapist in the process - and the women consequently find themselves forced to go on the run. Along the way their money is stolen by a handsome cowboy (Brad Pitt) and they begin holding-up convenience stores to get by, feeling strangely liberated by their new-found assertiveness. The cast also includes Harvey Keitel, Michael Madsen and Christopher McDonald.

This book addresses religion and secularism as critical and contested elements of college student diversity. It both examines why and how this topic has become an integral aspect of the field of student affairs, and considers how scholars and practitioners should engage in the discussion, as well as the extent to which they should be involved in students' crises of faith, spiritual struggles, and questions of life purpose. Part history of the field, part prognostication for the future, the contributing authors discuss how student affairs has reached this critical juncture in its relationship with religious and secular diversity and why this development is poised to create lasting change on college campuses. Section I of this book focuses on the research on spirituality, faith, religion, and life purpose; considers the evolution of faith development theories from not only Christian perspectives but Muslim, Jewish, atheist and other secular worldviews; examines the influence of faith frames in students' daily lives; and addresses the impact of campus climate for religion/spirituality, as well as the relationship between religious minority/majority status, on student outcomes. It concludes by tracing the pendulum swing from higher education's historical foundation in religion to the science-focused, religion-averse 20th century, and now to a fragile middle position, in which religious and secular diversity are being seriously considered and embraced. Section II analyzes the role professional associations play in advancing the student affairs field's commitment to spirituality, faith and life purpose; the degree of support they offer to practitioners as they examine their own religious and secular identities, and envisages potential new programming, resources, and networks. Section III describes a number of programs and services developed by practitioners and faculty members working in this area on their campuses; synthesizes these developments for an examination of where best practices stand today; and imagines the future of institutionalizing higher education's support for students' explorations of spirituality, faith, religion, and life purpose. Making Meaning provides a comprehensive resource for student affairs scholars and practitioners seeking to understand these topics and apply them in their own research and daily work.

This book addresses religion and secularism as critical and contested elements of college student diversity. It both examines why and how this topic has become an integral aspect of the field of student affairs, and considers how scholars and practitioners should engage in the discussion, as well as the extent to which they should be involved in students' crises of faith, spiritual struggles, and questions of life purpose. Part history of the field, part prognostication for the future, the contributing authors discuss how student affairs has reached this critical juncture in its relationship with religious and secular diversity and why this development is poised to create lasting change on college campuses. Section I of this book focuses on the research on spirituality, faith, religion, and life purpose; considers the evolution of faith development theories from not only Christian perspectives but Muslim, Jewish, atheist and other secular worldviews; examines the influence of faith frames in students' daily lives; and addresses the impact of campus climate for religion/spirituality, as well as the relationship between religious minority/majority status, on student outcomes. It concludes by tracing the pendulum swing from higher education's historical foundation in religion to the science-focused, religion-averse 20th century, and now to a fragile middle position, in which religious and secular diversity are being seriously considered and embraced. Section II analyzes the role professional associations play in advancing the student affairs field's commitment to spirituality, faith and life purpose; the degree of support they offer to practitioners as they examine their own religious and secular identities, and envisages potential new programming, resources, and networks. Section III describes a number of programs and services developed by practitioners and faculty members working in this area on their campuses; synthesizes these developments for an examination of where best practices stand today; and imagines the future of institutionalizing higher education's support for students' explorations of spirituality, faith, religion, and life purpose. Making Meaning provides a comprehensive resource for student affairs scholars and practitioners seeking to understand these topics and apply them in their own research and daily work.

Ridley Scott directs this drama starring Geena Davis and Susan Sarandon. Waitress Louise (Sarandon) persuades her friend Thelma (Davis) to escape her sexist husband and join her on a road trip. When they stop off at a country bar, Louise ends up saving Thelma from an attempted rape - shooting and killing the rapist in the process - and the women consequently find themselves forced to go on the run. Along the way their money is stolen by a handsome cowboy (Brad Pitt) and they begin holding-up convenience stores to get by, feeling strangely liberated by their new-found assertiveness. The cast also includes Harvey Keitel, Michael Madsen and Christopher McDonald.

Wolfgang Petersen's screen adaptation of Sebastian Junger's semi-fictional book about the loss of a fishing vessel and its crew during one of the biggest storms for decades seen off the coast of the US. In the autumn of 1991 the Andrea Gail leaves the port of Gloucester, Massachusetts, never to be seen again. Heading out to the fishing waters of the Flemish Cap in search of swordfish, Captain Billy Tyne (George Clooney) and his crew soon find themselves overtaken by a massive storm, one which taxes their courage to the very limit. Focusing mainly on the adventures of the Andrea Gail, but also taking in the attempts of a rescue helicopter to rescue the crew of an ailing sailboat, Wolfgang Petersen's film uses impressive state-of-the-art effects to present a vivid account of the storm's awesome, destructive power.

For more than two thousand years strategists in China have followed a single, coherent system of military principles and teachings. In The Science of War, Christopher MacDonald tells how those principles and teachings first crystallized into the treatise attributed to Sun Tzu, how they were honed by generals and rulers in the centuries that followed, and how they guide the decision-making of China's military and political leaders to this day. Supported by a masterly new translation of Sun Tzu's classic, MacDonald analyses what the application of that ancient system of thought, borne into the twenty-first century on the back of China's remarkable economic resurgence, bodes for military strategy in the region. The result is essential reading for anyone who wants to understand what the PRC is planning for Taiwan, the South China Sea and the Western Pacific.

In this 1980s classic, a struggling jazz dancer (Lucinda Dickey) teams up with two hot breakdancers (Adolfo Quinones and Michael Chambers) in an attempt to win a big-time dance competition. The music score features the hits "Breakin'...There's No Stoppin Us," and "Freakshow on the Dance Floor." BREAKIN' also features Ice-T's screen debut.